55 records — Page 2 of 6
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Creators:
Elisofon, Eliot
Dates:
circa 1935-1978
Size:
14000 Negatives (photographic) (b&w, 35mm)
30000 Slides (photographs) (color)
80,000 Photographic prints (b&w, 25 x 20 cm. or smaller.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This collection is comprised of photographic and manuscript materials, primarily created by Eliot Elisofon to document his travels and work. The images portray many aspects of African life and culture including agriculture, wildlife, archaeology, architecture, art and artisans, children, cityscapes and landscapes, leaders, markets, medicine, recreation, ritual and celebration, and transportation. The manuscript materials include correspondence, essays, clippings, puobligations, notes, research, and itineraries.

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Creators:
Sieber, Roy, 1923-2001
Dates:
1958-1991
Size:
845 Slides (photographs) (color)
845 Slides (photographs) (dupe slides, color)
1068 Negatives (photographic) (+ field notes & contact prints , black & white, 35 mm.)
1,054 Photographic prints (black & white, 8 x 10 in.)
Collection ID:
EEPA.1993-009
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
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Creators:
Livingstone, Ivan
Dates:
1972-1973
Size:
527 slides (photographs) (color , 35mm.)
Collection ID:
EEPA.1996-004
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection contains 527 color 35mm slides taken by Ivan Livingstone in West Africa (primarily the Republic of Benin but also in Ghana, Nigeria and Togo) circa 1972-1973. Images depict market scenes, Egúngún and Ifa ceremonies, religious ceremonies of the Celestial Church of Christ, funeral processions, decoration and ornament, clothing and dress, and musicians. There are also several images of the palace of the Oni of Ife. Culture groups represented in the collection include the Yoruba, Ifè, Oyo, Somba, Fon,Dan and Fula peoples.

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Creators:
Rush, Olive, 1873-1966
Dates:
1879-1967
Size:
6.3 Linear feet
Collection ID:
AAA.rusholiv
Repository:
Archives of American Art

The papers of Olive Rush measure 6.3 linear feet and date from 1879 to 1967. They contain correspondence, artwork, photographs, writings, and other personal papers documenting Rush's education and career as an illustrator, portraitist, muralist, painter, teacher, and promoter of Native American art.

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Creators:
Warshawsky, A. G. (Abel G.), 1883-1962
Dates:
circa 1900-1988
Size:
3.8 Linear feet
Collection ID:
AAA.warsabel
Repository:
Archives of American Art

The papers of A.G. (Abel George) Warshawsky date from circa 1900 to 1988 and measure 3.8 linear feet. the papers contain biographical materials; scattered correspondence, most of which consists of letters from Warshawsky to his wife Ruth; writings, including versions of Warshawsky's autobiography; printed materials; two scrapbooks; photographs and eight photo albums; twenty-six sketchbooks; and artworks by Warshawsky and others.

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Creators:
Sousberghe, Léon de
Dates:
1955-1957
Size:
212 slides (photographs) (color)
1 map (black & white, 50 x 70 cm.)
1 map (color, 40 x 53 cm.)
Collection ID:
EEPA.1999-010
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken among the Pende peoples in the Democratic Republic of the Congo in the years 1955-1957. Publications used for identifying and describing the collection photographs include L'Art Pende (Bruxelles: Académie royale de Belgique, 1958) and Les danses rituelles Mungonge et Kelas des Bapende (Academie royale des sciences coloniales, 1956), both by Léon de Sousberghe; Inventing Masks: Agency and History in the Art of the Central Pende by Z.S. Strother (The University of Chicago Press, 1998); and, from Secrecy: African Art that Conceals and Reveals Mary H. Nooter, ed. (New York: Museum for African Art, 1993), Z.S. Strother's article, The Physical and Social Boundaries of Secrecy: Eastern Pende Constuctions of Secrecy, pp. 157-178.

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Creators:
MacGaffey, Wyatt
Dates:
1980
Size:
103 Negatives (photographic) (black & white, 35 mm.)
93 Prints (visual works) (black & white, 8 x 10 in. or smaller)
75 Slides (photographs) (color)
Collection ID:
EEPA.2003-004
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs by Wyatt MacGaffey, a prominent anthropologist with a lifelong scholarly interest in the Congo, taken during a survey on Belgian colonial architecture for a research project in Kisangani (formerly Stanleyville) in 1980. His images of the often dilapidated buildings range from colonial mansions to views of African housing. Other photographs show small private homes and businesses as well as a mosque under construction by the Saudis and several churches. There are also many street scenes, images of the university and the Congo River. A series of five slides shows popular paintings (such as La Colonie Belge). The value of his images is enhanced by his notes, which record subjects and locations.

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Creators:
Drewal, Henry John
Dates:
1997
Size:
1,442 Slides (color, 35mm)
Collection ID:
EEPA.2010-010
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Series 1 is comprised of photos taken by Dr. Henry Drewal while traveling in Morocco from May 29, 1997 to June 21, 1997. The series includes images taken in Casablanca, Rabat, Salé, Fès al Bali, Meknès, Sijilmassa, Rissani, Marrakech, and Essaouira. Subjects include architecture, market scenes, craftsmen and artisans at work, musicians, landscapes ...

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Creators:
Emily Dean
Edwin R. Dean
Dates:
1965-1967
Size:
117 Slides (photographs) (color)
Collection ID:
EEPA.2002-012
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Slides taken in Nigeria, 1965-67, a few years after independence and at the eve of the Biafra War by Edwin R. and Emily Dean. Emily Dean took most of the photographs. She taught at the St. Louis Secondary School. The images are typical for the time period (note that some of them are half frame images, taken with a type of camera heavily promoted in the 1960s). Geographic locations reflect the Deans' experiences and travel: the University of Ibadan Campus, the Jos Museum, Bida , Zaria, Kano, Lagos, and Abeokuta. Of particular interest is a series of Adire production in Abeokuta, the old palace at Idanre and the Timi of Ede's Shango shrine.

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Creators:
Shamir, Marli
Dates:
1966-1976
Size:
33 Negatives (photographic) (color, 35mm)
1790 Negatives (photographic) (black and white, 120mm)
1,519 Color slides (35mm)
Collection ID:
EEPA.2013-009
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Collection dates from 1966 to 1976 and includes 1,817 black and white negatives, 1,519 35mm color slides, several hundred prints, and manuscript materials. Locations include Burkina Faso, Cote d'Ivoire, Gabon, Israel, Mali, and Niger and depict agriculture, architecture, especially mosques, landscapes, marketplaces, masquerade and musical performances, sculptures, and textiles. Peoples depicted include the Bambara, Bella, Bozo, Dogon, Fulani, Gao, Mandingo, San, Songhai, and Tuarag peoples.

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55 records — Page 2 of 6