Jeanet Steckler Dreskin papers
0.2 Linear feet (Addition)
Reel 2803: A résumé; records and announcements of exhibitions of her work; lists of reproductions of her illustrations for medical journals; and clippings, 1970-1973.
Records
These records consist of files documenting exhibitions organized by the Department of Prints and Drawings and the Department of Graphic Arts, 1968-1987, under the leadership of Moser. Also included is a small amount of material left behind by curators Jacob Kainen and Janet A. Flint. Materials include correspondence, memoranda, label text …
Collection Records
These records document the collection and curatorial activities of Jacob Kainen, Curator (1967-1969), Janet A. Flint, Acting Curator (1970) and Curator (1971- ), and Martina Roudabush Norelli, Associate Curator, Department of Prints and Drawings, National Collection of Fine Arts. The bulk of the material relates to the acquisition or decline of objects for the …
Records
This accession consists of records that document the activities of Martina Roudabush Norelli, associate curator of Graphic Arts, and include original inventory sheets of works of art purchased from or donated by individuals and societies, including the Chicago Society of Etchers; minutes of meetings of professional societies; brochures from exhibitions …
Department of Anthropology records
Smithsonian Institution. Department of Anthropology
Smithsonian Institution. United States National Museum. Department of Anthropology
The Department of Anthropology records contain administrative and research materials produced by the department and its members from the time of the Smithsonian Institution's foundation until today.
Records
The bulk of this collection was processed by Jane Livermore, a devoted and tireless volunteer in the Smithsonian Institution Archives between 1995 and 2004. Livermore is a former Science Service employee. She worked in the organization's library, oversaw the educational project "THINGS of Science," and served as Assistant to the Director. The …
Macbeth Gallery records
1838-1968
bulk 1892-1953
The Macbeth Gallery records provide almost complete coverage of the gallery's operations from its inception in 1892 to its closing in 1953. Through extensive correspondence files, financial and inventory records, printed material, scrapbooks, reference and research material, and photographs of artists and works of art, the records document all aspects of the gallery's activities, charting William Macbeth's initial intention to lease his store "for the permanent exhibition and sale of American pictures" through over sixty years of success as a major New York firm devoted to American art. The collection measures 131.6 linear feet and dates from 1838 to 1968 with the bulk of the material dating from 1892 to 1953.
Smithsonian Folklife Festival records: 1987 Festival of American Folklife
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Hannah Marie Wormington Papers
The Hannah Marie Wormington papers, 1930-1993, document her professional career as an archeologist through correspondence, film, grant proposals, lantern slides, lecture notes, manuscripts, newspaper clippings, photographs, presentations, publications, reports, slides, and sound recordings, including her field work at the Folsom Site.
Prentiss Taylor papers
The collection measures 20.8 linear feet, dates from 1885 to 1991 (bulk dates 1908-1986) and documents the career of lithographer, teacher, and painter Prentiss Taylor. The collection consists primarily of subject/correspondence files (circa 16 ft.), reflecting Prentiss' career as a lithographer and painter, his association with figures prominent in the Harlem Renaissance, notably Carl Van Vechten and Langston Hughes, his activities as president of the Society of Washington Printmakers and other art organizations, his work in art therapy treating mental illness, and his teaching position at American University. The subject files contain mostly correspondence, but many include photographs and printed material. Also included are biographical, financial, legal and printed material; several hundred photographs; notes and writings; sketchbooks, drawings and a few prints by Taylor; and scrapbooks dating from 1885-1956.
