MS 1894 Material on Cherokee botany
1 Notebook ((3- 1/2 x 8 in"))
14 Pages (notes)
8 Items (cards, 4-1/2 x 6-1/2)
1 Item (memorandum)
MS 7112 Field notes on archaeological work at Jemez Valley, New Mexico
MS 1054 Linguistic material and correspondence regarding Polynesia (Hawaii) and Micronesia
Doane, Edward Topping, 1820-1890
Contents of this envelope:-- Fornander, Hon. A., Introduction to Vol. III of his "Polynesian Race." Copied by Prof. W. D. Alexander of Honolulu. 9 fcp.pp. n.d. Alexander (Prof. W. D.), Hawaiian Grammar, 12 mo., 52 pp. Honolulu, 1871 Doane (E. T.), Letter to Prof. W. D. Alexander, in review of Fornander's work. May 20, 1883. 6 pp …
MS 2915 Field drawings of Tlingit and Haida village plans, and section of printed map with annotations
Contents: Tlingit: (1) Sketch Map showing the Tuxekan Village. 1922. (Monuments worth preserving and worth transporting indicated in blue and red, respectively.) 22"x 36". (2) Tongass Island Village, diagram. April 29, 1922. 18" x 10 1/2". (3) Map showing the names of places in the vicinity of Kaduqguka ("Tongass Village") on "Port Tongass" base map of Coast & Geodetic Survey. Sites …
World War I Letter [Anderson]
Sergeant Lloyd J. Anderson was a member of the American Flying Service in France during World War I. This collection consists of a two page, single-sided letter, dated September 17, 1918, from Sergeant Lloyd J. Anderson to Clara Spitzmiller of Muskogee, Oklahoma.
Hugh McLellan Southgate collection
Bureau Issues Association
United States. Post Office Dept.
Sloane, George B.
The collection consists chiefly of hand-written notes made by Southgate on a wide range of postal history topics and related matters, generally on lined or graph paper measuring 25 x 15 cm. or smaller, for keeping in triple-post binders. Some of the notes were made in "Lefax" or other commercially-available notebooks. The collection includes numerous mounted newsclippings, brochures, and excerpted articles from philatelic journals, as well as statistical data, advertisements, copies of correspondence, and diagrams made by Southgate to illustrate plate variations, etc.
Scurlock Studio Records, Series 1: Black and White Photographs
Scurlock, Addison N., 1883-1964
Scurlock Studio (Washington, D.C.)
The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 1 primarily consists of black and white photographs, but also includes job envelopes, order forms, correspondence, notes, and other photographic materials such as negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records.
William Cushing Loring papers
The papers of American portrait painter William Cushing Loring (1897-1959) measure 0.7 linear feet and date from 1899-1961. The majority of the collection consists of correspondence, including letters which document Loring's artistic education in Paris and London 1900-1904. Also found within the collection are letters from other Loring family members, printed materials which document Loring's artistic career, and photographs of the artist and his work.
Scurlock Studio Records, Series 6: Color Transparencies, Slides, and Other Formats
Scurlock, George H. (Hardison), 1919-2005
Scurlock Studio (Washington, D.C.)
Scurlock, Robert S. (Saunders), 1917-1994
The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 6 primarily consists of photographic materials including color transparencies, slides, film, and proofs but occasionally includes notes, forms, and envelopes associated with the orders. An oveview to the entire Scurlock collection is available here: Scurlock Studio Records
Heritage Gallery records
The records of Los Angeles Heritage Gallery measure 13.8 linear feet and date from 1944-2000 with the bulk of the materials dating from 1960-1998. The majority of the collection consists of artists' files containing a wide variety of materials documenting the gallery's representation of its contemporary artists and gallery exhibitions, including biographical information, correspondence, and printed materials. About half of the artists' files are related to artist Charles White. Gallery records also include business correspondence, business records and additional printed materials.