6 records — Page 1 of 1
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Creators:
Witz, Edward Francis
Dates:
2002-2004
Size:
9 color prints
Collection ID:
NAA.PhotoLot.2005-26
Repository:
National Anthropological Archives

Photographs relating to Edward Francis Witz's time as a Peace Corps volunteer in Bayankhongor, Mongolia. Witz's photographs depict his host family, the yurt in which he lived, and Witz wearing a del (a traditional Mongolian garment) made by his host mother.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 26-July 7, 2002
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.2002
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Dempsey, Richard W., 1909-
Dates:
1929-1989
bulk 1960s-1980s
Size:
2.9 Linear feet
Collection ID:
AAA.demprich
Repository:
Archives of American Art

The papers of painter Richard W. Dempsey measure 2.9 linear feet and date from 1929 to 1989, with the bulk of the papers dating from the 1960s to the 1980s. The papers contain biographcial material, correspondence, writings, project and exhibition files, printed material, photographs, and artwork and notes related to planning artwork.

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Creators:
Musical History, Division of (NMAH, SI)
Odell, Scott, 1935-
Dates:
1964-1977
Size:
18 Cubic feet
Collection ID:
CFCH.ODEL
Repository:
Ralph Rinzler Folklife Archives and Collections

The J. Scott Odell folk music collection (1945-2016, inclusive) contains AV recordings, photographs, correspondence, writings, and other materials relating to Odell's career at the Smithsonian as a musical instrument conservator and researcher of American music traditions. The collection largely consists of materials relating to Odell's research trips (often combined with personal visits) throughout the Eastern United States. Research strengths of the collection include the history of the Appalachian dulcimer and banjo, the Smithsonian Folkways project "Black Banjo Songsters," musician and poet Burt Porter, and the Bread and Puppet Theater.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 26-July 7, 2013
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.2013
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Smith, Myron Bement, 1897-1970
Blake, Marion Elizabeth
Dates:
circa 1910-1970
Size:
192 Linear feet
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

The Myron Bement Smith collection consists of two parts, the papers of Myron Bement Smith and his wife Katharine and the Islamic Archives. It contains substantial material about his field research in Italy in the 1920s and his years working on Islamic architecture in Iran in the 1930s. Letters describe the milieu in which he operated in Rochester NY and New York City in the 1920s and early 1930s; the Smiths' life in Iran from 1933 to 1937; and the extensive network of academic and social contacts that Myron and Katharine developed and maintained over his lifetime. The Islamic Archives was a project to which Smith devoted most of his professional life. It includes both original materials, such as his photographs and notes, and items acquired by him from other scholars or experts on Islamic art and architecture. Smith intended the Archives to serve as a resource for scholars interested in the architecture and art of the entire Islamic world although he also included some materials about non-Islamic architecture.

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6 records — Page 1 of 1