85 records — Page 2 of 9
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Creators:
Wagstaff, Samuel J.
Dates:
circa 1932-1985
Size:
6.4 Linear feet
Collection ID:
AAA.wagssamu
Repository:
Archives of American Art

The Samuel J. Wagstaff papers, circa 1932-1985 comprise 6.4 linear feet of correspondence, writings, miscellaneous records, printed material, and photographs documenting Wagstaff's professional and personal relationships with artists and photographers, his career as an art curator, and his position as an important collector of paintings and photographs. Correspondence with artists and others such as curators, arts organizations, galleries, and museums, reflects the diversity of contemporary American art and includes individuals associated with the abstract expressionist, Fluxus, pop, earth, conceptual, and minimalist art movements.

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Creators:
Gray, Cleve
Dates:
1933-2005
Size:
9.2 Linear feet
Collection ID:
AAA.grayclev
Repository:
Archives of American Art

The Cleve Gray papers, 1933-2005, measure 9.2 linear feet. Papers include biographical material, alphabetical files, writings, artwork, audio/visual records, artifacts, printed material, and photographs. Extensive alphabetical files contain personal and professional correspondence as well as subject files relating to projects and interests. Especially well-documented are: Gray's involvement with the Vietnam protest movement; and Threnody, his best-known work composed of fourteen large panels lamenting the dead of both sides sides in Vietnam, commissioned by the Neuberger Museum of Art.

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Creators:
Constable, W. G. (William George), 1887-1976
Dates:
1905-1983
bulk 1920-1976
Size:
25.7 Linear feet
Collection ID:
AAA.conswmgp
Repository:
Archives of American Art

The papers of art historian and museum curator W.G. (William George) Constable measure 25.7 linear feet and date from 1905 to 1981, with the bulk of the material from 1920 to 1976. The papers include biographical material; professional and personal correspondence; extensive lectures, writings, and notes; exhibition and book research files; printed materials; and photographs, glass plate negatives, and slides. There is substantive correspondence related to Constable's participation in the American Defense Harvard Group and about the formation of the Roberts Commission, including correspondence with Ralph Perry, Hugh Hencken, Paul Sachs and George L. Stout. There are numerous official reports prepared by Constable after World War II for the U. S. Office of Military Government for Germany.

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Creators:
Hirshhorn Museum and Sculpture Garden. Department of Public Programs/Curatorial Division
Dates:
1996-2000
Size:
2 cu. ft. (2 record storage boxes)
Collection ID:
Accession 01-156
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the planning and execution of exhibits, including Collection in Context: Raymond Duchamp-Villon's 'The Horse'; Faces of Friendship: The Art World Circle of Joseph and Olga Hirshhorn in Documentary Photographs; Brice Marden Work of the 1990s: Paintings, Drawings, and Prints; and Dali's Optical...

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Creators:
Gourevitch, Jacqueline
Dates:
1949-2019
bulk 1955-2005
Size:
5.6 Linear feet
Collection ID:
AAA.gourjacq
Repository:
Archives of American Art

The papers of painter and educator Jacqueline Gourevitch measure 5.6 linear feet and date from 1946-2019 and document her education at Black Mountain College, Black Mountain, N.C., and the Art Students League; her teaching career; and exhibitions in Chicago and New York through biographical material, teaching files, personal and professional correspondence, gallery and exhibition files, and printed material.

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Creators:
National Portrait Gallery. Office of Exhibitions
Dates:
1974-1976
Size:
3.5 cu. ft. (3 record storage boxes) (1 document box)
Collection ID:
Accession 99-106
Repository:
Smithsonian Institution Archives

This accession consists of exhibition records pertaining to The Dye is Now Cast: The Road to American Independence, an exhibition at the National Portrait Gallery (NPG) from April 19-November 16, 1975. Materials include photographs, loan agreements, correspondence, memoranda, notes, scripts, labels, and reports.

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Creators:
National Portrait Gallery. Office of Exhibitions
Dates:
1983-1994
Size:
8 cu. ft. (8 record storage boxes)
Collection ID:
Accession 98-139
Repository:
Smithsonian Institution Archives

This accession consists of records pertaining to the planning and development of nine exhibitions (Blessed Are the Peacemakers; U.S. Grant: The Man and the Image; Portraits by Brady: Imperial Photographs from the Harvard College Library; Noble Heritage: Five Centuries of Portraits from the Hosokawa Family; The Spirit of the Party: Hamilto...

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Creators:
National Museum of American Art. Curatorial Department
Dates:
1989-1995
Size:
3 cu. ft. (3 record storage boxes)
Collection ID:
Accession 95-123
Repository:
Smithsonian Institution Archives

This accession consists of the records of the National Museum of American Art (NMAA) curatorial office for the exhibitions The West as America: Reinterpreting Images of the Frontier, 1820-1920 (March 15-July 7, 1991) and Thomas Cole: Landscape into History (March 18-August 7, 1994, at NMAA venue). William Truettner, Senior Curator at NMAA...

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Creators:
Cooper-Hewitt Museum. Education Department
Dates:
1976-1988
Size:
5 cu. ft. (5 record storage boxes)
Collection ID:
Accession 92-079
Repository:
Smithsonian Institution Archives

Although an Education Department was not formally established at the Cooper-Hewitt Museum until 1991, these records document educational activities and outreach in the Museum, and were maintained by the newly established Department. These records consist of files on tours and lectures offered by the Cooper-Hewitt Museum from 1976 to 1988....

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Creators:
Cooper-Hewitt, National Design Museum. Product Design and Decorative Arts Department
Dates:
circa 2008
Size:
5.39 cu. ft. (1 record storage box) (1 half document box) (6 16x20 boxes) (5 oversize folders)
Collection ID:
Accession 13-075
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the planning, design, and installation of the exhibition, "Rococo: The Continuing Curve 1730-2008," on display at the Cooper-Hewitt, National Design Museum from March 7 through July 6, 2008. The exhibition was organized by Sarah Coffin, head of the Product Design and Decorative Arts Department; ...

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85 records — Page 2 of 9