21 records — Page 2 of 3
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Creators:
Roberts, Mary Fanton, 1871-1956
Dates:
1880-1956
Size:
3.8 Linear feet
Collection ID:
AAA.robemary
Repository:
Archives of American Art

The papers of art writer and editor Mary Fanton Roberts measure 3.8 linear feet and are dated 1880 to 1956. The bulk of this collection is Roberts' correspondence with numerous important artists, dancers, actors, writers, and musicians of the day. Also found are scattered biographical materials, family correspondence, writings, printed material, photographs and artwork.

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Creators:
Noguchi, Isamu, 1904-1988
Cummings, Paul
Dates:
1973 Nov. 7-Dec. 26
Size:
148 Pages (Transcript)
1 Item (Audio excerpt: 1 sound file (5 min. 29 sec.), digital)
Collection ID:
AAA.noguch73
Repository:
Archives of American Art

An interview of Isamu Noguchi conducted 1973 Nov. 7-Dec. 26, by Paul Cummings, for the Archives of American Art.

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Creators:
Gardner, Isabella Stewart, 1840-1924
Dates:
1760-1956
Size:
40 Microfilm reels
Collection ID:
AAA.gardisab
Repository:
Archives of American Art

Letters, business records, diary, and photographs.

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Creators:
Metropolitan Museum of Art (New York, N.Y.)
Dates:
circa 1910-1940, 1950s
Size:
21.3 Linear feet ((51 document boxes))
Collection ID:
SAAM.Photo.MET
Repository:
Smithsonian American Art Museum, Research and Scholars Center

Originally assembled by the Metropolitan Museum of Art for study purposes, this collection is comprised of 2,790 black-and-white photographs documenting the work of 250 sculptors.

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Creators:
Richardson, Edgar Preston, 1902-1985
Richardson, Constance, 1905-
Dates:
1814-1996
bulk 1921-1996
Size:
28.7 Linear feet
Collection ID:
AAA.richedga
Repository:
Archives of American Art

The papers of art historian E. P. Richardson measure 28.7 linear feet and date from 1814-1996, with the bulk of the materials dating from 1921-1996. Within the papers are scattered biographical materials; acquisition files for Richardson's personal art collection; professional and personal correspondence with colleagues, art historians and critics, artists, museums, galleries, and dealers; numerous writings, including manuscripts and research files for his published books, articles, and lectures; general research notebooks and files compiled by Richardson on a wide variety of art-related topics and artists; professional and committee files; as well as a smaller amount of Constance C. Richardson's papers.

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Creators:
DeVincent, Sam, 1918-1997
Dates:
1847-1975
Size:
251 Boxes
Collection ID:
NMAH.AC.0300.S04
Repository:
Archives Center, National Museum of American History

Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 4: Songwriters: A "songwriter" for this series is defined as a composer, a lyricist, or both. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
circa 1664-1967
Size:
8.17 Cubic feet (consisting of 17 boxes, 11 folders, 24 oversize folders, 2 map case folders. )
Collection ID:
NMAH.AC.0060.S01.01.Books
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Books forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Underwood & Underwood
Dates:
1895-1921
Size:
160 Cubic feet
Collection ID:
NMAH.AC.0143
Repository:
Archives Center, National Museum of American History

The major part of the collection, series 1-4, contains nearly 28,000 glass plates, including original stereoscopic negatives, interpositives, and both negative and positive non-stereoscopic plates used to produce lantern slides and paper prints. The photographs were taken all over the world. The majority are from the Underwood & Underwood active fi...

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Creators:
United Telegraph Workers.
Western Union Telegraph Company
Dates:
circa 1820-1995
Size:
452 Cubic feet (871 boxes and 23 map folders)
Collection ID:
NMAH.AC.0205
Repository:
Archives Center, National Museum of American History

The collection documents in photographs, scrapbooks, notebooks, correspondence, stock ledgers, annual reports, and financial records, the evolution of the telegraph, the development of the Western Union Telegraph Company, and the beginning of the communications revolution. The collection materials describe both the history of the company and of the telegraph industry in general, particularly its importance to the development of the technology in the nineteenth and twentieth centuries. The collection is useful for researchers interested in the development of technology, economic history, and the impact of technology on American social and cultural life.

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Creators:
Garden Club of America
Dates:
circa 1920-present
Size:
37,000 Slides (35mm slides)
33 Linear feet ((garden files))
3,000 Lantern slides
Collection ID:
AAG.GCA
Repository:
Archives of American Gardens

This collection contains over 37,000 35mm slides, 3,000 glass lantern slides and garden files that may include descriptive information, photocopied articles (from journals, newspapers, or books), planting lists, correspondence, brochures, landscape plans and drawings. Garden files were compiled by Garden Club of America (GCA) members for most of the gardens included in the collection. Some gardens have been photographed over the course of several decades; others only have images from a single point in time. In addition to images of American gardens, there are glass lantern slides of the New York Flower Show (1941-1951) and trips that GCA members took to other countries, including Mexico (1937), Italy, Spain, Japan (1935), France (1936), England (1929), and Scotland. A number of the slides are copies of historic images from outside repositories including horticultural and historical societies or from horticultural books and publications. The GCA made a concerted effort in the mid-1980s to acquire these images in order to increase its documentation of American garden history. Because of copyright considerations, use of these particular images may be restricted.

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21 records — Page 2 of 3