87 records — Page 2 of 9
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Creators:
Wiley, William T., 1937-
Karlstrom, Paul J.
Dates:
1997 October 8-November 20
Size:
221 Pages (Transcript)
Collection ID:
AAA.wiley97
Repository:
Archives of American Art

An interview of William T. Wiley conducted 1997 October 8-November 20, by Paul J. Karlstrom, for the Archives of American Art, in Woodacre, California.

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Creators:
Jacobs, Mimi
Dates:
1971-1981
Size:
140 Items (photographic prints, b&w)
Collection ID:
AAA.jacomimi
Repository:
Archives of American Art

Photographs of artists, many from the San Francisco Bay Area, taken by Mimi Jacobs.

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Creators:
Robinson, Franklin A., Jr., 1959- (actor)
Dates:
1838-2017, undated
bulk 1872-1985
Size:
23.1 Cubic feet (71 boxes, 3 map-size folders)
Collection ID:
NMAH.AC.0475
Repository:
Archives Center, National Museum of American History

Papers documenting the farming and family life of the Robinson family of Prince George's County and after 1975, Charles County, Maryland. Papers documenting the farming and family of the Via family of Greene County, Virginia, Washington, D.C., Prince George's and Calvert Counties, Maryland, by 1949.

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Creators:
Swetzoff Gallery
Dates:
1941-1968
Size:
18.6 Linear feet
Collection ID:
AAA.swetgall
Repository:
Archives of American Art

The records of the Boston, Massachusetts Swetzoff Gallery measure 18.6 linear feet and date from 1941 to 1968. Materials include administrative files, scattered general correspondence, named files, exhibition files, financial records, printed material, a scrapbook of printed material, photographs, and the personal papers of Hyman Swetzoff.

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Creators:
Alexander, Robert
Temple of Man (Venice, Calif.)
Dates:
1938-2015
Size:
11.7 Linear feet
1.01 Gigabytes
Collection ID:
AAA.alexbob
Repository:
Archives of American Art

The papers of poet, artist, and ordained priest Robert Alexander and the records of Venice, California's Temple of Man measure 11.7 linear feet and 1.01 GB, and date from 1938-2015. The papers and records document Alexander and the Temple of Man, which he founded in 1960 to serve as a meeting place for a community of artists, poets, and musicians. The collection contains biographical material pertaining to Alexander, Temple of Man administrative records, correspondence and artists files, project files, printed material, and photographic material.

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Creators:
Selz, Peter Howard, 1919-2019
Dates:
1929-2014
bulk 1950-2005
Size:
31.5 Linear feet
0.696 Gigabytes
Collection ID:
AAA.selzpete
Repository:
Archives of American Art

The papers of art historian and writer Peter Howard Selz measure 31.5 linear feet and 0.696 GB and date from 1929 to 2018, with the bulk of the materials from 1950 to 2005. The papers document Selz's long career via correspondence, writings, professional files, project files, membership and association records, artists' research files, exhibition files, personal business records, printed and digital materials, and nine scrapbooks.

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Creators:
Scurlock, Addison N., 1883-1964
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock Studio (Washington, D.C.)
Scurlock, George H. (Hardison), 1919-2005
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Dates:
1930-1995, undated
Size:
115 Boxes
Collection ID:
NMAH.AC.0618.S02
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 2 primarily consists of color and hand-colored photographs but also includes job envelopes, order forms, correspondence, notes, and other photographic materials such as negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Powers, Hiram, 1805-1873
Dates:
1819-1953
bulk 1835-1883
Size:
12.4 Linear feet
Collection ID:
AAA.powehira
Repository:
Archives of American Art

The papers of sculptor Hiram Powers measure 12.4 linear feet and date from 1819 to 1953, with the bulk of the material dating from 1835 to 1883. Over two-thirds of the collection consists of Powers' correspondence with business associates, purchasers of his artwork, and numerous friends in the United States and Florence, Italy. Of note is Powers' "Studio Memorandum," from 1841 to 1845, which contains dated notations of letters written, receipts and expenditures, business contacts, works in progress, commissions and price quotations for work, comments on problems encountered during studio work, and other notes. Additional papers include scattered biographical material, financial and legal records, printed materials, photographs of Powers, his family, artwork, as well as an extensive collection of carte de visite and cabinet card portraits of many notable figures. Also found is a small amount of artwork by Powers and others, a scrapbook, and two autograph and memorabilia albums.

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Creators:
Scurlock, Addison N., 1883-1964
Scurlock Studio (Washington, D.C.)
Custom Craft
Scurlock, Robert S. (Saunders), 1917-1994
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Dates:
1964-1994, undated
Size:
72 Boxes
Collection ID:
NMAH.AC.0618.S05
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 5 primarily consists of color negatives, but occasionally includes order forms, envelopes, and other photographic materials associated with the order. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Scurlock, George H. (Hardison), 1919-2005
Scurlock Studio (Washington, D.C.)
Scurlock, Addison N., 1883-1964
Custom Craft
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Dates:
1931-1971
Size:
320 Boxes
The materials in the subseries are black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.02
Repository:
Archives Center, National Museum of American History

The vast majority of the negatives are individual portrait sittings but there are some family and group portraits. The box numbers in the finding aid are the old freezer box numbers and are not reflective of the physical number of boxes; when the negatives were rehoused, the physical number of boxes were reduced and the old freezer box numbers were...

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87 records — Page 2 of 9