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Creators:
Frith, Francis
Dates:
undated
Size:
1 Print (albumen, image 16 x 21 cm., mounted 26 x 37 cm)
Collection ID:
FSA.A1999.05
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

One albumen print, circa 1860s-1870s, of a view of a temple complex in India. A black ink inscription in the lower left corner reads "Trickaleecoondrum", probably Tirukalikundram, Tamil Nadu. Blindstamped "Frith's Series"

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Creators:
Parker, Richard Bordeaux, 1923-
Dates:
1965-1979
Size:
1.75 Linear feet (200 Prints: black & white; 2 contact sheets: black & white; 481 Negatives (photographic): black & white)
Collection ID:
FSA.A2002.06
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

A collection of black and white prints and negatives of Islamic monuments taken by former ambassador Richard B. Parker. The collection includes 200 prints and 481 negatives. The images document Islamic architecture throughout Algeria, Cairo, Lebanon, Syria, Jordan, Morocco, and Spain.

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Creators:
Twigg-Smith, Thurston
Morse, Marcia
Twigg-Smith, Sharon, 1944-
Dates:
2013 April 21 - May 25
Size:
6 Items (sound files (3 hr., 37 min.), digital, wav)
86 Pages (Transcript)
Collection ID:
AAA.twiggs13
Repository:
Archives of American Art

An interview with Thurston and Sharon Twigg-Smith conducted 2013 April 21-May 25, by Marcia Morse, for the Archives of American Art at the Twigg-Smith's home in Honolulu, Hawaii.

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Creators:
Washington, Rico, Music Journalist
Yanagawa, Shino, Photographer
Dates:
2009-2011
Size:
4 Linear feet (2 boxes; 4 linear ft., 3.58 GB)
Collection ID:
ACMA.06-103
Repository:
Anacostia Community Museum Archives

An exhibition exploring the varied stigmas and stereotypes applied to New York City's Housing Authority sites and the residents (past and present) who live in them. Journalist Rico Washington and photographer Shino Yanagawa collaborated on this exhibit which offers an in-depth look at how New York City public housing has impacted society-at-large by producing some of the world's most influential and dynamic artists, entrepreneurs, athletes, musicians, politicians, and thinkers. It was exhibited at the World Festival of Black Arts and Culture in Dakar, Senegal, 2010, at the Gordon Parks Gallery at the College of New Rochelle (NY), 2013, and the Brooklyn Historical Society from 2014-2015.

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Creators:
Gertrude Kasle Gallery (Detroit, Mich.)
Dates:
1949-1999
bulk 1964-1983
Size:
8.1 Linear feet
Collection ID:
AAA.gertkasl
Repository:
Archives of American Art

The records of the Gertrude Kasle Gallery of Detroit measure 8.1 linear feet and date from 1949-1999, with the bulk of records dating from 1964-1983. The collection documents the establishment and operations of this contemporary American art gallery and consists of artists files, business and administrative files, exhibition files, photographic materials, and interviews and lectures in the form of sound recordings.

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Creators:
Freer Gallery of Art and Arthur M. Sackler Gallery
Dates:
1919-1986
Size:
23 cu. ft. (23 record storage boxes)
Collection ID:
Accession 03-018
Repository:
Smithsonian Institution Archives

The Freer Gallery of Art Central Files are comprised mostly of the documentation of routine office procedures. Included in the daily routine were: filling orders for facsimiles of photographs, responding to reference requests seeking information about art and artifacts falling under the domain of the Freer's expertise, the Freer granting ...

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Creators:
Faison, S. Lane (Samson Lane), 1907-2006
Dates:
1922-1981
bulk 1950-1976
Size:
5.1 Linear feet
Collection ID:
AAA.faislane
Repository:
Archives of American Art

The papers of art historian and Monuments Man S. Lane Faison measure 5.1 linear feet and date from 1922 to 1981, bulk from 1950-1976. Faison was an art history professor at Williams College, Massachusetts and, during World War II, he was a member of the Art Looting Intelligence Unit (ALIU) of the U.S. Office of Strategic Services. The collection includes scattered correspondence; writings; teaching files; subject files on exhibitions and projects; artists files; and printed materials. There are two folders of documents and photographs related to Faison's World War II work in the U.S. Art Looting Intelligence Unit.

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Creators:
National Collection of Fine Arts. Office of the Director
Dates:
1892-1960
Size:
22 cu. ft. (44 document boxes)
Collection ID:
Record Unit 311
Repository:
Smithsonian Institution Archives

This record unit documents the administration of William Henry Holmes, first Curator of the National Gallery of Art (NGA), 1907-1920, and Director of the Gallery, 1920-1932. To a lesser extent, it also documents the administration of Ruel P. Tolman, Acting Director of NGA, 1932-1937, and the National Collection of Fine Arts (NCFA), 1937-1946, ...

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Creators:
Falk, Johnny, 1906-1992
Falk, Pauline
Dates:
1904-1998
bulk 1935-1980
Size:
24 Linear feet
Collection ID:
FSA.A2002.03
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Papers of art collectors Pauline Baerwald Falk (1910-2000) and Myron (Johnny) Falk Jr. (1906-1992), 1904-1998. Created and collected by the Falks, this collection includes: biographical data; black-and-white and color prints of art objects and people; photo albums of art objects in the Falk's art collection; symposium papers, scholarly reviews, and...

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Creators:
Tryon, Dwight William, 1849-1925
Dates:
1872-1930
Size:
4 Linear feet
Collection ID:
FSA.A1989.02
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Dwight William Tryon (1849-1925) was a noted American landscape painter whose painting style is associated with American tonalism. His paintings gained international recognition from the 1880s through the 1920s. Charles Lang Freer was his primary patron. Tryon taught art at Smith College and became head of the Art Department. The Tryon papers, dating from circa 1872 to 1930, document Tryon's professional and personal life and include correspondence, photographs, a sketchbook, and newspaper clippings.

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