Donald Deskey collection
Project files containmagazine and newspaper clippings, reviews, correspondence, renderings, floor plans, perspective drawings, site plans, sketches, preliminary drawings, patents, stationery, labels, and technical reports. There is an extensive collection of photographs and slides of many of Deskey's packaging designs, interiors, furnishings, and exhibition installations. The files of Donald Deskey Associates include organizational charts, client files, proposals, and financial records. Some of Deskey's personal correspondence, speeches, articles, and family photographs are included. Materials cover the period from 1927-1975.
Therese Bonney photographs
This collection contains4,300 black and white photographs that document architecture and design in Paris from 1925-1937.These silver-gelatin prints, mostly 8 x 10, depicting French industrial art objects, interior settings, and window displays were amassed by Bonney who lived most of her life in Paris. Many of the photographs were done by Bonney. She collected others from news agencies, photographers, and stock photograph vendors. Many of the photographs are accompanied by captions composed in a conversational manner by Bonney.
Alfons Bach Papers
Biographical files cover the period from 1938-1989 and include resumes, clippings, correspondence, certificates, awards, speeches, brochures for exhibitions, and artwork. Project files cover the period from 1934-1961 and contain clippings, catalogs, brochures, and scrapbooks. This collection documents Bach's work as an industrial designer, architect, and painter from 1934-1992. The files on the Ridgeway …
This accession consists of drawings documenting the design of exhibitions at the Cooper-Hewitt, National Design Museum. Exhibitions documented in this accession include "Huguenot Legacy: English Silver, 1680-1760;" "Avant-Garde Letterhead;" "Lace;" "What Could Have Been: Unbuilt Architecture of the 80s;" "Solos: Smartwrap;" "Faberge: Jeweler to Royalty;" "Art Nouveau Bing: The Paris Style 1900;" "Mechanical …
This collection covers the period that Ratia was with Marimekko, 1951-1979.It includes scrapbook, press releases, correspondence, brochures, photographs, magazine articles, swatches, and trade catalogs. It contains extensive information about the company's affiliation with D/R and its operations in Finland. It includes a copy of "Phenomenon Marimekko," the catalog from a comprehensive exhibition that was held at the Museum of Applied Arts in Helsinki in 1986. The collection contains legal correspondence and contracts pertaining to D/R's representation of Marimekko in the United States, as well as numerous swatches, sample books, brochures for stockholders, and trade catalogs. Files pertaining to Marimekko's work in Finland is mostly in Finnish and consists of brochures, posters, articles, and sample books, as well as a copy of the publication, "Design in Finland 1983."Additional information on Marimekko's association with D/R can be found in the Cooper-Hewitt Design Archive's Design Research, Inc. Collection.
These records were created mostly by administrators Rohlfing, Dobkin, and Dunne. They document the activities of the Museum Advisory Board and the acquisitions committee and contain files on fundraising, membership, product development, sales, education, collections management, and exhibitions. The records also include audit reports and annual reports; grant proposals; architectural …
Many of these records predate Silverman's arrival at the Museum, and consist of subject files that were apparently assembled by Mary Noon and others to document the history and activities of the Museum under the Cooper Union. They contain curatorial correspondence; press releases; fact sheets; information leaflets; news clippings; and …
These records document the Cooper-Hewitt Museum exhibitions from 1974 to 1979, especially the Museum's "Museum Without Walls" project, Immovable Objects / Lower Manhattan, 1975, and the Museum's first exhibition show at the Carnegie Mansion, MAN transFORMS / Aspects of Design, 1976. These materials were assembled by Dorothy Twining Globus, Exhibits Specialist, and Lucy Fellowes, Exhibits Researcher …
These records pertain to the exhibitions of the Cooper-Hewitt Museum, beginning with the first held under the auspices of the Smithsonian, Immovable Objects/Lower Manhattan from Battery Park to the Brooklyn Bridge, which opened in June 1975, and ending with Louis Sullivan: The Function of Ornament, which closed in September 1987. In …
This accession consists of records documenting the installation, development, and publicity of exhibitions and visitor response to those exhibitions. Materials include installation photographs, object lists, label copy, scripts, press releases, memoranda, correspondence, and visitor comment books. An exhibitions list is found at the front of Box 1.