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Creators:
Teller, Jane
Dates:
1911-1991
Size:
8.6 Linear feet
Collection ID:
AAA.telljane
Repository:
Archives of American Art

The papers of printmaker and sculptor Jane Teller measure 8.6 linear feet and date from 1911 to 1991. The papers include biographical materials, correspondence, business records, notes, writings, three sketchbooks, sketches and prints, five scrapbooks, printed material, subject files, photographs, sound and video recordings, and motion picture film.

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Creators:
Stella, Frank
Dates:
1941-1993
bulk 1978-1989
Size:
12.4 Linear feet
Collection ID:
AAA.stelfran
Repository:
Archives of American Art

The Frank Stella papers measure 12.4 linear feet and date from 1941 to 1993, with the bulk of the records spanning the period 1978 to 1989. The collection documents the professional and personal life of abstract artist, Frank Stella. Among the papers are correspondence, a small cache of records from his years as an undergraduate at Princeton University, writings by and about Stella, interview transcripts, sketchbooks, registers and inventories, financial records, printed matter, and photographs.

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Creators:
Friedman, Dan, 1945-1995
Dates:
1967 - 1995
Size:
16 Cubic feet
Collection ID:
NMAH.AC.1277
Repository:
Archives Center, National Museum of American History

General correspondence files contain all communications that do not pertain to a specific project. Because Friedman's personal life and business were so interconnected, many of his business associates also shared personal correspondence with the designer.,Materials in this collection document Friedman's work from 1967, as a student, until his death...

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Creators:
Doyle, Tom, 1928-
Dates:
1956-2014
Size:
5.2 Linear feet
Collection ID:
AAA.doyltom
Repository:
Archives of American Art

The papers of sculptor and educator Tom Doyle measure 5.2 linear feet and date from 1956-2014. The collection contains biographical material, correspondence, commission files, printed material, and four sketchbooks.

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Creators:
Cajori, Charles, 1921-
Dates:
1942-2011
Size:
5.8 Linear feet
0.07 Gigabytes
Collection ID:
AAA.cajochar
Repository:
Archives of American Art

The papers of New York painter, Charles Cajori measure 5.8 linear feet and 0.070 GB and date from 1942-2011. The collection documents Cajori's activities as a painter, educator, and co-founder of the Tanager Gallery that was located on the Lower East Side in New York through correspondence; writings and notes; interviews, talks, and panel discussions, one digitized, on art and artists; and printed materials.

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Creators:
Britton, James, 1878-1936
Dates:
circa 1905-1984
bulk 1905-1935
Size:
2.9 Linear Feet
Collection ID:
AAA.britjame
Repository:
Archives of American Art

The papers of painter and writer James Britton measure 2.9 linear feet and date from circa 1905-1984, with the bulk of the material dating from circa 1905-1935. The bulk of the papers consist of 49 diaries dating from 1918-1935, plus notebooks of diary excerpts, that chronicle Britton's daily activities and include lists, illustrations, and drafts of correspondence. Additional papers include biographical information compiled by the Britton family; scattered business and financial records; correspondence, including copies of Britton's letters to the editors of the Hartford Courant and the Hartford Times; additional writings and notes that include drafts and manuscripts of an autobiography, drafts of articles for his publication Art Opus, and other writings; sketches and a woodcut print; printed materials, including clippings of his published writings for Art Review International, Book Notes, and Opus; and one photograph of Britton and of works of art.

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Creators:
Ailey, Alvin
Mitchell, Jack, 1925-
Dates:
1961-2004
Size:
16 Linear feet
Collection ID:
NMAAHC.A2013.245
Repository:
National Museum of African American History and Culture

Jack Mitchell (1925- 2013) was an acclaimed photographer who began chronicling the work of the Alvin Ailey American Dance Theater in 1961. Alvin Ailey (1931- 1989), one of the most influential African American choreographers of modern dance, dedicated himself and his dance company to creating ballets that not only accelerated the careers of young African American dancers, but also stole the attention of national and international audiences in displaying the racial perspective of dance in the African American experience. This collection serves as Mitchell's documentation of the dance company's evolution while capturing the true idiosyncrasies and physicality of movement through still images. Through Alvin Ailey and Jack Mitchell's partnership, they were able to collaborate and produce a unique production of art, fusing the meaning and movements of dance and the techniques of photography.

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Creators:
Hirshhorn Museum and Sculpture Garden. Office of the Director
Dates:
2009-2013
Size:
5.69 cu. ft. (5 record storage boxes) (1 16x20 box)
Collection ID:
Accession 14-096
Repository:
Smithsonian Institution Archives

This accession consists of records created and maintained by the Office of the Director during the tenure of Richard Koshalek, Director, 2009-2013. Many of the records document the seven priorities outlined by Koshalek when he first arrived at the Hirshhorn Museum and Sculpture Garden (HMSG): a fundamental commitment to research; an emphasis ...

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Creators:
Levine, Jack, 1915-2010
Dates:
1923-1999
Size:
3.2 Linear feet
Collection ID:
AAA.levijack
Repository:
Archives of American Art

The papers of New York social realist painter and printmaker Jack Levine date from 1923-1999, and measure 3.2 linear feet. Levine's career is documented through biographical material, scattered letters, notes and a speech, writings, student drawings, three scrapbooks, printed material and nearly one linear foot of photographs of Levine, his family, and his colleagues.

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Creators:
Archipenko, Alexander, 1887-1964
Dates:
1904-1986
bulk 1930-1964
Size:
19.5 Linear feet
Collection ID:
AAA.archalex
Repository:
Archives of American Art

The Alexander Archipenko papers measure 19.5 linear feet and date from 1904 to 1986, with the bulk of materials dating from 1930 to 1964. The sculptor's personal and professional life is documented by correspondence, financial records, scrapbooks, printed matter, and photographs documenting his art, exhibitions, travel, teaching activities, and the Archipenko Art School. Archipenko wrote and lectured extensively about his philosophies of art and the relationship between art and nature. The papers include drafts, notes, and final manuscripts of published and unpublished writings, and notes, outlines, transcripts, and audio recordings of some of his lectures.

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