Personal papers of Dr. Kranzberg from his undergraduate years at Amherst College through his professional career. Collection documents his involvement with development of the new field of history of technology and his role as principal founder of the Society for the History of Technology (SHOT); work as consultant and advisor to domestic and international agencies, colleges, and universities; personal affiliations, lectureships, publications; and teaching and administrative activities for more than 40 years as a college professor.
The collection includes 1,469 color slides (35mm) which were taken in Nigeria from circa 1964-1994, and focus on ancestral altars; artists; art objects in museums, including bronze plaques and carved ivory tusks; ceremonies and festivals, including the Igue and Ewere Festivals, and the Emobo, Otue, Olokun, title-taking, and Blackmun's initation ceremonies; and people, including Oba Erediauwa and chiefs Eribo, Ero, Esogban, Ezomo, Ohanmu and Osaigeide; and street and landscape scenes in Benin City, Ife, Lagos, Ishiago, and Mbarri, Owerri, Owo, among other locations in Nigeria.
The selected records of the National Endowment for the Arts, Visual Arts Program measure 15.5 linear feet and date from 1969 to 1989. The records contain supporting documentation for grant applications awarded and final reports submitted to the NEA's Visual Arts Program in the categories of: Workshops (1972-1976), Workshops/Alternative Spaces (1976-1979), Artists' Spaces (1980-1982), and Visual Artists Organizations (1983-ca.1987). Included are a variety of materials, such as slides, photographs, sound and video recordings, letters, resumes, newsletters, financial reports, operational procedures, and printed materials. After circa 1990, the NEA began returning supporting documentation to the applicants, hence, no records from the 1990s are included, although grants were awarded in the Visual Artists Organizations category until 1995.
Black-and-white photoprints from two documentary projects: "In the South Bronx of America" and "Refuge". Mel Rosenthal's mission in the Bronx project was to record the deterioration and poverty there. Some photographs from the Bronx project have also been used in the "Refuge" project, because they document immigrants who moved into the Bronx.
These records document the official functions and activities of the Assistant Provost for Arts and Humanities from 1982 to 1994, although the bulk of the records date from 1990 to 1993. They consist mostly of memoranda, correspondence, and reports generated both within and outside of the Smithsonian Institution which reflect the operations ...
Business and personal papers, photographs, and audio recordings of Claude "Fiddler" Williams, an award-winning jazz fiddler. Although Williams played music for almost a century the materials in this collection date largely from 1970 to 2005.
The bulk of these records document the administration and activities of Brown's office from 1991 to 1992, although some files were created in 1989 while she was still at the Brooklyn Museum and some extend into 1993. Subject files were created for administrative matters; Smithsonian staff, bureaus, and offices with which Brown had contact; ...
The papers of museum director, art consultant and curator Otto Wittmann (1911-2001)date from 1932 to 1996 and measure 10.1 linear feet. The bulk of the collection consists of correspondence and other files concerning Wittmann's career as Director of the Toledo Museum of Art and as trustee and acting chief curator of the Getty Museum in Los Angeles. Eleven scrapbooks contain materials primarily relating to the activities of the Toledo Museum of Art, but also contain documentation of Wittmann's World War II service in the Art Looting Investigation Unit (ALIU) of the U.S. Office of Strategic Services, the precursor to the present day CIA. Also found within the papers are files relating to his work with the National Endownment of the Arts, Arts and Artifacts Indemnification Committee, scattered biographical information, and personal correspondence.
The Donald J. Ortner Papers, dated 1963 to 2013, document his research and professional activities while working in the Division of Physical Anthropology in the Department of Anthropology at the Smithsonian Institution National Museum of Natural History. They primarily deal with his contributions to the field of paleopathology and his work with specimens from Bab edh-Dhra, Jordan and Chichester, England. The bulk of this collection consists of correspondence, files related to Ortner's publications, specimen observations and analysis, and photographs.
The papers of photographer Andres Serrano measure 2.8 linear feet and date from 1986 to 2013. The collection documents Serrano's work as a photographer through correspondence, writings, professional files, personal business records, and printed materials.