The papers of portrait painter and art teacher Gordon Kelly measure 0.4 linear feet and date from 1942 to 1988. The collection primarily documents Kelly's brief tenure at the Art Students League and his extensive correspondence and collaboration with artist Kenneth Hayes Miller. The papers include correspondence, contracts, writings, artwork, printed material and four photographs.

The papers of painter and teacher Morton Traylor measure 3.4 linear feet and date from 1936 to 2003. The papers document his career as an artist and administrator of the Virginia Art Institute through biographical material, correspondence, writings, personal business records, printed material, photographs, and scrapbooks. The bulk of the collection consists of photographs, slides, and albums of artwork by Traylor. Three scrapbooks document his education and early career through clippings, photographs, exhibition materials, and letters.

The papers of painter, muralist, and educator Charles Pollock measure 3.1 linear feet and date from 1875 to 1994. Found within the papers are biographical materials; family and personal correspondence; subject files on art and professional topics; writings; printed material; artwork, including political cartoons and figurative sketches; and photographs of Pollock, his family and friends, and his work.

The William Kienbusch letters to Francis and Sydney Hamabe measure 0.2 linear feet and date from 1958 to 1977. Found in this collection are 93 letters and postcards in which Kienbusch discusses his work as a landscape painter and art instructor in New York and Maine, family business, activities with the Hamabes, their mutual friends, and other artists. Included as letter attachments are newspaper clippings and three catalogs for Kienbusch exhibitions at Kraushaar Gallery from 1959, 1969, and 1975.

The papers of painter and teacher Brian Kazlov measure 0.2 linear feet and date from 1959 to 1991. Included are letters written by Kazlov and his wife Louise to his parents, Gertrude and Peter, and other relatives. In his letters he wrote about his art education, his process of painting, the books he read, his relationships, and his emotional ups and downs as an artist. Also found are a few biographical documents, exhibition catalogs, and news clippings.

Materials include the correspondence of Joanne M. Gigliotti, Program Manager for "Discover Graphics" project; grant and budgetary information; photographs, contact sheets, and slides of class activities; invitations to student printmaking exhibitions; brochures; and confirmation forms sent to high school art teachers selected to attend th...

The Ryah Ludins portfolio measures 0.1 linear feet and dates from circa 1920-1950. The porfolio contains photographs of murals by Ryah Ludins, which were mostly commissioned for government art projects in the 1930s.

The papers of sculptor and teacher Thomas Morin measure 4.7 linear feet and date from 1952-2015. His career at several universities and art schools as well as his work as a sculptor and metalsmith are documented through biographical material, correspondence, writings, professional files, printed material, and artwork. The bulk of the collection consists of photographs and slides of Morin's artwork and the fabrication process.

The papers of artist and art teacher Victor Mikhail Arnautoff measure 3.3 linear feet and date from 1920 to 2017 with the bulk of the material dating from the 1920 to 1953. The collection contains biographical material such as marriage certificates, passports, naturalization certificates, and an Arnautoff family history; correspondence between fami...

The papers of printmaker, muralist, painter and teacher Juan Sánchez measure 5.4 linear feet and date from circa 1972 to 2010. The collection documents Sánchez's career through professional files that include three video recordings for a project, one video recording of an interview for the University of Colorado, correspondence, proposals, and a file regarding Sánchez's Louis Armstrong mural. Also found are printed materials, such as exhibition announcements and catalogs, invitations, magazines and journals, and posters relating to Sánchez and other artists; and artwork that includes prints and mock-ups for various projects.