52 records — Page 2 of 6
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Creators:
Rinehart, F. A. (Frank A.)
Muhr, Adolph F., -1913
Jackson, William Henry, 1843-1942
Rau, William Herman, 1855-1920
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Dates:
1898-1901
Size:
56 Photographic prints
Collection ID:
NMAI.AC.119
Repository:
National Museum of the American Indian

This collection contains 44 photographs in a photo album and 12 loose prints that depict American Indian leaders circa 1898 to 1901. The bulk of the photographs were shot at the Indian Congress of the Trans-Mississippi and International Exposition, 1898 and the Greater America Exposition, 1899, both held in Omaha, Nebraska.

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Creators:
Capron, Allyn K.
Dates:
1872-1900
Size:
108 Photographic prints
8 Copy negatives
Collection ID:
NMAI.AC.152
Repository:
National Museum of the American Indian

This collection includes prints and photographic negatives collected by Captain Allyn K. Capron. Many of the photographs were taken in the Fort Sill area in Oklahoma throughout Capron's time serving there. While a few of these photographs depict Capron, the majority of the Fort Sill photographs feature Native American prisoners of war. This collection also contains portraits taken by Frank A. Rinehart and Adolph F. Muhr during the 1898 U.S. Indian Congress of the Trans Mississippi and International Exposition in Omaha, Nebraska. In addition, this collection contains rare photographs from a 1900 Niimíipuu (Nez Perce) and Umatilla delegation visit led by Chief Joseph to Washington, DC. Additional assorted photographs, which were collected by Capron and taken among several communities in Nebraska, North Dakota, Oklahoma, Alabama, and Florida by various photographers, are also included. The communities represented within this collection include the Apsáalooke (Crow/Absaroke), Assiniboine (Stoney), Southern Inunaina (Arapaho), Kiowa, Pikuni (Piegan) [Blackfeet Nation, Browning, Montana], Apache, Chiricahua Apache, Oglala Lakota (Oglala Sioux), Cayuse, Sihasapa Lakota (Blackfoot Sioux), Niimíipuu (Nez Perce), Umatilla, Potawatomi, Warm Springs Chiricahua Apache (New Mexico), Southern Plains, and Hunkpapa Lakota (Hunkpapa Sioux), with a few individuals identified simply as Sioux.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1750-1965
undated
Size:
11.35 Cubic feet (consisting of 20 boxes, 8 folder, 30 oversize folders, 17 map case folders, 3 flat boxes (partial), plus digital images of some collection material.)
Collection ID:
NMAH.AC.0060.S01.01.Tobacco
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Tobacco Trade and Industry forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Choate, J. N. (John N.), 1848-1902
Dates:
circa 1879-1902
Size:
1,200 Negatives (circa, glass)
16 Printing plates (copper)
Collection ID:
NAA.PhotoLot.81-12
Repository:
National Anthropological Archives

Photographs by John N. Choate mostly documenting the United States Indian School in Carlisle, Pennsylvania. The images include portraits of students, parents, staff and other visitors, as well as interior and exterior images of the school, buildings, and classrooms. Choate also had a thriving commercial practice outside of the Indian School, produc...

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Creators:
Gardner, Alexander, 1821-1882
Dates:
1866-1868
Size:
61 Photographic prints
Collection ID:
NMAI.AC.077
Repository:
National Museum of the American Indian

Alexander Gardner (1821-1882) was a photographer best known for his portraits of President Abraham Lincoln, his American Civil War photographs, and his photographs of American Indian delegations. This collection contains 61 albumen prints that were shot by Gardner circa 1866-1868 and held in General William T. Sherman's personal collection. Photographs depict American Indian tribes and Peace Commissioners involved in the 1868 Fort Laramie Treaty; photographs shot along the Union Pacific Railway, Eastern Division in 1867; and photographs of American Indian delegations visiting Washington, D. C. from 1866-1868.

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Creators:
Jennerson, Horace G.
Bratley, J. H. (Jesse H.)
Dates:
bulk circa 1887-1902
circa 1887-1940
Size:
1 Linear foot
28 Glass plate negatives
30 Photographic prints
Collection ID:
NMAI.AC.224
Repository:
National Museum of the American Indian

This collection contains photographs was shot circa 1887-1899 by Jesse Hasting Bratley and Horace G. Jennerson while they served as teachers on the Rosebud and Pine Ridge Reservations.

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Creators:
Wildschut, William
Dates:
1870-1930
bulk 1917-1928
Size:
183 Negatives (photographic)
21 Photographic prints
Collection ID:
NMAI.AC.001.033
Repository:
National Museum of the American Indian

The William Wildschut photograph collection contains 183 photographic negatives, and 89 post cards. From 1917 to 1928 William Wildschut studied the Apsáalooke people through interviews, photography, and the collection of cultural objects. In 1921 Wildschut was hired as a field man by George Gustav Heye the director of the Museum of the American Indian, Wildschut officially collected and conducted field expeditions in Montana, Wyoming, Idaho, Canada, and North Dakota on behalf of the Museum until 1928. Wildschuts photographs include portrait style photos of Apsáalooke people, special events, daily reservation life, interments, and encampments. Tribes represented in this collection are primarily Apsáalooke, the postcard collection consists of other tribes including Lakota, Arapaho, and other unidentified tribes.

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Creators:
National Zoological Park. Department of Pathology
Dates:
circa 1971-1985
Size:
4 cu. ft. (4 record storage boxes)
Collection ID:
Accession 05-280
Repository:
Smithsonian Institution Archives

This accession consists of raw data organized to facilitate the comparison of blood samples taken from a wide variety of animals.

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Creators:
Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock Studio (Washington, D.C.)
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Dates:
1923-1940
Size:
15 Boxes
The materials in the subseries consists of black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.12
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.12 materials primarily document clients of the Scurlock Studio that were organizations and the images depict those groups' and organizations' activities. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Mooney, James, 1861-1921
Big Horse, Hubble.
Silver Horn, 1860-1940
Murphy, Charles (Cheyenne)
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Dates:
1902-1906
Size:
50 Items (circa 50 drawings, pencil and crayon, 16 x 26 cm.-39 x 92 cm.)
Collection ID:
NAA.MS2538
Repository:
National Anthropological Archives

Pencil and crayon drawings intermixed with Manuscript notes by Mooney. Oversize drawings identified as Cheyenne, Cheyenne or Arapaho, Kiowa, Dakota and Comanche. Typed list of these, with annotations made by Father Peter J. Powell during visit to National Anthropological Archives is included with master list of drawings in N.A.A. Many of the oversi...

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52 records — Page 2 of 6