George Eastman House copies of photographs of Native Americans
248 Copy prints (circa)
Copies of photogaphs selected from the George Eastman House collection by Bureau of American Ethnology archivist Margaret Blaker in 1962. Many of the photographs are individual or group portraits of American Indians and some highlight pottery, baskets, and cradleboards. There are also images of American Indian dwellings, including tipis and hogans …
Robbins Center Collection
3 Prints (black and white, 1 framed, 2 matted)
7 Documents ((brochures))
The Robbins Center Collection includes posters advertizing the Museum of African Art (now the National Museum of African Art, Smithsonian Institution) and its exhibits, exhibit brochures, a watercolor painting and photographs by Eliot Elisofon, and museum signage.
William Henry Holmes Papers
These papers include Holmes' personal and professional correspondence, including correspondence between other scientists, which was collected by Holmes in connection with his research. The correspondence mainly documents Holmes' research in American ethnology and archeology but also includes material dealing with international scientific meetings and professional conflicts. Also included are photographs …
Charles E. Qualls papers
The Charles E. Qualls papers, which date from 1899 to 1988 and measure 3.02 linear feet, document the career of pharmacist and community organizer Charles E. Qualls. The papers are comprised of correspondence, documents from community organizations, magazines, newspaper clippings, photographs, and scrapbooks.
These records consist mostly of the correspondence of Warren H. Robbins, which documents activities of the National Museum of African Art (NMAfA) since its inception. Also included are some correspondence and memoranda of Jean M. Salan, John E. Reinhardt, and David L. Stratmon, a previous Associate Director of MAA (Museum …
Warren M. Robbins Papers
This accession consists of materials created and maintained by Warren M. Robbins, founder and director of the National Museum of African Art (NMAfA). The materials cover a wide range of his life, including his time as an education officer at the American Embassy in Vienna, Austria; his work at the …
A Right to the City Exhibition Records
The oral histories in this collection were conducted as part of the research for an exhibition exploring the history of neighborhood change and civic activism in the nation's capital. Focused on the dynamic histories of six DC neighborhoods—Adams Morgan, Anacostia, Brookland, Chinatown, Shaw and Southwest—the exhibition recounted the story of these communities through the eyes of the Washingtonians who helped shape and reshape the city in extraordinary ways. The exhibit was organized by the Anacostia Community Museum and curated by Samir Meghelli. The audio and video interviews were conducted between 2016-2018.
This accession consists of information files, original reports and correspondence, papers and articles, and other background material on Smithsonian buildings. These records were compiled by the Office of Architectural History and Historic Preservation (OAHP), research associates, and volunteers. Items in brackets describe cross-references to other materials in the collection. Buildings …
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock, Addison N., 1883-1964
The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.1 includes black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records
This accession consists of exhibition records pertaining to In Pursuit of the Butterfly: Portraits of James McNeill Whistler (1995); Majestic in His Wrath: The Life of Frederick Douglass (1995); Federal Profiles: Saint-Memin in America, 1793-1814 (1994); Cecilia Beaux and the Art of Portraiture (1995); and Lazzaroni: Science & Scientists in Mid-19th Century America (1972). All were exhibitions …