6094 records — Page 11 of 610
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Creators:
National Museum of African Art
Dates:
2010-2013
Collection ID:
Accession 13-304
Repository:
Smithsonian Institution Archives

This accession consists of two blogs maintained by the National Museum of African Art. "Africa Underground," crawled May 7, 2013, promotes an occasional event series of the same name. Africa Underground opens the doors of the National Museum of African Art after hours for the public to enjoy the museum's exhibitions and features performances,...

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Creators:
Smithsonian American Art Museum, Curatorial Office
Dates:
1938-2001
Size:
7 cu. ft. (7 record storage boxes)
Collection ID:
Accession 08-058
Repository:
Smithsonian Institution Archives

This accession consists of records which document the research, development, fundraising, publicity, production, and execution of exhibitions at the Smithsonian American Art Museum (SAAM) and the Renwick Gallery. Staff represented include Harry Rand, Curator, Dept. of 20th Century Painting and Sculpture, SAAM; Louise Reeves, Exhibitions Coordi...

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Creators:
Smithsonian Institution. Anacostia Community Museum
Dates:
1995-10-15 - 1996-03-03
Size:
# linear feet (# boxes)
Collection ID:
ACMA.03-017
Repository:
Anacostia Community Museum Archives

A collaborative exhibit between the Anacostia Museum and the Octagon Museum that tells the story of the early years of the District of Columbia, the people, and their communities. The exhibition was held between the two museums from October 15, 1995 to March 3, 1996 and curated by Kym S. Rice. These records document the planning, organizing, execution, and promotion of the exhibition. Materials include correspondence, research files, exhibit scripts, administrative records, brochures, press coverage, artifact lists, education packets, loan agreements, and catalogues.

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Creators:
Swift, Mary
Dates:
1973-2004
Size:
8.2 Linear feet
Collection ID:
AAA.swiftmar
Repository:
Archives of American Art

The papers of photographer and curator Mary Swift measure 8.2 linear feet and date from 1973-2004. The bulk of the collection contains photographs that Swift took while working for the Washington Review. The images consist of photographs, contact sheets, and negatives of artists and art events in Washington, D.C. Also included are some personal papers; two video recordings of art events in Washington, D.C.; research material and a manuscript from Swift's M.A. thesis "Howard William Mehring, 1931-1978: Washington Color Painter" from George Washington University; and approximately 130 sound recordings of interviews conducted by Swift and panel discussions.

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Creators:
Hutchinson, Louise Daniel, interviewee
Dates:
1987
Size:
4 audiotapes (reference copies).
Collection ID:
Record Unit 9558
Repository:
Smithsonian Institution Archives

The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program ...

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Dates:
1900s
Size:
1,111 photographic prints ((3 files), black & white, 8 x 10 in.)
Collection ID:
EEPA.1998-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs of art objects from the International Exhibition Foundation. Photographed art objects include, "Dogon Art," from the Lester Wunderman collection; "Sculpture of Black Africa," from the Paul Tishman collection; and, "African Sculpture," by William Fagg.

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Creators:
Sieber, Roy, 1923-2001
Dates:
circa 1965
Size:
65 slides (photographs) ((dupes), color)
Collection ID:
EEPA.1985-011
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Roy Sieber. Images of African textile and the dyeing and weaving processes. Objects depicted include Asante Kente cloth, Hausa embroidered pants, Jukun tie-dye waist cloth, a Kuba hat, Yoruba indigo dye and a Zulu cloak, as well as akwete cloth from Nigeria, an appliqué dress from Cameroon, an appliqué robe from Ghana, cloth from Dahomey (now Benin) and dye pots from Ede. People portrayed include a Dogon dancer, Kajiado warriors with spears and shields, a weaver making cloth, and women dyeing cloth with indigo.

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Creators:
Museum of Craft and Folk Art
Dates:
1970-2012
Size:
28.9 Linear feet
12.48 Gigabytes
Collection ID:
AAA.musecraf
Repository:
Archives of American Art

The Museum of Craft and Folk Art records measure 28.9 linear feet and 12.48 GB and date from 1970 to 2012. The museum was established in 1982 in San Francisco, California and exhibited local and national craft and folk art collections until it closed in 2012. The collection includes administration records, extensive exhibition files, artists' files, museum publications, printed material, video recordings, born digital items, and photographic material.

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Creators:
Smithsonian Institution. Anacostia Community Museum
North Brentwood Historical Society (North Brentwood, Md.)
Dates:
1996-04 - 1996-12
Size:
2.42 Linear feet (3 boxes)
Collection ID:
ACMA.03-019
Repository:
Anacostia Community Museum Archives

An exhibition on the North Brentwood neighborhood of Washington, DC. The show was created by the Anacostia Community Museum in collaboration with the North Brentwood Historical Society. It was exhibited at the museum from April 1996 to December 1996. These records document the planning, organizing, execution, and promotion of the exhibition. Materials include correspondence, research files, exhibit scripts, administrative records, brochures, press coverage, education packets, loan agreements, and floor plans.

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Creators:
Audubon Artists (New York, N.Y.)
Dates:
1944-2001
Size:
6.7 Linear feet
Collection ID:
AAA.auduarti
Repository:
Archives of American Art

The records of New York based Audubon Artists, a national exhibiting organization of painters, sculptors, and graphic artists, measure 6.7 linear feet and date from 1944-2001. The collection documents the organization's adoption of its constitution and first major expansion in the mid-1940s, and its subsequent growth to the present day. The records include correspondence with artist members, administrative files, exhibition files, financial records, printed material including an almost complete run of annual exhibition catalogs and prospectuses, and photographs of artwork, juries, and other groups involved in the annual exhibitions from the 1970s to 1999.

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6094 records — Page 11 of 610