73 records — Page 2 of 8
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Creators:
Milch Gallery
Dates:
1911-1995
Size:
42.2 Linear feet
Collection ID:
AAA.milcgall
Repository:
Archives of American Art

The records of Milch Gallery measure 42.5 linear feet and date from 1911-1995. Edward Milch (1865-1953) opened the Edward Milch Gallery in New York City. In 1916, he formed a partnership with his brother Albert Milch (1881-1951), a gilder and framer, creating E. & A. Milch, Inc., a gallery specializing in American art. Harold C. Milch (1904-1981), Albert's son, was appointed a partner in 1944 and continued the business until his death. Business records of Milch Gallery, 1911-1968, include correspondence, sales records, inventories, financial records, printed matter, photographs, and legal documents. Later additions to the records date from 1922-1995 and include correspondence; artists' files; financial, sales, and stock records; printed material; and photographs.

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Creators:
Mechanical and Civil Engineering, Division of [former name], NMAH, SI.
History of Technology, Division of, NMAH, SI
Modjeski and Masters
Dates:
1870-1979
bulk 1900-1940
Size:
60 Cubic feet (139 boxes)
Collection ID:
NMAH.AC.0976
Repository:
Archives Center, National Museum of American History

The records document the work of consulting engineers and bridge builders, Ralph Modjeski (1861-1940) and Frank Masters (1883-1974) of Harrisburg, Pennsylvania.

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Creators:
Wormington, Hannah Marie
Dates:
1930-1993
Size:
25.8 Linear feet (58 boxes, 1 oversized, 1 lantern slide tray)
Collection ID:
NAA.1995-19
Repository:
National Anthropological Archives

The Hannah Marie Wormington papers, 1930-1993, document her professional career as an archeologist through correspondence, film, grant proposals, lantern slides, lecture notes, manuscripts, newspaper clippings, photographs, presentations, publications, reports, slides, and sound recordings, including her field work at the Folsom Site.

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Creators:
Blake, Doris Holmes, 1892-1978
Dates:
1899-1985
Size:
18.5 cu. ft. (37 document boxes)
Collection ID:
Record Unit 7310
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women’s Committee.

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Creators:
Underwood & Underwood
Dates:
1895-1921
Size:
160 Cubic feet
Collection ID:
NMAH.AC.0143
Repository:
Archives Center, National Museum of American History

The major part of the collection, series 1-4, contains nearly 28,000 glass plates, including original stereoscopic negatives, interpositives, and both negative and positive non-stereoscopic plates used to produce lantern slides and paper prints. The photographs were taken all over the world. The majority are from the Underwood & Underwood active fi...

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Dates:
1836 - 2015
Size:
40 Cubic feet (85 boxes, 1 oversize folder)
Collection ID:
NMAH.AC.1319
Repository:
Archives Center, National Museum of American History

This collection consists of archival materials compiled by National Museum of American History Curator Katherine Ott, on numerous subjects relating to disability and the rights of the disabled.

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Creators:
Sears, Thomas Warren, 1880-1966
Sears & Wendell
Olmsted Brothers
Harvard University
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Dates:
1899-1964
Size:
44.5 Cubic feet (4,317 glass negatives. 363 film negatives. 182 glass lantern slides. 12 photograph albums. 56 plans and drawings. 3 monographs. )
Collection ID:
AAG.SRS
Repository:
Archives of American Gardens

The Thomas Warren Sears Photograph Collection documents examples of the design work of Thomas Warren Sears (1880-1966), a landscape architect and amateur photographer from Brookline, Massachusetts. Sears, who was based for most of his career in Philadelphia, designed a variety of different types of landscapes ranging from private residences, schools, and playgrounds to parks, cemeteries, and urban housing developments located primarily in Pennsylvania, Maryland, and New York. In addition to some of Sears' design work, images in the collection document Sears' domestic and foreign travels, design inspirations, and family. The collection includes over 4,800 black and white negatives and glass lantern slides dated circa 1899 to 1930. While most images show private and public gardens, there are a significant number of unidentified views and views photographed in Europe during two trips he took there in 1906 and 1908. Few images are captioned or dated. In addition, there are over 50 plans and drawings, most notably for Balmuckety in Pikesville, Maryland and Reynolda in Winston-Salem, North Carolina, and 3 monographs by or about Sears.

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Creators:
Smithsonian Institution. International Exchange Service
Dates:
1868-1988
Size:
33.18 cu. ft. (29 record storage boxes) (1 document box) (5 12x17 boxes) (2 16x20 boxes) (1 oversize folder)
Collection ID:
Record Unit 509
Repository:
Smithsonian Institution Archives

These records consists of correspondence, memoranda, reports, budgets, ledgers, day books, and other administrative materials concerning the operations of the Smithsonian International Exchange Service (SIES). Also included is a card index of employees who served between the 1880s and the 1940s. SIES maintained two or more sets of corresponde...

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Creators:
DeVincent, Sam, 1918-1997
Dates:
1841-1986, undated
Size:
98 Boxes
Collection ID:
NMAH.AC.0300.S11
Repository:
Archives Center, National Museum of American History

Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 11: Entertainment contains more than 12,500 pieces of sheet music and other materials documenting the development of and popular attitudes towards entertainers and entertainment in the United States. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.

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Creators:
Custom Craft
Scurlock, George H. (Hardison), 1919-2005
Scurlock Studio (Washington, D.C.)
Scurlock, Robert S. (Saunders), 1917-1994
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Dates:
1922-1994, undated
Size:
40 Boxes
Collection ID:
NMAH.AC.0618.S06
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 6 primarily consists of photographic materials including color transparencies, slides, film, and proofs but occasionally includes notes, forms, and envelopes associated with the orders. An oveview to the entire Scurlock collection is available here: Scurlock Studio Records

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73 records — Page 2 of 8