1913 Armory Show, 50th anniversary exhibition records
Correspondence, notes, publications, loan forms, shipping records, and photographs relating to the Museum's exhibition re-creating the 1913 Armory Show. The exhibition was curated by Joseph Trovato, and sponsored by the Henry Street Settlement, N.Y. Included are photographs of the members of the Association of American Painters and Sculptors, the organization which …
Joseph S. Trovato papers
Research material for the 50th anniversary exhibition of the Armory Show and other exhibitions curated by Trovato; correspondence; writings; sound and video recordings; and printed material.
Marcel Duchamp lecture at the Munson-Williams-Proctor Institute
Digitized sound recording, 0.484 GB, of a lecture by sculptor and painter Marcel Duchamp at the Munson-Williams Proctor Institute in Utica, N.Y., in 1963, marking the occasion of the 50th anniversary of the 1913 Armory Show. Duchamp summarizes the art historical heritage leading up to the Armory Show, including such artists as Pierre Puvis de Chavannes, Jean Auguste Dominique Ingres, Gustave Courbet, Honore Daumier, Edgar Degas, Claude Monet, Georges Seurat, Paul Signac, Paul Gaugin, Vincent van Gogh, Albert Pinkham Ryder, James MacNeill Whistler, John Marin, Marsden Hartley, Max Weber, and Mary Cassatt, among others.
The art show that shocked America [motion picture] / CBS News Eyewitness
Host Charles Collingwood reports for CBS News from the opening of the Armory Show, 50th anniversary exhibition, April 1963, at the site of the original exhibition, the Armory 69th St. Regiment, New York, N.Y. The anniversary exhibition was organized by the Munson-Williams-Proctor Institute, and sponsored by the Henry St. Settlement. Collingwood discusses the …
Joseph Hirshhorn papers regarding the Elmer MacRae papers
The Joseph Hirshhorn papers regarding the Elmer MacRae papers measure 0.6 linear feet and date from 1959 to 2012, with the bulk of the material dating from 1960 to 1975. The papers relate to Joseph Hirshhorn's acquisition of the Elmer MacRae papers, as well as their subsequent use in the 50th anniversary exhibition of the Armory Show and for Milton Brown's book, The Story of the Armory Show. The collection includes correspondence, exhibition files, loan forms, rights and reproductions forms, and photographs.
Milton Wolf Brown papers
The papers of art historian and educator Milton Wolf Brown date from 1908 to 1998 and measure 26.0 linear feet and 0.225 GB. The collection documents Brown's career through scattered biographical material, correspondence with friends, publishers, colleagues, artists, museums, and art organizations, travel journals, files for the Prendergast Catalogue Raisonne Project, exhibition, research, teaching, and organization files, printed and digital material, and scattered photographs. A large portion of this collection consists of writings by Brown including notebooks, draft writings for books and other publications, lectures, and his writings as a student.
Walt Kuhn Family papers and Armory Show records
The Walt Kuhn Family papers and Armory Show records measure 31 linear feet and date from 1859 to 1984, with the bulk of material dating from 1900 to 1949. Papers contain records of the legendary Armory Show of 1913, also known as the International Exhibition of Modern Art, which introduced modern European painting and sculpture to the American public. Papers also contain records of the Association of American Painters and Sculptors (AAPS), the artist-run organization that mounted the Armory Show; records of the New York artists' clubs the Kit Kat Club (founded 1881) and the Penguin Club (founded 1917); and the personal and family papers of New York artist Walt Kuhn (1877-1949), one of the primary organizers of the Armory Show.
Walter Pach papers
The papers of New York artist, critic, historian, writer, art consultant and curator Walter Pach, measure 20.7 linear feet and date from 1857-1980. The collection documents Pach's promotion of modernism through his role in the landmark 1913 Armory Show, his relationships with artists and art-world figures and his extensive writings on art. Records include biographical material, correspondence with family, friends and colleagues including noted artists, handwritten and edited versions of manuscripts by Pach, diaries and journals, business records, printed material, scrapbooks, sketchbooks and artwork by Pach and others, and photographs of Pach and his family, friends, and colleagues. The collection also includes 12 linear feet of selections from Walter Pach's library.
Downtown Gallery records
The records of the Downtown Gallery date from 1824 to 1974 (bulk 1926-1969) and measure 109.56 linear feet. The records present a comprehensive portrait of a significant commercial gallery that operated as a successful business for more than forty years, representing major contemporary American artists and engendering appreciation for early American folk art. There is an unprocessed addition to this collection dating circa 1970 of a single financial/legal document.
Kraushaar Galleries records
The records of New York City Kraushaar Galleries measure 106.3 linear feet and 0.181 GB and date from 1877 to 2006. Three-fourths of the collection documents the gallery's handling of contemporary American paintings, drawings, and sculpture through correspondence with artists, private collectors, museums, galleries, and other art institutions, interspersed with scattered exhibition catalogs and other materials. Also included are John F. Kraushaar's estate records; artists' files; financial ledgers documenting sales and gallery transactions; consignment and loan records; photographs of artwork; sketchbooks and drawings by James Penney, Louis Bouché, and others; and two scrapbooks. There is a 6.0 linear foot unprocessed addition to this collection donated in 2022 that includes correspondence with artists, galleries, organizations and individuals regarding works of art, filed alphabetically by year. Materials date from circa 1959-1999, with the bulk from 1990-1999.