Relates to the proposed Handbook of Aboriginal Remains East of the Mississippi. Includes folders for Rhode Island, North Carolina, Massachusetts, Mississippi, Pennsylvania, Iowa, Wisconsin, Indiana, Maine, New York, Maryland, Connecticut, New Hampshire, Virginia, Kentucky, Florida, and Miscellany.
The papers of painter, muralist, children's book author and illustrator James Daugherty measure 6.5 linear feet and date from 1904-1978. The papers document Daugherty's career and artistic process through a small amount of biographical material, correspondence, writings, printed material, and sketchbooks. The 150 sketchbooks span seven decades and are the bulk and highlight of this collection. They contain preparatory drawings and sketches for artworks, murals, and illustrations, as well mock-ups for books, travel sketches, and a good deal of writing. Daugherty worked in both a non-objective abstract style and in representational illustration. His illustrations depict biblical stories and familiar characters and caricatures from American folklore including Revolutionary War heroes, Native Americans, American explorers and frontiersman.
The Marcel Breuer papers, 1920-1986, contain biographical material, correspondence, business and financial records, interviews, notes, writings, sketches, project files, exhibition files, photographs, and printed material that document the career of architect and designer Marcel Breuer.
Photographs and negatives of Sonia P. and Hans C. Seherr-Thoss. Mounted and unmounted color slides, transparencies, black and white negatives, mounted prints, contact sheets, and a photograph, circa 1960-1968. The majority of images, taken by Hans C. Seherr-Thoss, appear in their publication, Design and Color in Islamic Architecture: Afghanistan, Iran, and Turkey, published by the, Smithsonian Institution Press, in 1968. Countries depicted are Iran, Turkey, Afghanistan, Tajikistan, and Uzbekistan.
The papers of Burt Chernow measure 21.8 linear feet and consist mainly of research materials gathered and produced in the course of writing Christo and Jeanne-Claude: A Biography over an extensive period of close contact with the subjects, from the early 1980s until Chernow's death in 1997. Research materials for the biography include photocopies of personal documents of the Christos, hundreds of recorded interviews with Christo, Jeanne-Claude, their family members, and their associates, transcripts of interviews and research on interview subjects, other collected research material compiled chronologically, drafts of the biography written by Chernow, drafts of the biography and its epilogue produced after Chernow's death, and business records related to the book's production, which include significant correspondence with the Christos. Also found are the published German and U.S. editions of the biography, printed materials and photographs related to the book's subject matter, and fabric samples from five of the Christos' projects undertaken during Chernow's association with them. Chernow's career as an art critic, writer, educator, and arts advocate, primarily in Southern Connecticut, is documented in Chernow's other writings, organizational records, printed materials, and photographs.
The papers of New York and Connecticut painter Peter Blume date from 1870 to 2001 and measure 7.6 linear feet. Found are biographical materials; correspondence with family, friends, colleagues, galleries and institutions, and writers; writings on art by Blume and others; subject files regarding organizations, works of art, exhibitions, and reference files; personal business records; printed material; two scrapbooks; photographs of Blume, family, friends, and works of art; extensive artwork; and material relating to Blume's wife's family, the Cratons.
The collection documents trailer park life, particularly the Ryder Mobile Homes Park founded by Ralph Ryder in New Haven, Connecticut in 1930.
Collection consists of correspondence, photographs, and artifacts documenting Meyer Later, a World War I veteran who served with the United States Army in France between September, 1918 and April, 1919.
The three letters from artist Luigi Lucioni to art historian Nelson C. White measure 0.02 linear feet and are dated June 5, 1922, June 27, 1923, and December 11, 1927. In these letters, which reflect the friendship between Lucioni and White, Lucioni writes about various topics the two correspondents had discussed in person, including the National Academy of Design, his studio and work, and novels and plays that interest him.
James Faris (1936 – present) is an American cultural anthropologist and epistemologist who received his PhD from Cambridge University in 1966. He conducted fieldwork in the fishing settlement of Cat Harbour, Newfoundland, among the Nuba of Southeastern Kordofan in the Sudan, and among the Navajo in the American Southwest. His research specializations include cognitive anthropology, art and aesthetics, ritual, social organization and reproduction, anthropological linguistics, and visual anthropology and critical theory and representation. The James Faris Papers, 1960-2014, primarily document his fieldwork with the Nuba peoples of Southeastern Sudan. His papers also include materials related to representation of the Nuba peoples and various controversies in visual anthropology and documentary film that related to Leni Riefenstahl and her filmmaking among the Nuba. During the 1960s Faris was drawn into activism against the Vietnam War while at the University of Connecticut and his papers contain ephemeral materials on radical anthropology and racism from that period. The collection consists of field notes, correspondence, photographs, sound recordings, films (including scripts and transcriptions), videos, book and papers drafts, and news and magazine clippings.