61 records — Page 2 of 7
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Creators:
Avery, Samuel Putnam, 1822-1904
Dates:
1857-1902
Size:
800 Items ((on 3 microfilm reels))
Collection ID:
AAA.aversamu
Repository:
Archives of American Art

Correspondence, including letters, calling cards and sketches from American and European artists, among them Albert F. Bellows, Eugene Benson, Edwin H. Blashfield, Rosa Bonheur, Adolph W. Bouguereau, Samuel Colman, Clarence Cook, Jasper F. Cropsey, F. O. C.Darley, Charles F. Daubigny, John Du rand, Sanford R. Gifford, E. D. E. Greene, Augustus Hopp...

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1819-1985
Size:
5.11 Cubic feet (consisting of 11 boxes, 1 folder, 2 oversize folders, 1 map case folder, 1 flat box (partial.))
Collection ID:
NMAH.AC.0060.S01.01.Steel
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Accounting and Bookkeeping forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Frazee, John, 1790-1852
Dates:
1819-1966
bulk 1819-1893
Size:
0.6 Linear feet
Collection ID:
AAA.frazejoh
Repository:
Archives of American Art

The papers of sculptor and architect John Frazee measure 0.6 linear feet, and date from 1819-1966, with the bulk of the materials dating from 1819-1893. These scattered papers contain documentation of Frazee's early career as a gravestone carver, his commission to design the New York Customs House, and his busts of John Jay, the Marquis De Lafayette, and other famous figures. There is also correspondence with family members, genealogical materials, sketches of Frazee monuments and stone engravings, poems and notes by Frazee, printed materials, a few financial documents, photographs of works of art, and a plaster cast of a medal.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1745-1973
bulk 1840-1930
Size:
11.39 Cubic feet (consisting of 25 boxes, 2 folders, 4 oversize folders, 1 map case folder, plus digital images of some collection material.)
Collection ID:
NMAH.AC.0060.S01.01.Schools
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Accounting and Bookkeeping forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
McFarland, J. Horace (John Horace), 1859-1948
American Rose Society
Dates:
1899-1974
Size:
30 Cubic feet (2718 photographs: black and white; 450 glass lantern slides; 41 glass negatives; color records; plant patents; publications. )
Collection ID:
AAG.MCF
Repository:
Archives of American Gardens

The J. Horace McFarland Collection includes over 3,100 photographic images of private and public gardens throughout the United States, as well as some from foreign countries, dating from 1899 to 1963. Many of these images, generated for Mount Pleasant Press (later the J. Horace McFarland Company), were used to illustrate trade catalogs published by the firm as well as journal and newspaper articles. The collection also contains color records that were used as reference aids during the printing process, plant patents, and various publications of the McFarland Company.

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Creators:
Gifford, Sanford Robinson, 1823-1880
Dates:
1840s-1900
circa 1960s-1970s
Size:
0.9 Linear feet
Collection ID:
AAA.giffsanf
Repository:
Archives of American Art

The papers of landscape painter Sanford Robinson Gifford, date from the 1840s through 1900, and circa 1960s-1970s. The bulk of the papers fall between 1855-1881; material from the circa 1960s-1970s consists of photographic copy prints for which the Archives does not have the originals. The small collection measures 0.9 linear feet of scattered documentation of Gifford's life, primarily extensive biographical accounts of his travels in the mid 1850s and late 1860s in the form of bound letters to his father. These serve as detailed journals of his impressions of Europe and the Middle East, the development of his painting, and his relationships with other artists such as Albert Bierstadt and Worthington Whittredge. The collection also contains sketches by Gifford, printed material including catalogs of Gifford's paintings, and photographs of Gifford and others.

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Creators:
Duveen, Albert
Dates:
[ca. 1831-1950]
Size:
5 Microfilm reels
Collection ID:
AAA.duvealbe2
Repository:
Archives of American Art

Files on ca. 150 American artists and art subjects, selected from Duveen's art reference files. Included are photographs of paintings in other collections, auction and exhibition catalogs, miscellaneous publications.

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Creators:
Byrd, Charlene Hodges, 1929-2009
Dates:
circa 1750-2009
bulk 1880-1960
Size:
43 Linear feet (35 document boxes and 39 oversize boxes)
Collection ID:
NMAAHC.2010.26
Repository:
National Museum of African American History and Culture

The Charlene Hodges Byrd collection measures 43 linear feet, and dates from circa 1750-2009, with the bulk of the material dating from 1880-1960. The collection documents the personal life and professional career of Charlene Hodges Byrd, an African American teacher from Washington, D.C., along with material for several related families from Pennsylvania, Maryland, and Washington, D.C. Family members prominently represented include Sarah A. Shimm, teacher and essayist under the name Faith Lichen; her daughters Erminie F. Shimm and Grace E. Shimm Cummings, both teachers; and Byrd's mother, Joyce Ethel Cummings Hodges, also a teacher. Correspondence and writings chiefly discuss family life, religion, race, education, and the relationship with Frederick Douglass and his family. The collection is arranged in 10 series: Biographical Material, Correspondence, Writings, Subject Files, Financial and Legal Records, Printed Material, Volumes, Memorabilia, Textiles, and Photographs.

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Creators:
Byrd, Charlene Hodges, 1929-2009
Dates:
circa 1750-2009
bulk 1880-1960
Size:
43 Linear feet (35 document boxes and 39 oversize boxes)
Collection ID:
NMAAHC.A2010.26
Repository:
National Museum of African American History and Culture

The Charlene Hodges Byrd collection measures 43 linear feet, and dates from circa 1750-2009, with the bulk of the material dating from 1880-1960. The collection documents the personal life and professional career of Charlene Hodges Byrd, an African American teacher from Washington, D.C., along with material for several related families from Pennsylvania, Maryland, and Washington, D.C. Family members prominently represented include Sarah A. Shimm, teacher and essayist under the name Faith Lichen; her daughters Erminie F. Shimm and Grace E. Shimm Cummings, both teachers; and Byrd's mother, Joyce Ethel Cummings Hodges, also a teacher. Correspondence and writings chiefly discuss family life, religion, race, education, and the relationship with Frederick Douglass and his family. The collection is arranged in 10 series: Biographical Material, Correspondence, Writings, Subject Files, Financial and Legal Records, Printed Material, Volumes, Memorabilia, Textiles, and Photographs.

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Creators:
Underwood & Underwood
Dates:
1895-1921
Size:
160 Cubic feet
Collection ID:
NMAH.AC.0143
Repository:
Archives Center, National Museum of American History

The major part of the collection, series 1-4, contains nearly 28,000 glass plates, including original stereoscopic negatives, interpositives, and both negative and positive non-stereoscopic plates used to produce lantern slides and paper prints. The photographs were taken all over the world. The majority are from the Underwood & Underwood active fi...

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61 records — Page 2 of 7