John Outterbridge papers
The papers of Los Angeles African American painter, sculptor, and arts administrator John Outterbridge measure 4.8 linear feet and date from 1953 to 1997. The papers include biographical material, correspondence, writings, professional and project files, Watts Towers Arts Center files, exhibition files, printed material, photographs, a scrapbook, and one motion picture film reel.
Smithsonian Folklife Festival records: 1980 Festival of American Folklife
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Warshaw Collection of Business Americana Subject Categories: Periodicals
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Periodicals forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
The Chimneys collection
Lane, Gardiner M., 1859-1914
Lane, Emma Gildersleeve
Dana, Rich H.
Correspondence, invoices, nursery and seed catalogs, estimates, planting plans, photocopies of blueprints, photographs, negatives, autochromes, and drawings relating to the gardens of The Chimneys, the home of Emma and Gardiner Martin Lane and their daughter Katharine Lane Weems in Manchester, Massachusetts. Also included are four garden journals (1903-1928), garden-related medals awarded to Emma Lane, index files of plant materials, photocopies of garden related library cards belonging to Gardiner M. Lane, a diascope and nursery and seed catalogs. The collection also includes architectural plans, invoices and specifications from, and a framed photograph of, Raleigh C. Gildersleeve, architect of The Chimneys and brother of Emma Lane.
George Sidney Collection
96 Cubic feet (288 boxes, 6 oversize folders)
George Sidney (1916-2002) was a film director during the Golden Age of Hollywood filmmaking (1927-1954). He spent the longest period of his career at Metro-Goldwyn-Mayer (MGM) until the 1950s. He later produced and directed films for Columbia Pictures and Paramount Pictures. He was a president of the Directors Guild of America and an avid photographer. He was the recipient of three awards from the Academy of Motion Picture Arts and Sciences (Oscar). The collection consists of photographs, photographic negatives, personal and business materials, and film. The collection also contains material created by George Sidney's uncle, George Sidney, vaudevillian and motion picture actor.
Hobart E. Cowles papers
The papers of ceramicist and educator Hobart E. Cowles measure 2.5 linear feet and date from 1924-1980. The collection sheds light on Cowles's career through personal papers, writings and notebooks, professional files, printed material, photographs, artwork, and one video recording.
Osma Gallinger Tod papers
The papers of weaver, author, and teacher Osma Gallinger Tod measure 3.7 linear feet and date from circa 1925 to 1993. The collection comprises biographical materials including photographs of Tod and writings about her by her daughter Josephine Couch Del Deo; files on Tod's numerous writing projects including typescripts, drawings, and samples; records documenting Tod's role as organizer and director of the National Conference of American Handweavers; and printed materials including a scrapbook of clippings, documenting Tod's career.
Lonnie G. Bunch Papers
The Lonnie G. Bunch Papers include both personal materials and professional records from the various institutions that he worked at as well as his teaching positions. The personal materials include family correspondence, family history records, and photographs. In relation to his teaching positions there are course syllabi, reading lists, notes …
Marli Shamir collection
1790 Negatives (photographic) (black and white, 120mm)
1,519 Color slides (35mm)
Collection dates from 1966 to 1976 and includes 1,817 black and white negatives, 1,519 35mm color slides, several hundred prints, and manuscript materials. Locations include Burkina Faso, Cote d'Ivoire, Gabon, Israel, Mali, and Niger and depict agriculture, architecture, especially mosques, landscapes, marketplaces, masquerade and musical performances, sculptures, and textiles. Peoples depicted include the Bambara, Bella, Bozo, Dogon, Fulani, Gao, Mandingo, San, Songhai, and Tuarag peoples.
Division of Cultural History Lantern Slides and Stereographs
Stanley-Brown, Joseph, 1858-1941
Keystone View Company
Rau, William H.
Collection consists of lantern slides and stereographs produced by several companies: Keystone View Company, Better America Lecture Service, Incorporated, American Press Association, J. Stanley-Brown, William H. Rau, and J. F. Maertz Department Store. The lantern slides were primarily intended to be used for educational presentations about the United States, other countries, history, and society. Many of the slides and stereographs are accompanied by descriptive text and in some instances by small cards--one card for each slide--and in other instances directly on the back of a stereoview. The majority of images were taken from 1900 to 1930.