Query: Close Observation: The Oil Sketches of Frederic E. Church (Exhibition) (1980: New York, N.Y.)
John Marshall Ju/'hoan Bushman film and video collection
Creators:
McElwee, Ross
Blitz, Daniel
Bishop, John Melville
Baker, Peter
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Dates:
1950-2000
Size:
2 Boxes (map drawers)
3 Video recordings (published videos or video series)
99 Linear feet (714,405 feet (332 hours) 16mm film, 435 hours video tape, 309 hours audio tape, 21 published film and video titles, 29 unpublished film and video titles, 14 linear feet paper records)
Collection ID:
HSFA.1983.11
Repository:
Human Studies Film Archives

The John Marshall Ju/'hoan Bushman Film and Video Collection contains full film and video projects (outtake material), film production elements and edited films and videos, audio tapes, still photographs, negatives, transparencies, slides, published and unpublished writing by John Marshall and others, study guides for edited films, Nyae Nyae Development Foundation and Advocacy files, maps, and production files that include letters, shot logs, translations, transcriptions, editing logs, treatments, and proposals spanning from 1950-2000. This material comprises Marshall's long-term documentary record of the Ju/'hoansi of the Nyae Nyae region of the Kalahari Desert in northeastern Namibia. A great deal of the film and video footage focuses on one particular extended family, that of Toma Tsamko, whose ancestral home is at /Gautcha, an area with a large salt pan and a permanent waterhole. The life stories of some family members are captured in the footage; appearing as children in the 1950's, middle-aged parents in the 1980's, and pensioners in the final years of visual documentation. The Marshall Collection also documents other Ju/'hoansi living in Nyae Nyae and elsewhere, their relationships with neighboring ethnic groups, and national politics that affected Ju/'hoansi. Marshall also documented the local political body (the Nyae Nyae Farmers' Cooperative, or NNFC), the foundation he started (the Nyae Nyae Development Foundation of Namibia, or NNDFN), and the ways in which both groups worked with and were affected by international development organizations and foreign aid during the 1990's.

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in HSFA.1983.11 for Close Observation: The Oil Sketches of Frederic E. Church (Exhibition) (1980: New York, N.Y.)
Records
Dates:
1947-1981
Size:
146.04 cu. ft. (5 record storage boxes) (280 document boxes) (1 5x8 box) (1 film box) (2 oversize folders)
Collection ID:
Record Unit 321
Repository:
Smithsonian Institution Archives

The records of the Office of Program Support, National Museum of American Art, 1965-1981, with related records from 1947, were received in the Archives from 1981 through 1994.

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in Record Unit 321 for Close Observation: The Oil Sketches of Frederic E. Church (Exhibition) (1980: New York, N.Y.)
Building Files
Dates:
circa 1850-2006
Size:
59 cu. ft. (59 record storage boxes) (10 oversize folders)
Collection ID:
Accession 06-225
Repository:
Smithsonian Institution Archives

This accession consists of information files, original reports and correspondence, papers and articles, and other background material on Smithsonian buildings. These records were compiled by the Office of Architectural History and Historic Preservation (OAHP), research associates, and volunteers. Items in brackets describe cross-references to other materials in the collection. Buildings …

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in Accession 06-225 for Close Observation: The Oil Sketches of Frederic E. Church (Exhibition) (1980: New York, N.Y.)
N W Ayer Advertising Agency Records
Creators:
Ayer (N W) Incorporated.
Dates:
1817-1851
1869-2006
Size:
270 Cubic feet (1463 boxes, 33 map-folders, 7 films)
Collection ID:
NMAH.AC.0059
Repository:
Archives Center, National Museum of American History

Collection consists of records documenting one of the oldest advertising agencies created in Philadelphia. The company then moves to New York and expanses to international markets. During its history NW Ayer & Sons acquires a number of other advertising agencies and is eventually purchased. The largest portion of the collection is print advertisements but also includes radio and television. NW Ayer is known for some of the slogans created for major American companies.

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in NMAH.AC.0059 for Close Observation: The Oil Sketches of Frederic E. Church (Exhibition) (1980: New York, N.Y.)
Exhibition Records
Creators:
Smithsonian Institution. Traveling Exhibition Service
Dates:
circa 1969-1990
Size:
88 cu. ft. (88 record storage boxes)
Collection ID:
Record Unit 487
Repository:
Smithsonian Institution Archives

These records consist of Smithsonian Institution Traveling Exhibition Service (SITES) exhibition files, arranged by exhibition. The files contain varying amounts of information, including itineraries, shipping and insurance papers, press releases, lists of items, correspondence with lenders, and occasional photographs.

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in Record Unit 487 for Close Observation: The Oil Sketches of Frederic E. Church (Exhibition) (1980: New York, N.Y.)
Exhibition Records
Creators:
National Museum of American History. Department of the History of Science and Technology
Dates:
circa 1979-1990, and undated
Size:
23.69 cu. ft. (23 record storage boxes) (1 16x20 box)
Collection ID:
Accession 00-001
Repository:
Smithsonian Institution Archives

This accession consists of records that document the planning, development, and installation of Information Age: People, Information, and Technology, a major exhibition at the National Museum of American History (NMAH), which traces the evolution of information-processing and communications technologies from the 1830s to the present. The exhibition opened on May 9, 1990. The …

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in Accession 00-001 for Close Observation: The Oil Sketches of Frederic E. Church (Exhibition) (1980: New York, N.Y.)
Records
Creators:
National Museum of American Art. Office of the Registrar
Dates:
1963-1987
Size:
54.58 cu. ft. (54 record storage boxes) (1 tall document box)
Collection ID:
Record Unit 453
Repository:
Smithsonian Institution Archives

This record unit documents the activities of the Office of the Registrar staff and consists of temporary loan files; temporary exhibition files, including shipping, insurance information, and loan agreements; general correspondence files; administrative files; and the files of the Smithsonian Art Commission, 1963-1975.

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in Record Unit 453 for Close Observation: The Oil Sketches of Frederic E. Church (Exhibition) (1980: New York, N.Y.)
Exhibition Scripts
Creators:
Smithsonian Institution. Office of Exhibits Central. Exhibits Editor's Office
Dates:
1948-1978
Size:
31.5 cu. ft. (31 record storage boxes) (1 document box)
Collection ID:
Record Unit 90
Repository:
Smithsonian Institution Archives

Exhibit scripts are the textual component of exhibits. These records document the production of labels and other text that accompany Smithsonian Institution exhibits, and deal with matters of concept, design, scope, and style. The records occasionally contain photographs, brochures, memoranda and correspondence with curators, exhibits specialists, and outside contractors.

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in Record Unit 90 for Close Observation: The Oil Sketches of Frederic E. Church (Exhibition) (1980: New York, N.Y.)
Dowd Harpsichord Collection
Creators:
Dowd, William R.
Dates:
1949-1997
Size:
33 Cubic feet (81 boxes, 7 map folders)
Collection ID:
NMAH.AC.0593
Repository:
Archives Center, National Museum of American History

The collection documents Dowd's career as a maker and scholar of harpsichords through correspondence, photographs, drawings, notes, and financial materials. The collection contains templates and drawings for harpsichords built or restored by Dowd. The collection also documents the activities of small business and its owner in Boston from 1959-1988.

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in NMAH.AC.0593 for Close Observation: The Oil Sketches of Frederic E. Church (Exhibition) (1980: New York, N.Y.)
George H. Clark Radioana Collection
Creators:
Clark, George Howard, 1881-1956
Dates:
circa 1880-1950
Size:
220 Cubic feet (534 boxes, 25 map-folders)
Collection ID:
NMAH.AC.0055
Repository:
Archives Center, National Museum of American History

The collection forms a documentary record of over half a century of the history of radio, with the greatest emphasis on the period 1900-1935. The collection includes materials that span the entire history of the growth of the radio industry. It is useful for those historians and other researchers interested in technological development, economic history, and the impact of applications of technology on American life.

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in NMAH.AC.0055 for Close Observation: The Oil Sketches of Frederic E. Church (Exhibition) (1980: New York, N.Y.)
176 records — Page 11 of 18