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Dates:
1865–1869
Size:
50 Reels
Collection ID:
NMAAHC.FB.M826
Repository:
National Museum of African American History and Culture

The collection is comprised of digital surrogates previously available on the 50 rolls of microfilm described in the NARA publication M826. These digital surrogates reproduced the Records of the Superintendent of Assistant Commissioner for the State of Mississippi, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1869. They consist of 41 volumes and approximately 30 feet of unbound records. The volume include letters and endorsements sent; registers of letters received; orders issued and received; registers of indentures and marriages; a register of reports, vouchers, and requisitions received; and index books. The unbound records consist mainly of letters received, orders, reports, freedmen's labor contracts, and a few miscellaneous papers.

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Dates:
1865–1870
Size:
23 Reels
Collection ID:
NMAAHC.FB.M809
Repository:
National Museum of African American History and Culture

This collection is comprised of digital surrogates previously available on the 23 rolls of microfilm described in the NARA publication M809. These digital surrogates reproduced the records of the Assistant Commissioner for the State of Alabama, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–70. The records consist of 17 volumes and some unbound documents. The volumes include letters, reports, endorsements, and telegrams sent; orders issued; and registers of letters received. The unbound records include letters, reports, and issuances received. Except for some unfilmed duplicate copies this microfilm publication contains all the records created or received in the office of the Assistant Commissioner for Alabama.

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Creators:
Smithsonian Institution. Office of Advancement
Dates:
2014
Collection ID:
Accession 15-017
Repository:
Smithsonian Institution Archives

This accession consists of the "Smithsonian Summer Showdown" website and selected associated social media. The Smithsonian Summer Showdown was a competition for which many of the museums, research centers, and zoo chose one iconic item to be voted upon by the public. Competitors included the National Museum of Natural History, the National ...

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Creators:
Kidd, Oscar Dean, interviewee
Dates:
1987, 1990
Size:
3 audiotapes (Reference copies).
Collection ID:
Record Unit 9574
Repository:
Smithsonian Institution Archives

The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program ...

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Creators:
Smithsonian Institution. Office of Advancement
Dates:
2015
Collection ID:
Accession 16-077
Repository:
Smithsonian Institution Archives

This accession consists of the "Smithsonian Summer Showdown" website and selected associated social media. The Smithsonian Summer Showdown was a competition for which many of the museums, research centers, and zoo chose one "seriously amazing" item, experience, or piece of knowledge to be voted upon by the public. Competitors included the ...

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Creators:
Ailey, Alvin
Mitchell, Jack, 1925-
Dates:
1961-2004
Size:
16 Linear feet
Collection ID:
NMAAHC.A2013.245
Repository:
National Museum of African American History and Culture

Jack Mitchell (1925- 2013) was an acclaimed photographer who began chronicling the work of the Alvin Ailey American Dance Theater in 1961. Alvin Ailey (1931- 1989), one of the most influential African American choreographers of modern dance, dedicated himself and his dance company to creating ballets that not only accelerated the careers of young African American dancers, but also stole the attention of national and international audiences in displaying the racial perspective of dance in the African American experience. This collection serves as Mitchell's documentation of the dance company's evolution while capturing the true idiosyncrasies and physicality of movement through still images. Through Alvin Ailey and Jack Mitchell's partnership, they were able to collaborate and produce a unique production of art, fusing the meaning and movements of dance and the techniques of photography.

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Creators:
Smithsonian Institution. Office of Exhibits Central
Dates:
FY 1995-FY 2002
Size:
5 cu. ft. (5 record storage boxes)
Collection ID:
Accession 08-158
Repository:
Smithsonian Institution Archives

This accession consists of records documenting design, printing, repair, and construction projects performed by the Office of Exhibits Central for museums and units, including the Smithsonian Institution Traveling Exhibition Service; the Office of the Secretary; the National Museum of Natural History; the National Museum of American History; ...

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Creators:
Smithsonian Institution
Dates:
2011-2012
Collection ID:
Accession 12-495
Repository:
Smithsonian Institution Archives

This accession consists of records documenting Twitter accounts maintained throughout the Smithsonian Institution (SI). Twitter is a third-party site used for public micro-blogging by SI staff. In addition to general SI-wide accounts, many of which are managed by the Office of Public Affairs, the accession documents the accounts of the Ar...

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Creators:
Barnett-Aden Gallery
Dates:
1954-1989
bulk 1961-1977
Size:
0.5 Cubic feet
Collection ID:
NMAAHC.A2014.63.32
Repository:
National Museum of African American History and Culture

The Historical Records of the Barnett-Aden Gallery showcases one of the first galleries owned and operated by African Americans. The work of the Gallery was invaluable as they opened the exhibition space to established and unknown artists regardless of race or gender.

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Dates:
1996
Size:
160 audiotapes (originals). 15 audiotapes (reference copies).
Collection ID:
Record Unit 9594
Repository:
Smithsonian Institution Archives

The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program ...

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