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- Creators:
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Stillman, Michael, 1915-2003
Rubin, Rose N.
Monitor Records
- Dates:
-
undated
- Size:
-
43.7 Cubic feet (Audiotapes)
6.8 Cubic feet (Phonograph records)
57.5 Cubic feet (Paper records)
108 Cubic feet
- Collection ID:
- CFCH.MONI
- Repository:
-
Ralph Rinzler Folklife Archives and Collections
This collection contains the original master tapes, commercial recordings, and paper business records of the label Monitor Records. Materials include audiotapes, phonograph records, contracts, correspondence, photographs and other items.
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- Creators:
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DeVincent, Sam, 1918-1997
- Dates:
-
circa 1828-1980
- Size:
-
79 Boxes
- Collection ID:
- NMAH.AC.0300.S03
- Repository:
-
Archives Center, National Museum of American History
Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 3: African-American Music, contains circa 7,800 pieces of sheet music and folios dating from the 1820s to the 1980s; most of the material dates from after 1890. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.
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- Creators:
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National Museum of American History. Division of Musical History
- Dates:
-
circa 1954-1994
- Size:
-
64.08 cu. ft. (49 record storage boxes) (26 tall document boxes)
- Collection ID:
- Record Unit 485
- Repository:
-
Smithsonian Institution Archives
This record unit consists of curatorial and staff correspondence and memoranda pertaining to the Tower Concert series, exhibitions at the Hall of Musical Instruments, staff research and publications, organ building, acquisition of musical instruments, and funding for seminars and musical performance recordings. Also included are inquiries ...
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- Creators:
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DeVincent, Sam, 1918-1997
- Dates:
-
undated
1824-1981
- Size:
-
75 Boxes
- Collection ID:
- NMAH.AC.0300.S21
- Repository:
-
Archives Center, National Museum of American History
Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 20, Newspapers contains approximately 4,900 pieces of sheet music and other materials documenting the development of and popular attitudes towards the playing of music in the United States. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.
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- Creators:
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Church of God
Lightfoot Solomon Michaux, Elder
- Dates:
-
1950 to 1970
- Size:
-
140 Sound recordings
- Collection ID:
- NMAAHC.SC.0036
- Repository:
-
National Museum of African American History and Culture
The Church of God Audio Tape Collection consists of 140 audio recordings of radio broadcasts and church services from approximately 1950 to 1970. The Church of God is based in Washington DC and its founder Elder Lightfoot Solomon Michaux was an early innovator in radio evangelism, from which many of the recordings in the collection are drawn. Other recordings feature services and events at the various branches of the Gospel Spreading Church of God in the Mid-Atlantic region of the United States.
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- Creators:
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Odell, Scott, 1935-
- Dates:
-
1964-1977
- Size:
-
18 Cubic feet
- Collection ID:
- CFCH.ODEL
- Repository:
-
Ralph Rinzler Folklife Archives and Collections
The J. Scott Odell folk music collection (1945-2016, inclusive) contains AV recordings, photographs, correspondence, writings, and other materials relating to Odell's career at the Smithsonian as a musical instrument conservator and researcher of American music traditions. The collection largely consists of materials relating to Odell's research trips (often combined with personal visits) throughout the Eastern United States. Research strengths of the collection include the history of the Appalachian dulcimer and banjo, the Smithsonian Folkways project "Black Banjo Songsters," musician and poet Burt Porter, and the Bread and Puppet Theater.
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- Creators:
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Smithsonian Institution. Center for Folklife and Cultural Heritage
- Dates:
-
June 23-July 4, 1988
- Size:
-
1 Cubic foot (approximate)
- Collection ID:
- CFCH.SFF.1988
- Repository:
-
Ralph Rinzler Folklife Archives and Collections
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
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- Creators:
-
Smithsonian Institution. Center for Folklife and Cultural Heritage
- Dates:
-
June 24-July 5, 1998
- Size:
-
1 Cubic foot (approximate)
- Collection ID:
- CFCH.SFF.1998
- Repository:
-
Ralph Rinzler Folklife Archives and Collections
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
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- Creators:
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DeVincent, Sam, 1918-1997
- Dates:
-
1847-1975
- Size:
-
251 Boxes
- Collection ID:
- NMAH.AC.0300.S04
- Repository:
-
Archives Center, National Museum of American History
Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 4: Songwriters: A "songwriter" for this series is defined as a composer, a lyricist, or both. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.
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- Creators:
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Ellington, Duke, 1899-1974
- Dates:
-
1903 - 1989
- Size:
-
400 Cubic feet
- Collection ID:
- NMAH.AC.0301
- Repository:
-
Archives Center, National Museum of American History
The collection documents Duke Ellington's career primarily through orchestrations (scores and parts), music manuscripts, lead sheets, transcriptions, and sheet music. It also includes concert posters, concert programs, television, radio, motion picture and musical theater scripts, business records, correspondence, awards, as well as audiotapes, audiodiscs, photographs, tour itineraries, newspaper clippings, magazines, caricatures, paintings, and scrapbooks.