The papers of Miami, Florida painter Vicente Dopico Lerner measure 0.5 linear feet and 0.681 GB and date from 1977 to 2016. The collection includes sketches, the documentary Vicente Dopico Lerner: El Caos y La Imagen, photographs of artwork and of the artist with artwork and others, and printed materials.
The Ramón Carulla papers contain letters, photographs, printed material, an interview, sketchbooks, and artwork documenting the career of Cuban American painter Ramón Carulla.
These papers consist of incoming and outgoing correspondence (1946-1951) that documents, in part, the history of the United States National Museum, Department of Botany, Division of Cryptogams, while George Albert Llano was an associate curator with the Division (1948-1951), as well as Llano's scientific activities and personal matters. Materi...
The papers of New York painter Alice Neel measure 1.0 linear foot and date from 1933 to 1983. The bulk of the collection documents the last fifteen years of Neel's career as an artist. Found within the papers are letters from galleries, museums, and art organizations; writings and notes by Neel; exhibition catalogs, clippings, and other printed material; and photographs depicting Neel, exhibitions, and her artwork.
The papers of fiber artist and educator Adela Akers measure 2.6 linear feet and date from 1960 to 2009. Her career as an artist and her tenure at the Tyler School of Art, Temple University, are documented through scattered biographical material; correspondence; subject files on galleries, projects, weaving technique, research, workshops, and fiber arts organizations; writings; exhibition announcements, clippings, and other printed material; photographs; and artwork, including one sketchbook.
The papers of Cuban American painter Carlos A. Maciá measure 1.8 linear feet and date from circa 1960 to 1996. The collection is comprised of biographical materials that includes a video recording of an interview with Maciá conducted by Josh Greenman; correspondence; personal business records; printed materials; artwork that includes paintings, drawings and prints; and photographs, slides, and negatives depicting Maciá, works of art, friends and family, and still lifes photographed by Maciá.
The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program ...
This one-volume scrapbook contains clippings dating from 1937 to 1975, that document the career of Cuban American painter, Cundo Bermúdez.
This collection consists of materials documenting the Castor Advertising Corporation, Castor SG&B, and Castor Spanish International, which specialized in reaching Hispanic audiences.
The collection, which dates from 2006 and measures .08 linear feet, documents community life in Senegal, Barbados and Cuba, as well as African-American community life in the United States. The collection is comprised of giclée prints.