578 records — Page 11 of 58
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Creators:
Peto, John Frederick, 1854-1907
Dates:
1850-1983
Size:
2.1 Linear Feet
Collection ID:
AAA.petojohn
Repository:
Archives of American Art

The papers of still life artist John Frederick Peto and his family date from circa 1850 to 1983 and measure 2.1 linear feet. Within the papers are scattered biographical materials, a few letters to and from Peto, and his daughter Helen Peto Smiley's correspondence with galleries, scholars, and others concerning Peto's artwork. Also found are news clippings, exhibition catalogs, and other printed material, photographs and glass plate negatives of Peto, his family, and his artwork, and one small oil sketch fragment. Much of the collection documents the mid-twentieth century renewed interest in Peto's artwork.

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Creators:
Powell, John Wesley, 1834-1902
Becker, G. F.
Bell, Alexander G.
Croly, D. G. Mrs
More …
Dates:
1880-1907
Collection ID:
NAA.MS4024C
Repository:
National Anthropological Archives

Contents: Becker, G. F. San Francisco, California. June 24, 1884. 1 page. Asking to be relieved of an inefficient clerical helper. Bell, Alexander G. Washington, D. C. December 17, 1884. 1 page. Invitation to dinner. Croly, Mrs D. G. New York City. 1884. 3 pages. Requesting photographs for International Bazaar at Cassel, Germany. Cushing, Frank Ham...

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Creators:
Alexander, Robert, 1923-1987
Temple of Man (Venice, Calif.)
Dates:
1938-2015
Size:
11.7 Linear feet
1.01 Gigabytes
Collection ID:
AAA.alexbob
Repository:
Archives of American Art

The papers of poet, artist, and ordained priest Robert Alexander and the records of Venice, California's Temple of Man measure 11.7 linear feet and 1.01 GB, and date from 1938-2015. The papers and records document Alexander and the Temple of Man, which he founded in 1960 to serve as a meeting place for a community of artists, poets, and musicians. The collection contains biographical material pertaining to Alexander, Temple of Man administrative records, correspondence and artists files, project files, printed material, and photographic material.

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Creators:
Maury, Curt
Dates:
1953-circa 1985
Size:
12.7 Linear feet
Collection ID:
FSA.A1989.05
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

The Curt Maury papers, dating from 1953 to circa 1985, measure 12.7 linear feet and include writings and notes for planned and published books; travel files and expense ledgers for trips to India; photograph ledgers; and extensive photographs and slides of India.

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Creators:
Dabo, Leon, 1868-1960
Dates:
circa 1888-1969
Size:
1.2 Linear feet
Collection ID:
AAA.daboleon
Repository:
Archives of American Art

The papers of painter Leon Dabo date from circa 1888 to 1969 and measure 1.2 linear feet. The collection consists of biographical materials, scattered correspondence, research files relating to the paintings of James Abbott McNeill Whistler, printed mateirals, photographs, and works of art. Also found is a paint palette and brushes reportedly owned by Whistler and a walking stick.

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Creators:
Nevelson, Louise, 1899-1988
Dates:
circa 1903-1982
Size:
35.2 Linear feet
Collection ID:
AAA.neveloui
Repository:
Archives of American Art

The papers of Louise Nevelson measure approximately 35.2 linear feet and date from circa 1903 to 1982. The collection documents aspects of the life and work of the sculptor, focusing especially on her later career. Papers include correspondence, personal business records, writings, scrapbooks, early art work, photographs, interviews, awards and honorary degrees, books, and an extensive amount of printed material. An unprocessed addition of 17.6 linear feet donated 2017 includes personal and business correspondence, financial records, photographs of Nevelson and her works of art, writings by Nevelson, video recordings, and printed material.

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Creators:
Emmet family
Dates:
1792-1989
bulk 1851-1989
Size:
9.1 Linear feet
Collection ID:
AAA.emmefami
Repository:
Archives of American Art

The Emmet Family papers document the lives and careers of two generations of the Emmet family from New Rochelle, New York and Stockbridge, Massachusetts, whose artistic talents flourished during the later 19th through the mid-20th centuries. The collection dates from 1792 to 1989, with the bulk of the material dating from 1851-1989, and measures 9.1 linear feet. Through biographical material, two diaries, correspondence, writings and notes, exhibition files, business records, printed material, two scrapbooks, artwork, and photographs of family, friends, exhibitions, and artwork, the papers provide both a rich overview and detailed insights into the daily lives, relationships, and careers of many members of the family. The collection focuses in particular on sisters Lydia Field Emmet, Jane Erin Emmet de Glehn, and Rosina Emmet Sherwood, their mother, Julia Colt Pierson Emmet, and their cousin Ellen Gertrude "Bay" Emmet, all noted painters and illustrators.

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Creators:
McCausland, Elizabeth, 1899-1965
Dates:
1838-1995
bulk 1920-1960
Size:
45 Linear feet
Collection ID:
AAA.mccaeliz
Repository:
Archives of American Art

The papers of art critic, writer, and historian Elizabeth McCausland measure 45 linear feet and date from 1838 to 1995, with the bulk of the material dating from 1920 to 1960. The collection provides a vast accumulation of research data on various artists and aspects of American art, especially the early American modernists and the Federal Arts Projects. Papers include McCausland's extensive research and writing files, particularly on Marsden Hartley, E. L. Henry, Lewis Hine, George Inness, and Alfred H. Maurer. McCausland's correspondence with artists includes a substantial amount with Arthur Dove and Alfred Stieglitz. Her collaborative work with Berenice Abbott on the Changing New York book and series of photographs is well-documented within the collection. Also found are general writings, subject files, files relating to exhibitions, teaching, and committees, photographs, art work, personal papers, and printed material. Additional McCausland material donated later from the estate of Berenice Abbott include biographical materials, project files, writings, and printed materials.

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Creators:
Warshaw, Isadore, d. 1969
Dates:
1772-1948
Size:
1.45 Cubic feet (consisting of 2.5 boxes, 1 folder, 7 oversized folders, 3 map case folders, 1 flat box (partial), plus digital images of some collection material. )
Collection ID:
NMAH.AC.0060.S01.01.Hair
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Hair forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Weir family
Dates:
1809-circa 1961
bulk 1830-1920
Size:
0.8 Linear feet
Collection ID:
AAA.weirweir
Repository:
Archives of American Art

The papers of the prominent New York and Connecticut Weir family of artists measure 0.8 linear feet and date from 1809-circa 1961, with the bulk of the material dating from 1830-1920. The papers are a collection of correspondence and photographs that constitute a small but vivid record of the influence and relationships of this family of Hudson River School, landscape, and miniature painters. Correspondence consists primarily of letters to painter John Ferguson Weir when he was director of the Yale School of Fine Arts, with scattered letters to his daughter Edith Weir (Perry), and a small amount of correspondence of Robert Weir, his daughter Carrie M. Mansfield, son-in-law Lewis William Mansfield, and Julia Bayard. Letters to John F. Weir are from many late-19th century artists, as well as actors, poets, lawyers, scholars, and clergymen, often concerning arrangements for visiting lectures at the school. Photographs are of Robert Walter Weir, Susan Bayard Weir, Julian Alden Weir, and artwork.

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578 records — Page 11 of 58