Lawrence Ferlinghetti papers
The Lawrence Ferlinghetti papers measure 3.1 linear feet and date from 1980 to 2020. The papers document Ferlinghetti's career as a poet and artist through exhibition files, inventories, correspondence and other professional files; clippings, exhibition announcements, exhibition catalogs, and other printed material; sketches, sketchbooks, lithographs, and other artwork; and photographs and slides of Ferlinghetti and his artwork.
John Milton Ramm papers
The papers of painter and muralist John Milton Ramm measure 11 linear feet and date from 1900 to 1992. Found within are biographical materials, family correspondence, personal business records, notes and notebooks, travel journals and other writings by Ramm and his father, John Henry Ramm. Art work consists of sketches, sketchbooks, watercolor sketches, mural designs, and other drawings by John Milton Ramm and John Henry Ramm. Also found are numerous photographs of family, friends, travels and voyages, and San Francisco cityscapes, as well as photographs of the 1906 San Francisco earthquake and fires taken by John Henry Ramm.
Millard Sheets papers
The Millard Sheets papers comprise 27.6 linear feet of material dating from circa 1907 to 2000 with bulk dates spanning 1956 to 1981. The collection documents Sheets's career as a designer, painter, and muralist, and his personal and professional interests through correspondence, writings, lectures, printed material, drawings, slides, photographs, and ephemera. A small addition donated 2018 by Carolyn Owen-Toole, Sheet's daughter. There is a 4.6 linear foot unprocessed addition to this collection donated 2018 that includes writings; sketchbooks and sketches; photographs and negatives of works of art, images of Millard Sheets and others including family; printed material, including two scrapbooks; and scattered correspondence regarding Sheet's projects.
James Huber, Michael Hossner, and Dino Vinti papers
Hossner, Michael, 1954-1990
Dino Vinti, 1958-1989
The papers of Bay Area figurative artists James Huber and Michael Hossner measure 3.1 linear feet and date from 1950 to 1993. This collection documents both James Huber and Michael Hossner's art careers in the San Francisco art scene in the 1970s and 1980s. Also included is material regarding Dino Vinti, an independent curator and curator at Footworks Studio, an alternative center for visual and performing arts. A bulk of this collection is comprised of personal correspondence, personal photographs, and photographs used as studies for works of art, and exhibition announcements and catalogs. The papers document the Bay Area art scene in the 1970s and 1980s of which Huber and Hossner were a part of, alternative spaces, and the devastation of the AIDS epidemic.
Frank C. and Clara G. Churchill collection
Churchill, Clara G.
3 Linear feet
1430 Negatives (photographic) (acetate)
325 Lantern slides (colored)
The Frank C. and Clara G. Churchill collection includes photographic negatives, photo albums, lantern slides, journals, scrapbooks and other documents created and compiled by the Churchills over the course of Frank's career as a special agent and Indian Inspector for the Department of the Interior between 1899 and 1909. Initially assigned as a revenue collector to the Cherokee Nation and later as an Indian Inspector reviewing boarding schools, Frank's assignments took him all over the United States including Indian Territory (present day Oklahoma), Missouri, Texas, Nebraska, Kansas, South Dakota, Minnesota, Wisconsin, New Mexico, Arizona, Utah, California, Florida, North Carolina and Alaska. During this time the Churchills visited over 80 different Native communities shooting photographs and taking notes.
Jan Butterfield papers
The papers of Jan Butterfield measure 15 linear feet and date from circa 1950 to 1997. Papers contain hundreds of recorded interviews with and lectures by artists, panel discussions of artists and art historians, as well as extensive writings by Butterfield. Also found are project files, personal business records, printed materials, photographs, and additional sound and video recordings related to art subjects.
Tomás Ybarra-Frausto research material
The research material of Tomás Ybarra-Frausto, measures 33.1 linear feet and 1.27 GB and dates from 1965-2004. The collection, amassed throughout Ybarra-Frausto's long and distinguished career as a scholar of the arts and humanities, documents the development of Chicano art in the United States and chronicles Ybarra-Frausto's role as a community leader and scholar in the political and artistic Chicano movement from its inception in the 1960s to the present day.
Diana Fuller papers and gallery records
The Diana Fuller papers and gallery records measure 67.9 linear feet and date from 1958 to 2004. The records shed light on the operations of Hansen-Fuller Gallery, Hansen-Fuller-Goldeen Gallery, Fuller-Goldeen Gallery, and Fuller-Gross Gallery through administrative files, correspondence files, artists' files, dealer and institution files, exhibition and event files, financial records, printed materials, photographic materials, as well as some audiovisual and born digital materials. Diana Fuller's papers concern her work with the Bay Area Consortium for the Visual Arts, her book, Art/Women/California, 1950-2000: Parallels and Intersections (2002), and include scattered project files, photographic materials, and more. Also present are correspondence files, artists' files, exhibition material, and financial records generated by Arts Unlimited and Hansen Galleries.
Jorge Prelorán films
22 Linear feet (Papers and photographs)
Documentary filmmaker Jorge Prelorán was best known for his intimate approach to ethnographic film, a style known as "ethnobiography." The majority of Prelorán's films were shot in rural areas of Argentina, particularly the Andean highlands and the Pampas (plains), often in communities of mixed Indian and Spanish heritage. Prelorán documented a wide range of subjects, including art, folk crafts, agriculture, ranching, markets, religious rituals and festivals, and social and cultural change. This collection contains edited films and videos, film outtakes, audio tapes, photographic prints and transparencies, digital books, correspondence, production files, scripts, project files, and press clippings spanning 1954-2008.
Beatrice Medicine papers
The Beatrice Medicine papers, 1913-2003 (bulk 1945-2003), document the professional life of Dr. Beatrice "Bea" Medicine (1923-2005), a member of the Standing Rock Sioux tribe, anthropologist, scholar, educator, and Native rights activist. The collection also contains material collected by or given to Medicine to further her research and activism interests. Medicine, whose Lakota name was Hinsha Waste Agli Win, or "Returns Victorious with a Red Horse Woman," focused her research on a variety of topics affecting the Native American community: 1) mental health, 2) women's issues, 3) bilingual education, 4) alcohol and drug use, 5) ethno-methodologies and research needs of Native Americans, and 6) Children and identity issues. The collection represents Medicine's work as an educator for universities and colleges in the United States and in Canada, for which she taught Native American Studies courses. Additionally, because of the large amount of research material and Medicine's correspondence with elected U.S. officials and Native American leaders, and records from Medicine's involvement in Native American organizations, the collection serves to represent issues affecting Native Americans during the second half of the 20th century, and reflects what Native American leaders and organizations did to navigate and mitigate those issues. Collection materials include correspondence; committee, conference, and teaching material; ephemera; manuscripts and poetry; maps; notes; periodicals; photographs; training material; and transcripts.