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- Creators:
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Holub, Leo, 1916-2010
- Dates:
-
1936-2001
- Size:
-
0.3 Linear feet
1 Linear foot (Addition)
- Collection ID:
- AAA.holuleo
- Repository:
-
Archives of American Art
Biographical material, letters, postcards, notebooks, photographs, and printed material, document Holub's career as a photographer and his association with Ansel Adams.
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- Creators:
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Slemmons, Kiff
Riedel, Mija, 1958-
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
- Dates:
-
2007 November 1-2
- Size:
-
92 Pages (Transcript)
- Collection ID:
- AAA.slemmo07
- Repository:
-
Archives of American Art
An interview of Kiff Slemmons conducted 2007 November 1-2, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Slemmons' home and studio in Chicago, Illinois.
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- Creators:
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Adams, Robert, 1937-
Jurovics, Toby, 1965-
- Dates:
-
2010 July 20
- Size:
-
43 Pages (Transcript)
- Collection ID:
- AAA.adams10
- Repository:
-
Archives of American Art
An interview of Robert Adams conducted 2010 July 20, by Toby Jurovics, for the Archives of American Art, at Adams' home, in Astoria, Oregon.
Found In
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- Creators:
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Holub, Leo, 1916-2010
Karlstrom, Paul J.
Art Schools in California Oral History Project
- Dates:
-
1997 July 3
- Size:
-
2 Sound cassettes (Sound recording (90 min), analog)
34 Pages (Transcript)
- Collection ID:
- AAA.holub97
- Repository:
-
Archives of American Art
An interview of Leo Holub conducted 1997 July 3, by Paul Karlstrom, for the Archives of American Art, in San Francisco, Calif.
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- Creators:
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Jacobs, Mimi
- Dates:
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1971-1981
- Size:
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140 Items (photographic prints, b&w)
- Collection ID:
- AAA.jacomimi
- Repository:
-
Archives of American Art
Photographs of artists, many from the San Francisco Bay Area, taken by Mimi Jacobs.
Found In
Marlboro Oral History and Documentation Project
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- Creators:
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Ellsworth, Scott, Dr.
Zinn, Manfredo
Marx, Dick
Nunez, Raul
More … - Dates:
-
1926-1988
- Size:
-
17.4 Cubic feet (86 boxes)
- Collection ID:
- NMAH.AC.0198
- Repository:
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Archives Center, National Museum of American History
The Marlboro Oral History and Documentation Project is the result of a two-year effort supported in part by a gift from Philip Morris, Inc. Sixty oral history interviews and a variety of television commercials, print advertising, promotional materials, packaging, and industry publications were gathered to document Marlboro cigarette advertising. T...
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- Creators:
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Namuth, Hans
- Dates:
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1945-1985
- Size:
-
4.5 Linear feet
- Collection ID:
- AAA.namuhans
- Repository:
-
Archives of American Art
The papers of New York photographer and filmmaker Hans Namuth measure 4.5 linear feet and date from 1945 to 1985. The bulk of the collection consists of photographs taken by Namuth of New York artists. Also included are papers regarding Namuth's film about Alfred Stieglitz and other professional files.
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- Creators:
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Rose, Barbara
- Dates:
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1962-circa 1969
- Size:
-
1.4 Linear feet
- Collection ID:
- AAA.rosebarb
- Repository:
-
Archives of American Art
The Barbara Rose papers date from 1962 to circa 1969 and measure 1.4 linear feet. Papers include letters, writings, printed material, interviews with artists, panel discussions, and lectures relating to Barbara Rose's research as an art historian.
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- Creators:
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Smithsonian Institution. Office of the Secretary
- Dates:
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1986-1987
- Size:
-
38 cu. ft. (38 record storage boxes)
- Collection ID:
- Accession 90-074
- Repository:
-
Smithsonian Institution Archives
This accession consists of the administrative records of the Office of the Secretary, Robert McCormick Adams, for fiscal year 1987.
Found In
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- Creators:
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Leo Castelli Gallery
- Dates:
-
circa 1880-2000
bulk 1957-1999
- Size:
-
215.9 Linear feet
0.001 Gigabytes
- Collection ID:
- AAA.leocast
- Repository:
-
Archives of American Art
The Leo Castelli Gallery records measure 215.9 linear feet and 0.001 GB and date from circa 1880-2000, with the bulk of the materials dating from the gallery's founding in 1957 through Leo Castelli's death in 1999. The major influence of dealer Leo Castelli and his gallery on the development of mid-to-late twentieth century modern art in America is well-documented through business and scattered personal correspondence, administrative files, exhibition files, extensive artists' files and printed materials, posters, awards and recognitions, photographs, and sound and video recordings. Also included are records for the subsidiary firms of Castelli Graphics and Castelli/Sonnabend Tapes and Films.