This accession consists of records that document the operations of the Office of Planning, Management and Budget. Materials include numerous Smithsonian Directives and the discussions which led up to the issuance of each; and subject files documenting the formulation and execution of the Smithsonian's federal and trust budgets. Subject fi...

This collection consists of microfilm copies of documents relating to research and development work conducted by the Ordnance Office of the German Army at the research station at Peenemünde, as well as document listings and indexes of those documents prepared by United States Army's Ordnance Research and Development Translation Center at Fort Eustis, VA.

The Central Film Service Collection consists of more than 100 filmstrips made between 1924 and 1946. Made primarily for business use, the bulk of the collection describes and promotes products, industries, associations, and governmental agencies. Adults were the intended audience. Related scripts and audio recordings do not exist.

The papers of New York sculptor, collector, and dealer George Grey Barnard measure 11.6 linear feet and date from 1860 to 1969, with the bulk of the materials dating from 1880-1938. These papers document his life and work as an artist, as well as his activities as a collector and dealer of medieval art, through correspondence, collecting notebooks, diaries and daily journals, ephemera, inventories, business and financial records, exhibition catalogs, newspaper clippings, reference materials, publications, photographs, and a small number of sketches.

This accession consists of the departmental records of the Research and Scholars Center at the National Museum of American Art (1989-present), formerly known as the Office of Research Support (1982-1989). Most of the files date from the 1980s and reflect the activities of Office Chief Eleanor E. Fink, 1976-1987, and Rachel M. Allen as Ass...

This accession consists of Science Service subject files pertaining to medical science, chemistry, chemical technology, and physics. Materials include correspondence and memoranda; news releases; clippings, photographs and negatives; articles, reports, research papers, and related topical information.

The collection documents George Eaton Simpson's fieldwork in Haiti, Jamaica, Trinidad, and Nigeria from 1936-1964. There are 704 images in several formats including negatives, prints, and slides. The photographs were primarily made by Simpson, but a few were made by Frederic Ramsey, Jr. Ramsey's prints are stamped on verso with his name. Many print...

This collection includes negatives and prints created between 1917 and 1923 during the Hendricks-Hodge Hawikku (Hawikuh) archaeological expedition on the A:shiwi (Zuni) Reservation in New Mexico. The expedition which was sponsored by the Museum of the American Indian, Heye Foundation, was one of the most extensive archaeological projects conducted at the time. Photographs in this collection were shot by Alanson B. Skinner, Frederick Webb Hodge, Edwin Francis Coffin, George Hubbard Pepper, Jesse L. Nusbaum, Donald Cadzow, and Victor Schindler. Many of the photographs in this collection have been restricted due to cultural sensitivity.

Photographic negatives and some glass plate negatives depicting subjects relating to the Division of Electricity and Modern Physics' artifact collections and research interests. Negatives include portrait photographs of engineers (Marconi, Tesla, Bell, and Zworykin), images of radios, telegraphy equipment, and phonographs.

The papers of painter and muralist Daniel Putnam Brinley and his wife, linguist and writer Kathrine Sanger Brinley, date from 1879 to 1984 and measure 14.3 linear feet. The Brinleys' careers and lives are documented in biographical materials, as well as extensive correspondence with one another, family, friends, art galleries, organizations, publishers, and others. Also found within the papers are writings by both, including 16 diaries (1 by Daniel Putnam Brinley and the rest by Kathrine), essays, manuscripts, typescripts, notes and notebooks, poetry, and various other writings. There are mural commission files, files for organizations of which the Brinleys were members, financial and legal records, exhibition catalogs, news clippings, and other printed material. Also found are photographs of the Brinleys, family, friends, travels, and artwork, and six sketchbooks and original artwork by Daniel Putnam Brinley.