Collapse [ ]
Expand
- Creators:
-
Woodman, Betty, 1930-2018
Perreault, John, 1937-2015
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
- Dates:
-
2003 April 22 and 29
- Size:
-
5 Items (Sound recording: 5 sound files (2 hr., 55 min.), digital wav)
69 Pages (Transcript)
- Collection ID:
- AAA.woodma03
- Repository:
-
Archives of American Art
An interview of Betty Woodman conducted 2003 April 22 and 29, by John Perreault, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in New York, New York.
Found In
Collapse [ ]
Expand
- Creators:
-
Tibor de Nagy Gallery
- Dates:
-
1941-2016
- Size:
-
43.9 Linear feet
- Collection ID:
- AAA.tibode
- Repository:
-
Archives of American Art
The records of the New York Tibor de Nagy Gallery measure 43.9 linear feet and date from 1941-2016. The records document the activities of the gallery through business records and correspondence, exhibition files, artist files, financial and legal records, inventory records, and a small amount of records of the Houston Branch.
Found In
Collapse [ ]
Expand
- Creators:
-
Lanyon, Ellen
- Dates:
-
circa 1880-2015
bulk 1926-2013
- Size:
-
62.6 Linear feet
84.47 Gigabytes
- Collection ID:
- AAA.lanyelle
- Repository:
-
Archives of American Art
The papers of artist Ellen Lanyon measure 62.6 linear feet and 84.47 GB and date from circa 1880-2015, bulk 1926-2013. Biographical material; correspondence; interviews; writings; journals; project files; teaching files; exhibition files; personal business records; printed and broadcast material; scrapbooks; photographic material; artwork; sketchbooks; as well as sound and video recordings and digital material, provide a comprehensive view of Lanyon's career and of art circles in Chicago and New York. Correspondence with artists and friends make up a significant portion of the collection. Project and exhibition files reflect her professional and artistic career. Thousands of slides and photographs document her life and artwork over seven decades, and over seventy sketchbooks are filled with student sketches, portraits of friends and family, and preliminary drawings.
Found In
Collapse [ ]
Expand
- Creators:
-
Kozloff, Max
- Dates:
-
circa 1950-2015
- Size:
-
1.4 Linear feet
- Collection ID:
- AAA.kozlmax
- Repository:
-
Archives of American Art
The papers of art critic and photographer Max Kozloff measure 1.4 linear feet and date from circa 1950-2015. The collection provides a glimpse into the work life of a prolific twentieth century American art critic through biographical material, correspondence with artists and critics, interviews, many unpublished writings, and printed material.
Found In
Collapse [ ]
Expand
- Dates:
-
2019
- Size:
-
0.4 Linear feet
- Collection ID:
- AAA.whatisfe
- Repository:
-
Archives of American Art
What is Feminist Art? questionnaire responses date from 2019 and measure 0.4 linear feet. The questionnaire asking "What is Feminist Art?" was sent by Mary Savig, Curator of Manuscripts at the Archives of American Art, to artists asking each to respond to the question on a single page of 8 1/2" x 11" paper, for inclusion in an exhibition "What is F...
Found In
Collapse [ ]
Expand
- Creators:
-
Watson/de Nagy & Company (Gallery: Houston, Tex.)
- Dates:
-
1972-1984
- Size:
-
14 Microfilm reels
- Collection ID:
- AAA.watsnagy
- Repository:
-
Archives of American Art
Correspondence; business records; photographs; and gallery files.
Found In
Collapse [ ]
Expand
- Creators:
-
Jaudon, Valerie, 1945-
Berman, Avis
United States. General Services Administration. Design Excellence and the Arts Oral History Project
- Dates:
-
2009 Oct. 8-Dec. 22
- Size:
-
3 Items (Sound recording, master: 3 WMA files (5 hr., 43 min.), digital, 2 5/8 in.)
95 Pages (Transcript)
- Collection ID:
- AAA.jaudon09
- Repository:
-
Archives of American Art
An interview of Valerie Jaudon conducted 2009 Oct. 8-Dec. 22, by Avis Berman, for the Archives of American Art's U.S. General Services Administration, Design Excellence and the Arts oral history project, at Jaudon's studio, in New York, N.Y.
Found In
Collapse [ ]
Expand
- Creators:
-
Renwick Gallery
- Dates:
-
1957, 1961-1989, 1997-2003
- Size:
-
25 cu. ft. (25 record storage boxes)
- Collection ID:
- Accession 10-128
- Repository:
-
Smithsonian Institution Archives
This accession consists of records documenting the activities of the Renwick Gallery during the tenures of Lloyd E. Herman, Director, 1971-1986; Michael W. Monroe, Curator-in-Charge, 1986-1995; and Kenneth R. Trapp, Curator-in-Charge, 1995-2003. Topics covered include art organizations; craft fairs and craft schools; correspondence with m...
Found In
Collapse [ ]
Expand
- Creators:
-
Organization of Independent Artists
- Dates:
-
circa 1970s-circa 2003
- Size:
-
28.4 Linear feet
- Collection ID:
- AAA.orgainda
- Repository:
-
Archives of American Art
The Organization of Independent Artists records measure 28.4 linear feet and date from circa 1970s to circa 2003. The records include administrative records, correspondence, exhibition and installation files, artists' files, financial and legal records, printed material, seven scrapbooks, and photographs.
Found In
Collapse [ ]
Expand
- Creators:
-
Fendrick Gallery
- Dates:
-
1952-2001
- Size:
-
106.4 Linear feet
0.008 Gigabytes
- Collection ID:
- AAA.fendgall
- Repository:
-
Archives of American Art
The records of the Fendrick Gallery measure 106.4 linear feet and 0.008 GB and span the years 1952 to 2001. The bulk of the collection is comprised of artist's files that document the gallery's relations with and representation of over 300 contemporary artists and sculptors, including Robert Arneson, William Bailey, Daniel Brush, Wendell Castle, Robert Cottingham, James Drake, John Dreyfuss, Walter Dusenbury, Roger Essley, Helen Frankenthaler , Sam Gilliam, Jasper Johns, Raymond Kaskey, Claude and Francois Lalanne, Albert Paley, Joseph Raffael, Carol Summer, and numerous other artists. Also found are subject, exhibition, commission, administrative, and financial files, as well as files documenting the gallery's relationship with other museums and galleries.