792 records — Page 2 of 80
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Creators:
Neuhaus, Eugen, 1879-1963
Dates:
[ca. 1906-1966]
Size:
0.8 Linear feet ((on 3 microfilm reels))
Collection ID:
AAA.neuheuge
Repository:
Archives of American Art

Letters, writings, business records, sketches and drawings, scrapbooks, printed material and photographs relating to Neuhaus' career and works of art.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 27-July 8, 1984
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1984
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Taylor, Betty Blayton, 1937-2016
Dates:
1929-2016
bulk 1970s-2000s
Size:
7.1 Linear feet
Collection ID:
AAA.blaybett
Repository:
Archives of American Art

The papers of African American painter and art administrator Betty Blayton-Taylor measure 7.1 linear feet and date from 1929 to 2016, with the bulk of the material dating from the 1970s to the 2000s. The collection contains biographical material including resumes, awards, family papers, autograph books from her time in school, and mix tapes; correspondence with colleagues, friends, and other artists including Frank Wimberley, Howardina Pindell, and Eugene Grigsby; and writings including artist statements and notes. Also included are files related to the Children's Art Carnival, an arts education organization co-founded by Blayton-Taylor, for which she served as executive director for many years. These files include board and committee files, budget and financial documents, correspondence, and reports. Files related to the Harlem Textile Works, another organization co-founded by Blayton-Taylor, include board and committee files, correspondence, business plans, and reports. The collection also includes material related to professional activities including exhibition files, committee files, consignment and sale agreements, financial documents, and property files; printed material including exhibition announcements, catalogs and programs, newspaper clippings, published books, and recorded conference proceedings; a scrapbook containing primarily clippings, as well as some correspondence and other printed material; and photographic material including photographs, negatives, slides, and digital images.

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Creators:
Britton, James, 1878-1936
Dates:
circa 1905-1984
bulk 1905-1935
Size:
4.3 Linear feet
Collection ID:
AAA.britjame
Repository:
Archives of American Art

The papers of painter and writer James Britton measure 4.3 linear feet and date from circa 1905-1984, with the bulk of the material dating from circa 1905-1935. The bulk of the papers consist of 49 diaries dating from 1918-1935, plus notebooks of diary excerpts, that chronicle Britton's daily activities and include lists, illustrations, and drafts of correspondence. Additional papers include biographical information compiled by the Britton family; scattered business and financial records; correspondence, including copies of Britton's letters to the editors of the Hartford Courant and the Hartford Times; additional writings and notes that include drafts and manuscripts of an autobiography, drafts of articles for his publication Art Opus, and other writings; sketches and a woodcut print; printed materials, including clippings of his published writings for Art Review International, Book Notes, and Opus; and one photograph of Britton and of works of art. There is a 1.4 linear foot unprocessed addition to this collection donated 2020 that includes correspondence, writings by Britton about art, printed material (some annotated ), lists of works of art by Britton and others, and sketches by Britton.

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Creators:
Dorothy Weiss Gallery
Dates:
circa 1964-2001
bulk 1984-2000
Size:
18.7 Linear feet
Collection ID:
AAA.doroweig
Repository:
Archives of American Art

The records of the Dorothy Weiss Gallery measure 18.7 linear feet and date from circa 1964 to 2001 (bulk 1984-2000). The collection documents the gallery's relationships with approximately three hundred artists, through artist files, exhibition files, and subject files, and is an excellent source of information on the work of contemporary ceramic and glass sculptors.

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Creators:
Gero, Joan M.
Conkey, Margaret Wright, 1944-
Dates:
1987-2001
Size:
0.42 Linear feet (2 boxes)
50 negatives (photographic) (1 folder)
26 Photographic prints (1 folder)
14 cassette tapes (1 box)
Collection ID:
NAA.2016-05
Repository:
National Anthropological Archives

The Joan M. Gero papers of the "Women and Production in Prehistory" Conference primarily document the work of Joan M. Gero (archaeologist known for her work in feminist, socio-political, and Andean archaeology) and co-organizer, Margaret W. Conkey, to organize the "Women and Production in Prehistory" Conference that took place April 5-9, 1988 at The Wedge Plantation in South Carolina (sometimes referred to as the "Wedge Conference"). The collection comprises Joan Gero's documentation pertaining to the conference, as well as it's promotion and publication in the seminal volume Engendering Archaeology: Women and prehistory. The collection consists of grant proposals and reports, program and participant information, photographs of the conference, audiotape recordings of papers presented, conference publicity and press clippings, correspondence between Gero and co-organizer Margaret W. Conkey, correspondence with Blackwell Publishers about the publication and royalties, and reviews of Engendering Archaeology: Women and prehistory.

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Creators:
Archives of American Art
Dates:
1933-1991
Size:
38.69 cu. ft. (38 record storage boxes) (1 16x20 box)
Collection ID:
Accession 92-015
Repository:
Smithsonian Institution Archives

This accession includes records documenting the production of the Archives of American Art Journal (Volumes 24-26). Materials include Editor's records such as correspondence, publications, notes, grant proposals, agreements, budget summaries, photographs, and reports. Also included in this accession are records which document the administrati...

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Creators:
d'Arazien, Arthur
Dates:
circa 1930-2002
Size:
11 Cubic feet (28 boxes)
Collection ID:
NMAH.AC.0314
Repository:
Archives Center, National Museum of American History

The collection includes Arthur d'Arazien's professional work in industrial photography from the late 1940's through about 1981; personal creative photography and other types of professional work were retained by Mr. d'Arazien or placed elsewhere. Thus this collection is a very cohesive, unified body of work, which documents primarily American (and...

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Creators:
Smithsonian Institution. Office of Printing and Photographic Services
Dates:
1976-1995
Size:
11.6 cu. ft. (20 tall document boxes)
Collection ID:
Accession 15-052
Repository:
Smithsonian Institution Archives

This accession consists of contact sheets for photographs of events occurring mostly in the Washington, D.C., area. Many of these images were created for the annual exhibit "History as Seen from the National Museum of American History," later renamed "The Year in Pictures: As Seen from the National Museum of American History." Events incl...

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Creators:
Donaldson, Jeff, 1932-2004
Dates:
1918-2005
bulk 1960s-2005
Size:
12.5 Linear feet
0.003 Gigabytes
Collection ID:
AAA.donajeff
Repository:
Archives of American Art

The papers of African American artist and educator Jeff Donaldson measure 12.5 linear feet and 0.003 GB and date from 1918 to 2005, with the bulk of the records dating from the 1960s to 2005. The collection documents Donaldson's work as a professional artist, his academic career at Howard University, and his leadership role in the Black Arts Movement through biographical material, a small amount of professional and personal correspondence, personal business records, writings by Donaldson and others, research files, artist files, sound recordings of interviews Donaldson conducted with over 40 artists, teaching files, exhibition files, printed and digital material, and photographs. Also found are detailed records of his professional activities and leadership roles in AfriCOBRA, CONFABA, FESTAC, and the Organization of Black American Culture (OBAC), including documentation on the Wall of Respect mural.

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792 records — Page 2 of 80