Lila Katzen printed material
The scattered printed materials of sculptor Lila Katzen measure 0.2 linear feet, date from 1969-1980, and include a resume, exhibition announcements and catalogs, and press booklets.
Oral history interview with Lila Katzen
Seckler, Dorothy Gees, 1910-1994
14 Pages (Transcript)
An interview of Lila Katzen conducted 1964 September 5 by Dorothy Seckler for the Archives of American Art.
Frances Wolfson Art Gallery records
The records of the Frances Wolfson Art Gallery measure 5 linear feet and date from 1973 to 1994. The Gallery was established in 1976 on the Mitchell Wolfson New World Center Campus of the Miami-Dade Community College. It focused on the art of the local Latino community in addition to serving the needs of the College's arts and humanities students. Materials document exhibitions held at the Gallery and the general administration of the Gallery through correspondence, business records and printed material.
Letters to Percy North
bulk 1977-1979
53 Letters to Percy North from friends, family and associates and colleagues. Eleven letters from James Daugherty, April-Dec. 1971, and April 1973, concerning a proposed article by North about his pastels and color theories, the sale of a pastel to North, and his exhibitions; letters from Jack Levine, Kate Steinitz, Abraham Rattner, Edward …
Mary Swift papers
The papers of photographer and curator Mary Swift measure 8.2 linear feet and date from 1973-2004. The bulk of the collection contains photographs that Swift took while working for the Washington Review. The images consist of photographs, contact sheets, and negatives of artists and art events in Washington, D.C. Also included are some personal papers; two video recordings of art events in Washington, D.C.; research material and a manuscript from Swift's M.A. thesis "Howard William Mehring, 1931-1978: Washington Color Painter" from George Washington University; and 105 sound recordings and two VHS videocassette tapes of interviews conducted by Swift, radio programs and panel discussions.
Barbara Kulicke papers
The papers of New York art consultant, entrepreneur, publisher, and painter, Barbara Kulicke measure 7.4 linear feet and date from 1963 to 2006. The papers document Kulicke's career through personal business records, alphabetical files, and project files.
Esther Bear Gallery records
1928-1985
The records of Santa Barbara, California art gallery, Esther Bear Gallery, measure 5.7 linear feet and date from 1928 to 1985, with the bulk of the records dating from 1954 to 1977. The collection comprises administrative records that include exhibition files, photographs, records documenting the gallery's operations, and files for the Donald Bear Collection and Endowment Fund; professional correspondence with artists, clients, and galleries regarding exhibitions, sales and loans, and other business dealings; and artist files for Thomas Cornell, Antonio Frasconi, Ynez Johnston, Miguel Marina, Alfred Martinez, and Nina de Creeft Ward, among others.
Joseph H. Hirshhorn Papers
This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.
Clement Greenberg papers
The papers of art critic, author, and lecturer Clement Greenberg measure 8.6 linear feet and date from 1937 to 1983. The bulk of the collection consists of letters from art critics, artists, family, friends, galleries, and museums. Notable correspondents include Jack Bush, Anthony Caro, Richard Diebenkorn, Friedel Dzubas, Helen Frankenthaler, Adolph Gottlieb, Hans Hofmann, Morris Louis, Robert Motherwell, Charles Pollock, Jules Olitski, David Smith, and Anne Truitt among others. Also found are biograpical materials, personal business and financial records, an etching by Kurt Wisneski, printed materials, and two reports by Greenberg concerning his travels.
Samuel J. Wagstaff papers
The Samuel J. Wagstaff papers, circa 1932-1985 comprise 6.4 linear feet of correspondence, writings, miscellaneous records, printed material, and photographs documenting Wagstaff's professional and personal relationships with artists and photographers, his career as an art curator, and his position as an important collector of paintings and photographs. Correspondence with artists and others such as curators, arts organizations, galleries, and museums, reflects the diversity of contemporary American art and includes individuals associated with the abstract expressionist, Fluxus, pop, earth, conceptual, and minimalist art movements.
