This collection consists of one nine by six inch green photograph album containing 70 pages of back and white images, mostly snapshots, relating to Helen G. James' United States Air Force career, 1952-1955. The collection also contains James' military and discharge records as well as legal documents from her discharge lawsuit.
Also Transcriptions of music and musical analysis. With "Notes on Songs and the Composers," by James R. Murie. 9 pages.
The James D. Smillie and Smillie family papers measure 5.6 linear feet and date from 1853 to 1957. The collection consists of the papers of four members of the Smillie family including James Smillie, his sons James David and George Henry Smillie, and George's wife, Helen 'Nellie' Jacobs Smillie. The majority of the papers are those of James D. Smillie, comprised of correspondence, forty-five daily diaries, a scrapbook, printed materials, and one etching. The papers of James Smillie consist of biographical materials and writings. The George Smillie papers include biographical materials, scattered correspondence, a scrapbook, printed materials, and photographs. The Helen Jacobs Smillie papers include corrrespondence and photographs. Also found are scattered materials relating to other family members, mostly the children of Helen Jacobs and George Smillie.
The photographs include: carved thunderbird from old clan house in Klukwan; Chilkat Valley eagles; gillnet boats; drying salmon, net housefish house, and portraits of Bill Nigh, Frankie Jimmy, Tom Abbott, Cory James Mann, Mike Earl Mann, Lilly Klanott-Abbott-Nigh, George Abbott, Jeanette Abbott Mann, Brenda Mann, Victoria Mann-Angleo, Ann Abbott, H...
Includes Parker's recollections of preliminary efforts in the 1940s to plan a representative and effective pan-Indian organization; of the creation of the National Congress of American Indians and highlights of its history, 1952-1962, when Parker was actively affiliated with it, and Recording Secretary; and of a number of people involved in its initial and continuing stages. Also includes remarks by Helen Peterson, 1953-1961 Executive Director of the organization, concerning the threat of internal pressure to it.
The papers of Miami art critic Helen Kohen date from 1978 through 1996 and contain letters, postcards, exhibition announcements and invitations, and seventy-four untranscribed interviews of artists, dealers, and collectors in the Miami area.
Joellen Bard's, Ruth Fortel's, and Helen Thomas' exhibition records of The Tenth Street Days: The Co-ops of the 50s measure 0.65 linear feet and date from 1953-1977. The collection documents the research for, and organization of, this exhibition held at Amos Eno Gallery, 14 Sculptors Gallery, Noho Galley, Pleiades Galley, and Ward-Nasse Gallery, December 20, 1977 through January 7, 1978. Records consist of a grant proposal and related documentation; printed material including an exhibition catalog and poster; research files including 35-mm color slides and photographs; and 2 scrapbooks containing biographical information, printed matter, and photographs of works of art relating to the corollary exhibition, Tenth Street in 1977.
In the 1940s, during Helen Popenoe's elementary school years, she collected and played with paper dolls. This collection consists of the dolls that she enjoyed as a child.
The papers of fiber artist James Bassler measure 1.8 linear feet and date from 1969 to 2003. The papers consist of biographical material, correspondence, personal business records, writings, professional files, printed material, and five scrapbooks. Much of the material was assembled by Bassler as supporting documentation for tenure at UCLA.
The papers of painter Helen DeMott measure 7.9 linear feet and date from 1896-1997. DeMott's painting career from 1940-1996 is documented through her numerous sketchbooks and original artwork. Also found is biographical material, correspondence, writings and poems, scrapbooks, printed material, photographic material, audio and video recordings, and scattered material from collagist Ray Johnson.