Query: Alexander, John White, 1856-1915
George P. Merrill Collection
Dates:
circa 1800-1930 and undated
Size:
11.79 cu. ft. (21 document boxes) (3 12x17 boxes)
Collection ID:
Record Unit 7177
Repository:
Smithsonian Institution Archives

Series 1 includes photographs, portraits, and correspondence collected by Merrill for the above publications. Series 2 through 5 include photographs of groups, particularly of the United States Geological and Geographical Surveys of the Territories (Hayden Surveys); and photographs of geological formations and of buildings in the Washington, D.C. area. Series 6 includes Merrill's professional …

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in Record Unit 7177 for Alexander, John White, 1856-1915
Neil Merton Judd papers
Creators:
Palmer, Edward, 1829-1911
Jackson, William Henry, 1843-1942
La Gorce, John Oliver, 1880-1959
Martin, Charles
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Dates:
circa 1870- circa 1980
bulk 1907-1931
Size:
18 Linear feet
Collection ID:
NAA.1973-48
Repository:
National Anthropological Archives

The papers of Neil Merton Judd, archeologist and curator in the Smithsonian Institution United States National Museum, were deposited in the National Anthropological Archives at various times during the 1960's and 1970's. Much of Judd's own material was produced as part of his official duties and lie within the public domain. The collection occupies fourteen linear feet of shelf space.

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in NAA.1973-48 for Alexander, John White, 1856-1915
Warshaw Collection of Business Americana Subject Categories: Electricity
Creators:
Warshaw, Isadore, 1900-1969
Dates:
1856-1980
Size:
12.72 Cubic feet (consisting of 26 boxes, 5 folders, 1 oversize folder, 1 map case folder, 3 flat boxes (partial), plus digital images of some collection material. )
Collection ID:
NMAH.AC.0060.S01.01.Electricity
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Electricity forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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in NMAH.AC.0060.S01.01.Electricity for Alexander, John White, 1856-1915
Scurlock Studio Records, Series 1: Black and White Photographs
Creators:
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock, Addison N., 1883-1964
Custom Craft
Scurlock Studio (Washington, D.C.)
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Dates:
1888-1993
Size:
106 Boxes
Collection ID:
NMAH.AC.0618.S01
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 1 primarily consists of black and white photographs, but also includes job envelopes, order forms, correspondence, notes, and other photographic materials such as negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records.

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in NMAH.AC.0618.S01 for Alexander, John White, 1856-1915
MS 4558 Alice Cunningham Fletcher and Francis La Flesche papers
Creators:
La Flesche, Francis, 1857-1932
Fletcher, Alice C. (Alice Cunningham), 1838-1923
Dates:
1873-1939
Size:
19 Linear feet (50 boxes)
Collection ID:
NAA.MS4558
Repository:
National Anthropological Archives

These papers reflect the professional lives of Alice Cunningham Fletcher (1838-1923), an ethnologist with the Peabody Museum of Harvard and collaborator with the Bureau of American Ethnology, and Francis La Flesche (1856-1923), an anthropologist with the Bureau of American Ethnology. Due to the close professional and personal relationship of Fletcher and La Flesche, their papers have been arranged jointly. The papers cover the period from 1874 to 1939. Included in the collection is correspondence, personal diaries, lectures, field notes and other ethnographic papers, drafts, musical transcriptions, publications by various authors, maps and photographs.

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in NAA.MS4558 for Alexander, John White, 1856-1915
Milch Gallery records
Creators:
Milch Gallery
Dates:
1911-1995
Size:
42.2 Linear feet
Collection ID:
AAA.milcgall
Repository:
Archives of American Art

The records of Milch Gallery measure 42.5 linear feet and date from 1911-1995. Edward Milch (1865-1953) opened the Edward Milch Gallery in New York City. In 1916, he formed a partnership with his brother Albert Milch (1881-1951), a gilder and framer, creating E. & A. Milch, Inc., a gallery specializing in American art. Harold C. Milch (1904-1981), Albert's son, was appointed a partner in 1944 and continued the business until his death. Business records of Milch Gallery, 1911-1968, include correspondence, sales records, inventories, financial records, printed matter, photographs, and legal documents. Later additions to the records date from 1922-1995 and include correspondence; artists' files; financial, sales, and stock records; printed material; and photographs.

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in AAA.milcgall for Alexander, John White, 1856-1915
Scurlock Studio Records, Subseries 4.2: Black and white negatives in freezers arranged by job number
Creators:
Scurlock, George H. (Hardison), 1919-2005
Scurlock Studio (Washington, D.C.)
Scurlock, Addison N., 1883-1964
Custom Craft
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Dates:
1931-1971
Size:
320 Boxes
The materials in the subseries are black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.02
Repository:
Archives Center, National Museum of American History

The vast majority of the negatives are individual portrait sittings but there are some family and group portraits. The box numbers in the finding aid are the old freezer box numbers and are not reflective of the physical number of boxes; when the negatives were rehoused, the physical number of …

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in NMAH.AC.0618.S04.02 for Alexander, John White, 1856-1915
Scurlock Studio Records, Subseries 4.6: Black and white negatives in cold storage arranged by client
Creators:
Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
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Dates:
1929-1989
Size:
87 Boxes
The subseries consists of black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.06
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.6 consists of black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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in NMAH.AC.0618.S04.06 for Alexander, John White, 1856-1915
Scurlock Studio Records, Subseries 4.5: Black and white negatives in cold storage arranged by job number
Creators:
Custom Craft
Scurlock Studio (Washington, D.C.)
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
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Dates:
1928-1994
Size:
320 Boxes
Collection ID:
NMAH.AC.0618.S04.05
Repository:
Archives Center, National Museum of American History

The materials document the orders placed by the clients of the Scurlock Studio. The photographs primarily depict individual portrait sittings but there are also portraits of children, groups, and other subjects.

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in NMAH.AC.0618.S04.05 for Alexander, John White, 1856-1915
Scurlock Studio Records, Subseries 4.3: Black and white negatives in freezer storage arranged by client
Creators:
Custom Craft
Scurlock Studio (Washington, D.C.)
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock, George H. (Hardison), 1919-2005
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Dates:
1932-1959
Size:
320 Boxes
The subseries includes black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.03
Repository:
Archives Center, National Museum of American History

The majority of materials are portrait sittings of individuals but there are also formal portraits of couples, families, groups, and organizations.

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in NMAH.AC.0618.S04.03 for Alexander, John White, 1856-1915
105 records — Page 2 of 11