35 records — Page 2 of 4
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Creators:
National Museum of African Art (U.S.)
Dates:
1898-[ongoing]
Size:
61 Volumes
Collection ID:
EEPA.1985-014
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This collection includes postcards from 45 African countries. Subjects include agriculture; animals; artists; body arts; cityscapes; cultural landscapes; dance; education; expeditions; flora; industry; leaders; marketplaces; medicine; military; missionaries; music; portraits; recreation; rites and ceremonies; and transportation, among many other topics.

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Dates:
between 1877-1895
Size:
169 negatives (photographic) (dupe negs., black & white, 4 x 5 in. )
169 photographic prints (dupe prints (2 v.), black & white, 8 x 10 in. )
169 photographic prints ((1 album), black & white, 14 x 20 cm. or smaller.)
Collection ID:
EEPA.1995-017
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs of West Africa, mostly from Lagos and coastal Nigeria, 1877-1895. There are high quality pictures of trading houses and residences in Lagos, often with the name of the owners given in the caption. One of the buildings depicted is the cathedral. Several exceptional images portray chiefs, such as the King of Opobo, and the wives of the King of Opobo, the Balogun of Epe, the Alake of Abeokuta, and the chief of New Calabar. Of greatest interest is a photograph entitled "Benin Gods" which shows figures from the Kingdom of Brass, taken in circa 1877/1878. There are also views of Cape Coast, Elmina, Accra, Wydah, Fernando Poo, Porto Novo, Grand Popo, and one from Liberia. The themes range from architecture to dances and weddings. Of particular interest are two depictions of fancy dress.

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Creators:
White Fathers
White Fathers Mission
Dates:
circa 1903-1925
Size:
217 Photographic prints (black and white)
217 copy prints (black and white)
217 copy negatives (black and white, 4 x 5 in.)
Collection ID:
EEPA.1987-010
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The Pères Blancs (White Fathers) Society Photographic Album documents the group's missions and the Africans living near them in the East African kingdoms of Rwanda and Burundi (now the state of Rwanda-Burundi). Subjects include individual and group portraits of Africans, including members of the Tutsi royal family and the Tutsi elite, Christian families of Hutu origin, missionaries and Western visitors, and Twa people on an elephant hunt. There are also photos of landscapes, African villages and mission buildings, activities, including dancing and farming.

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Creators:
Zagourski, Casimir
Dates:
circa 1925
Size:
6 negatives (photographic) (dupe negatives, black & white, 4 x 5 in.)
375 postcards (1 volume, black & white, 9 x 14 cm.)
437 photographic prints (12 folders, copy prints; black & white, 8 x 10 in. or smaller )
4 contact sheets
Collection ID:
EEPA.1987-024
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection includes (6) 4 x 5 copy negatives, 375 postcards, 437 copy prints and 4 contact sheets.

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Creators:
Mathis, Nathaniel, 1946- (barber, motivational speaker)
Dates:
1946-2004
bulk 1970-2004
Size:
5.5 Cubic feet (18 boxes, 1 oversize folder)
Collection ID:
NMAH.AC.0641
Repository:
Archives Center, National Museum of American History

Nathaniel Mathis is a Washington, D.C., hairstylist, inventor, motivational speaker, and entrepreneur. His papers document his business life and community involvement.

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Creators:
Elisofon, Eliot
Dates:
circa 1935-1978
Size:
14000 negatives (photographic) (b&w, 35mm)
30000 slides (photographs) (color)
80,000 Photographic prints (b&w, 25 x 20 cm. or smaller.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This collection is comprised of photographic and manuscript materials, primarily created by Eliot Elisofon to document his travels and work. The images portray many aspects of African life and culture including agriculture, wildlife, archaeology, architecture, art and artisans, children, cityscapes and landscapes, leaders, markets, medicine, recreation, ritual and celebration, and transportation. The manuscript materials include correspondence, essays, clippings, puobligations, notes, research, and itineraries.

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Creators:
Sousberghe, Léon de
Dates:
1955-1957
Size:
212 slides (photographs) (color)
1 map (black & white, 50 x 70 cm.)
1 map (color, 40 x 53 cm.)
Collection ID:
EEPA.1999-010
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken among the Pende peoples in the Democratic Republic of the Congo in the years 1955-1957. Publications used for identifying and describing the collection photographs include L'Art Pende (Bruxelles: Académie royale de Belgique, 1958) and Les danses rituelles Mungonge et Kelas des Bapende (Academie royale des sciences coloniales, 1956), both by Léon de Sousberghe; Inventing Masks: Agency and History in the Art of the Central Pende by Z.S. Strother (The University of Chicago Press, 1998); and, from Secrecy: African Art that Conceals and Reveals Mary H. Nooter, ed. (New York: Museum for African Art, 1993), Z.S. Strother's article, The Physical and Social Boundaries of Secrecy: Eastern Pende Constuctions of Secrecy, pp. 157-178.

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Creators:
Ottenberg, Simon
Ottenberg, Simon
Dates:
between 1978-1992
Size:
3145 slides (photographs) (color)
Collection ID:
EEPA.2005-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection primarily includes photographs of Limba peoples taken by anthropologist Simon Ottenberg during field research in northern Sierra Leone within Bafodea Town, the capital of Wara Wara Bafodea Chiefdom, and Guinea, from October 1978 through July 1980. The collection also includes photographs taken while conducting field research at an Afikpo village-group, in southeastern Nigeria, from January 30, 1988 to February 5, 1988 and in 1992.

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Creators:
Ravenhill, Philip L.
Dates:
1989
Size:
2 Volumes (slides , color)
1 Boxe (dupe slides, color)
Collection ID:
EEPA.1989-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken during a research trip to Mali in 1989 to study the art and architecture of the Dogon and Bamana peoples. Accompanying Dr. Ravenhill was Stanley Staniski from Media Resources. Their work resulted in the video production entitled, Togu na and Cheko: Change and Continuity in the Art of Mali, for the National Museum of African Art.

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Creators:
Blackmun, Barbara Winston
Dates:
circa 1969-1994
Size:
1,469 color slides
Collection ID:
EEPA.2016-012
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection includes 1,469 color slides (35mm) which were taken in Nigeria from circa 1964-1994, and focus on ancestral altars; artists; art objects in museums, including bronze plaques and carved ivory tusks; ceremonies and festivals, including the Igue and Ewere Festivals, and the Emobo, Otue, Olokun, title-taking, and Blackmun's initation ceremonies; and people, including Oba Erediauwa and chiefs Eribo, Ero, Esogban, Ezomo, Ohanmu and Osaigeide; and street and landscape scenes in Benin City, Ife, Lagos, Ishiago, and Mbarri, Owerri, Owo, among other locations in Nigeria.

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35 records — Page 2 of 4