32 records — Page 2 of 4
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Creators:
Richenburg, Robert
Dates:
circa 1910s-2008
Size:
5.3 Linear feet
4.32 Gigabytes
Collection ID:
AAA.richrobe
Repository:
Archives of American Art

The Robert Richenburg papers, circa 1910s-2008, measure 5.3 linear feet and 4.32 GB. Biographical material, correspondence, subject files, writings, sound and video recordings, printed material, and photographs document the professional career and personal life of the educator and New York School painter and sculptor best known for his Abstract Expressionist paintings.

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Creators:
Morris, Robert, 1931-2018
Kitto, Svetlana, 1980-
Dates:
2018 April 19-20
Size:
4 Items (sound files (3 hr., 49 min.) Audio, digital, wav)
47 Pages (Transcript)
Collection ID:
AAA.morris18
Repository:
Archives of American Art

An interview with Robert Morris conducted 2018 April 19 and 20, by Svetlana Kitto, for the Archives of American Art at Morris' home in Ulster County, New York.

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Creators:
Petlin, Irving, 1934-2018
McElhinney, James Lancel, 1952-
Dates:
2016 September 13-15
Size:
6 Items (sound files (4 hrs., 27 min.), digital, wav)
103 Pages (Transcript)
Collection ID:
AAA.petlin16
Repository:
Archives of American Art

An interview with Irving Petlin conducted 2016 September 13 and 15, by James McElhinney, for the Archives of American Art at Petlin's home in New York, New York.

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Creators:
Snelson, Kenneth, 1927-2016
Dates:
1947-2016
Size:
21.8 Linear feet
Collection ID:
AAA.snelkenn
Repository:
Archives of American Art

The papers of artist Kenneth Snelson measure 21.8 linear feet and date from 1947-2016. While primarily known for his sculptures incorporating the structural principle of tensegrity, Snelson was also a prolific photographer and forerunner of computer art. The collection document's the artist's life and work through chronological files, correspondence, project files, gallery and exhibition files, photographic material, and printed material. Chronological files detail seven decades of personal and professional activities, beginning with Snelson's summers at Black Mountain College where he studied with Buckminster Fuller. Project files comprise nearly half of the collection and extensively document his sculptures, towers, atom model, computer art, patents, and cataloging and publishing projects.

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Creators:
Andre, Carl, 1935-
Cummings, Paul
Dates:
1972 September
Size:
68 Pages (Transcript)
Collection ID:
AAA.andre72sep
Repository:
Archives of American Art

Interview of Carl Andre conducted 1972 September, by Paul Cummings, for the Archives of American Art. Andre speaks of his family and education at Phillips Andover Academy and Kenyon College and classes with Patrick and Maud Morgan. He discusses his interest in Brancusi; Ezra Pound as a critic of sculpture; the relationship between painting, sculptu...

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Creators:
Tibor de Nagy Gallery
Dates:
1941-2016
Size:
43.9 Linear feet
Collection ID:
AAA.tibode
Repository:
Archives of American Art

The records of the New York Tibor de Nagy Gallery measure 43.9 linear feet and date from 1941-2016. The records document the activities of the gallery through business records and correspondence, exhibition files, artist files, financial and legal records, inventory records, and a small amount of records of the Houston Branch.

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Creators:
Novros, David, 1941-
Dates:
1963-2008
Size:
1 Linear foot
Collection ID:
AAA.novrdavi
Repository:
Archives of American Art

The papers of abstract painter David Novros are dated 1963 to 2008, and measure 1.0 linear foot. Correspondence, records relating to the Liaunig Boat House commission (Middleburgh, NY), interview transcripts, printed material, and photographs document the painter's professional career.

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Creators:
Finch College. Museum of Art
Varian, Elayne H.
Dates:
1943-1975
bulk 1964-1975
Size:
20.9 Linear feet
Collection ID:
AAA.finccoll
Repository:
Archives of American Art

The exhibition records of the Contemporary Study Wing of the Finch College Museum of Art measure 20.9 linear feet and date from 1943 to 1975, with the bulk of records dating from the period its galleries were in operation, from 1964 to 1975. Over two-thirds of the collection consists of exhibition files, which contain a wide range of documentation including artist files, checklists, correspondence, writings, photographs, interviews, numerous films and videos, artist statements, printed materials, and other records. Also found within the collection are administrative records of the museum, artist files, and papers of the Contemporary Wing's director and curator, Elayne Varian, which were produced outside of her work at Finch College.

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Creators:
Ramos, Mel, 1935-2018
Dates:
1959-1984
Size:
0.6 Linear feet
Collection ID:
AAA.ramomel
Repository:
Archives of American Art

The papers of California pop artist and teacher Mel Ramos measure 0.6 linear feet and date from 1959 to 1984. The collection documents Ramos's career as an artist through correspondence with Lawrence Alloway, Dwan Gallery, Roy Lichtenstein, David Stuart, and Tom Wesselman, among others; a few inventories, invoices, and loan agreements; documentation of his work with the San Francisco Art Institute; and exhibition announcements and catalogs. Writings include two manuscripts on Ramos and the Pop Art movement, a one-page interview of Ramos, and poetry by Robin Skelton. Of interest in the collection, are files containing photographs, photo-collages, and clippings used for paintings such as "Elephant Seal," "Virnaburger," and "Manet's Olympia."

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Creators:
Lippard, Lucy R.
Dates:
1930s-2007
bulk 1960-1990
Size:
56.5 Linear feet
0.454 Gigabytes
Collection ID:
AAA.lipplucy
Repository:
Archives of American Art

The papers of New York and New Mexico writer, art critic, and curator, Lucy R. Lippard, measure 56.5 linear feet and 0.454 GB and date from the 1930s to 2007, with the bulk of the material dating from the 1960s to the 1990s. Over half of the collection consists of correspondence files documenting Lippard's professional relationships with artists, writers, galleries, art institutions, and political organizations, and her interest in conceptual and minimalist art, feminism and political activism. Also found are Lippard's notes and writings including sound recordings and interviews, teaching and exhibition files, printed and digital material, several works of art, and photographs of artwork and artists. Scattered throughout the collection are a small number of records concerning Lippard's personal life. An addition of 3.0 linear feet donated 2015 includes subject files on feminist and conceptual art as well as land use, development, and local politics and history in New Mexico.

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32 records — Page 2 of 4