157 records — Page 1 of 16
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Creators:
Bourne, Samuel, 1834-1912
Bourne and Shepherd
Dates:
circa 1860s-1880s
Size:
1 Print (albumen)
Collection ID:
FSA.A1999.08
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

One albumen print, circa 1860s-1880s, depicting Sacred carved stone angel in Cawnpore, Memorial Well, India. Signed "Bourne 1206 in the lower left corner of image.

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Creators:
Bourne, Samuel, 1834-1912
Dates:
circa 1860s-1880s
Size:
1 Print (albumen)
Collection ID:
FSA.A1999.16
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

One albumen print, circa 1860s-1880s, depicting The Fort, Agra with Taj in Distance, India. Signed "Bourne 1221 in the lower left corner of image.

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Creators:
Lippard, Lucy R.
Dates:
1930s-2010
bulk 1960-1990
Size:
70.5 Linear feet
0.454 Gigabytes
Collection ID:
AAA.lipplucy
Repository:
Archives of American Art

The papers of New York and New Mexico writer, art critic, and curator, Lucy R. Lippard, measure 70.5 linear feet and 0.454 GB and date from the 1930s to 2007, with the bulk of the material dating from the 1960s to the 1990s. Over half of the collection consists of correspondence files documenting Lippard's professional relationships with artists, writers, galleries, art institutions, and political organizations, and her interest in conceptual and minimalist art, feminism and political activism. Also found are Lippard's notes and writings including sound recordings and interviews, teaching and exhibition files, printed and digital material, several works of art, and photographs of artwork and artists. Scattered throughout the collection are a small number of records concerning Lippard's personal life. An addition of 3.0 linear feet donated 2015 includes subject files on feminist and conceptual art as well as land use, development, and local politics and history in New Mexico. There is a 17.0 linear foot unprocessed addition to this collection donated in 2015 and 2021 that incudes research files (press clippings, notes, correspondence, ephemera) related to the publications 'Lure of the Local' and 'Undermining' are a significant portion. In addition there are approximetley 50 notebooks ranging from 1965-1996, containing notes and daily tasks. Printed material and ephemera includes promotional materials for talks and public engagements, as well as press clippings of reviews and other news items featuring Lippard. Another significant portion of the addition is labeled "miscellaneous professional correspondence."Materials date from circa 1965-2010.

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Creators:
Isaacs, Charles
Saché, John Edward, 1824-1882
Beato, Felice, b. ca. 1825
Kusakabe, Kimbei, 1841-1934
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Dates:
circa 1850-1900
Size:
73 Albumen prints (various sizes.)
Collection ID:
FSA.A2002.01
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

73 albumen photo prints, some mounted, many signed and numbered in the negative and some with hadwritten penciled identifications, various sizes. A small number are hand-tinted. Images depict Sri Lanka, Pakistan, Japan and China. Subjects include portraits, people in daily activities, street scenes, city views, architecture, fauna and gardens, and ...

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Creators:
Robins, Seymour, 1913-2011
Dates:
1962 - 1992
Size:
0.5 Cubic feet
Collection ID:
NMAH.AC.1270
Repository:
Archives Center, National Museum of American History

Materials consist of project catalogs for Mohawk Paper Mills and Neenah Paper, a division of Kimberly-Clark. The collection documents Robins' work as a graphic and industrial designer.

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Creators:
Ward, De Witt
Peter A. Juley & Son
Juley, Peter A., 1862-1937
Juley, Paul, 1890-1975
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Dates:
circa 1896-1975
Size:
700 Linear feet ((approx. 127,000 negatives, with black-and-white study prints))
Collection ID:
SAAM.Photo.JUL
Repository:
Smithsonian American Art Museum, Research and Scholars Center

The Peter A. Juley & Son Collection is comprised of approximately 127,000 photographic negatives documenting the work of more than 11,000 American artists. Included in the collection are 4,700 photographic portraits of artists.

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Creators:
Grinstein, Stanley, 1927-2014
Grinstein, Elyse, 1929-2016
Dates:
1937-2010
Size:
1.3 Linear feet
Collection ID:
AAA.grinstan
Repository:
Archives of American Art

The papers of Stanley and Elyse Grinstein date from 1937-2010 and measure 1.3 linear feet. The collection documents the role the Grinsteins played in nurturing and promoting the mid-century Los Angeles art scene through personal friendships with area artists, the print studio Gemini G.E.L., and their art collecting activities. Records include biographical material, artist files including substantive letters and postcards from notable artists, musicians, writers and architects, a small amount of documentation relating to Gemini G.E.L. and Elyse Grinstein's architectural work, printed material, and a few photographs.

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Creators:
Bourne, Samuel, 1834-1912
Dates:
circa 1860s
Size:
1 Print (albumen, image 23 x 29 cm.)
Collection ID:
FSA.A1999.15
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

One albumen print of the Kootub Minar. Signed "Bourne 1369" in the lower right corner of the image.

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Creators:
Gerlach, Margarett
Dates:
circa 1892-circa 1915
Size:
0.8 Linear feet
Collection ID:
AAA.gerlmarg
Repository:
Archives of American Art

The photographs and papers of sculptor Karl Francis Theodore Bitter and his pupil and colleague Gustave Gerlach measure 0.8 linear feet and date from circa 1892-circa 1915. The collection documents the work and studio practice of Bitter and Gerlach primarily through photographs and a photograph album, in addition to paper records including a proposal and lists of work completed for two international expositions, news clippings, and two drawings by Bitter on his personal stationary.

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Creators:
Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock Studio (Washington, D.C.)
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Dates:
1923-1940
Size:
15 Boxes
The materials in the subseries consists of black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.12
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.12 materials primarily document clients of the Scurlock Studio that were organizations and the images depict those groups' and organizations' activities. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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157 records — Page 1 of 16