Portrait photograph of Young taken by Pach Brothers, NYC. The photograph is autographed by Young to his sisters.

One albumen print of a nautch bungalow at the Shalimar Garden, Srinagar, India, circa 1860s. With two men next to a pool of water. Signed "Bourne 806" in black ink on bottom right of image. "Nautch Bungalow Shalimar" is inscribed on the board beneath the photograph.

Relate to Arapaho(s), Dakota (some Oglala) and probably Dakota Indians (25), most on mount of D. S. Mitchell, Eddy Street, Cheyenne, Wyoming, others on unprinted mounts; and 1 Shoshoni photograph on mount of Howard, Fort San[ders ?], Wyoming Territory. All on carte de visite style mounts.

The Dr. G. Howard White, Jr. Collection contains images of family members and residences relating to the White family of Catonsville, Maryland and Middleburg, Virginia and the Liebig family of Catonsville, Maryland, as well as recreational, industrial, and general sites in Virginia, Maryland, and New Jersey. The images, taken by Dr. G. Howard White, Jr. and Dr. Gustav Adolph Liebig, both amateur photographers, document everything from informal family gatherings and outings to domestic servants, workers, factories and railroad lines. The acession file includes some genealogical information and research on properties conducted in 2005.

Correspondence with dealers, artists, museums, publishers, photography studios, and others regarding art purchases, loans, and Shaw's collection; and 16 v. of scrapbooks containing photographs, letters, and biographical information on artists. Much of the correspondence with artists relates to Shaw's requests for the information which was then used...

The collection documents Howard F. Bowker, a coin collector and expert in the coinage of East Asia.

The records of the Howard Wise Gallery in New York, and its predecessor the Howard Wise Gallery of Present Day Painting and Sculpture in Cleveland, Ohio, measure 11.4 linear feet and date from 1943-1989. Records consist of correspondence, artist files, exhibition files, business records, writings, and video recordings that document the activities of Wise's gallery in Cleveland from 1957-1961 and, to a lesser extent, his gallery in New York City from 1960-1970. Wise's activities following the closing of the Howard Wise Gallery are also found among the correspondence, artist files, business records, writings, and video recordings.

The papers of art collector and dealer Jimmy Hedges and the records of his Rising Fawn Folk Art Gallery measure 23.5 linear feet and 15.63 GB and date from 1969-2016, with the bulk of the material dating from 1991-2013. The collection documents Hedges's career as a dealer of outsider art and as an advocate for self-taught artists. Records include administrative and sales records, correspondence, artist files, collector and gallery files, exhibition and art fair files, regional files, printed and digital material, photographic material, and unidentified sound and video recordings. The bulk of the collection consists of artist files and color photographs documenting hundreds of artists that Hedges visited at their homes and studios, including Georgia Blizzard, Howard Finster, Homer Green, Bessie Harvey, Danny Hoskinson, Paul Lancaster, A.J. Mohammed, Charlie Simmons, Jimmy Lee Sudduth, Mose Tolliver, and Purvis Young, among many others.

The papers of African American artist and educator Jeff Donaldson measure 12.5 linear feet and 0.003 GB and date from 1918 to 2005, with the bulk of the records dating from the 1960s to 2005. The collection documents Donaldson's work as a professional artist, his academic career at Howard University, and his leadership role in the Black Arts Movement through biographical material, a small amount of professional and personal correspondence, personal business records, writings by Donaldson and others, research files, artist files, sound recordings of interviews Donaldson conducted with over 40 artists, teaching files, exhibition files, printed and digital material, and photographs. Also found are detailed records of his professional activities and leadership roles in AfriCOBRA, CONFABA, FESTAC, and the Organization of Black American Culture (OBAC), including documentation on the Wall of Respect mural.

This scrapbook is one of three prepared by the Aero Club of America in honor of the presentation of the Aero Club of America medals to Orville and Wilber Wright by President William Howard Taft. The book consist of photos, editorials, articles, and cartoons published on 16 June 1909, the day of the presentation, and given to the club for inclusion ...