Murals without walls [videorecording] / WNET/Thirteen; director, Alfred Broderick; producer, Elizabeth Davis; artistic consultant, Ruth Bowman
Describes the 1972 discovery and later conservation of Arshile Gorky's murals "Aviation" at the Newark, N.J. International Airport, executed in 1937 by Gorky as part of the Work Projects Administration art project. Art historian Ruth Bowman, N.J. Port Authority employees Saul Wenegrat and Stephen Staempler, and conservator Carroll Wales of Oliver Bros …
Henry-Russell Hitchcock papers
The papers of architectural historian, author, critic, teacher, and museum director, Henry-Russell Hitchcock, date from 1919-1987 and measure 24.8 linear feet. Almost all of the collection is comprised of Hitchcock's correspondence files relating to academic research, teaching, curatorial interests, and professional associations. Letters are from prominent architectural historians, architects, artists, preservationists, museum directors and curators, and family and friends. Also found are two feet of writings by Hitchcock and others, scattered biographical information, printed material, and photographs of Hitchcock and architecture.
Sandra and Gary Baden Collection of Celebrity Endorsements in Advertising
An extensive collection of magazine advertisements featuring celebrities from entertainment, sports, royalty, and the arts.
This accession consists of records created and maintained by Ben Read, Director, 1969-1973; James Billington, Director, 1973-1987; and Charles Blitzer, Director, 1988-1997. Materials include correspondence, program files, Board of Trustees member files, budget information, records documenting the legislative establishment of the center and the choosing of a location (see the Woodrow Wilson International …
Lorenzo Dow Turner Papers
The collection, which dates from 1895 to 1972 and measures 23.97 linear feet, documents the career and travels of Professor Lorenzo Dow Turner. The collection is comprised of correspondence, academic papers, research materials, books, newspaper and journal articles, sound recordings, and photographs.
This accession consists of records which document administrative issues, projects, and special events at the Archives of American Art and regional offices. Materials include correspondence, memoranda, and notes pertaining to grants, loans, fundraising, membership, contributions, policies and goals, marketing, public relations, educational outreach, acquisitions, publications, collections management, closing of regional …
These records constitute the morgue files for the Science Service, and as such contain past articles, press releases and other materials produced by the Science Service. In addition are supplemental photographs, news clippings, scientific papers and articles, obituaries and related topical information. Files are categorized according to Library of Congress …
James Graham & Sons records
The records of the New York City gallery James Graham & Sons measure 103.6 linear feet and date from 1815, 1821, circa 1896-2011 (bulk 1950s-1980s). The collection generally documents the gallery's contemporary art department during the time in which Robert Claverhouse Graham, Sr. worked at the gallery (1940-1979); records prior to 1954 are sparse and scattered. Gallery records include artist files; correspondence; exhibition files; financial records; inventory records; printed materials; sales, loans, and consignment records; scrapbooks; and photographic materials. Also found are records from Coe Kerr Gallery regarding exhibitions.
Scurlock Studio Records, Series 1: Black and White Photographs
Scurlock, Addison N., 1883-1964
Scurlock Studio (Washington, D.C.)
The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 1 primarily consists of black and white photographs, but also includes job envelopes, order forms, correspondence, notes, and other photographic materials such as negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records.
The bulk of this collection was processed by Jane Livermore, a devoted and tireless volunteer in the Smithsonian Institution Archives between 1995 and 2004. Livermore is a former Science Service employee. She worked in the organization's library, oversaw the educational project "THINGS of Science," and served as Assistant to the Director. The …