Query: Slave
Charlene Hodges Byrd collection
Creators:
Byrd, Charlene Hodges, 1929-2009
Dates:
circa 1750-2009
bulk 1880-1960
Size:
43 Linear feet (35 document boxes and 39 oversize boxes)
Collection ID:
NMAAHC.A2010.26
Repository:
National Museum of African American History and Culture

The Charlene Hodges Byrd collection measures 43 linear feet, and dates from circa 1750-2009, with the bulk of the material dating from 1880-1960. The collection documents the personal life and professional career of Charlene Hodges Byrd, an African American teacher from Washington, D.C., along with material for several related families from Pennsylvania, Maryland, and Washington, D.C. Family members prominently represented include Sarah A. Shimm, teacher and essayist under the name Faith Lichen; her daughters Erminie F. Shimm and Grace E. Shimm Cummings, both teachers; and Byrd's mother, Joyce Ethel Cummings Hodges, also a teacher. Correspondence and writings chiefly discuss family life, religion, race, education, and the relationship with Frederick Douglass and his family. The collection is arranged in 10 series: Biographical Material, Correspondence, Writings, Subject Files, Financial and Legal Records, Printed Material, Volumes, Memorabilia, Textiles, and Photographs.

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in NMAAHC.A2010.26 for Slave
Historical Records of Jones-Hall-Sims House
Creators:
McDaniel, George W.
Dates:
1978-1979
Size:
0.5 Cubic feet
Collection ID:
NMAAHC.A2013.110
Repository:
National Museum of African American History and Culture

The Jones-Hall-Sims House also known as "Freedom House" is featured prominently in the NMAAHC Defending Freedom, Defining Freedom: The Era of Segregation exhibition. This collection reflects the research completed by historian Dr. George McDaniel documenting the history of the Jones-Hall-Sims House, the communties of Jonesville and Jerusalem.

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in NMAAHC.A2013.110 for Slave
Jack Mitchell Photography of the Alvin Ailey American Dance Theater Collection
Creators:
Ailey, Alvin
Mitchell, Jack, 1925-2013
Dates:
1961-2004
Size:
16 Linear feet
Collection ID:
NMAAHC.A2013.245
Repository:
National Museum of African American History and Culture

Jack Mitchell (1925- 2013) was an acclaimed photographer who began chronicling the work of the Alvin Ailey American Dance Theater in 1961. Alvin Ailey (1931- 1989), one of the most influential African American choreographers of modern dance, dedicated himself and his dance company to creating ballets that not only accelerated the careers of young African American dancers, but also stole the attention of national and international audiences in displaying the racial perspective of dance in the African American experience. This collection serves as Mitchell's documentation of the dance company's evolution while capturing the true idiosyncrasies and physicality of movement through still images. Through Alvin Ailey and Jack Mitchell's partnership, they were able to collaborate and produce a unique production of art, fusing the meaning and movements of dance and the techniques of photography.

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in NMAAHC.A2013.245 for Slave
John Steuart Curry and Curry family papers
Creators:
Curry, John Steuart, 1897-1946
Dates:
1848-1999
Size:
10.1 Linear feet
Collection ID:
AAA.currjohn
Repository:
Archives of American Art

The papers of painter, muralist, and illustrator John Steuart Curry, and Curry family papers, measure 10.1 linear feet and date from 1848 to 1999. Papers document his career and family history through certificates, correspondence, photographs, clippings, contracts, receipts, inventories, writings, notes, and other materials. The papers contain particularly rich documentation of Curry's period as artist-in-residence at the University of Wisconsin, from 1936 to 1946. Mural projects in Kansas, Washington, DC, and Wisconsin are also documented.

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in AAA.currjohn for Slave
John Lawrence Angel papers
Creators:
Fenton, William N. (William Nelson), 1908-2005
Blegan, Carl W.
Blumberg, Baruch
Boaz, Noel T.
More …
Dates:
1930s-1980s
Size:
70 Linear feet (Approximately 70 linear feet of textual materials and over 30,000 photographic items.)
Collection ID:
NAA.XXXX.0033
Repository:
National Anthropological Archives

The papers of John Lawrence Angel present a complete portrait of the professional life of one of the most important and influential physical anthropologists in the United States. Angel was best known for his work with cultures in the eastern Mediterranean and for his work in forensic anthropology; but his contributions were widespread. His influence was felt in studies of human microevolution, the relationship between environment and disease, human evolution, and paleopathology. His research was said to be ten years ahead of its time. The papers include correspondence with many of the leading anthropologists of the time; honors and awards bestowed on Angel; materials on Angel's educational career, both as an undergraduate and as a teacher; extensive photographs; a virtually complete collection of his writings; materials concerning his research and his work in forensic anthropology; and his activities in professional organizations. The bulk of the papers reflect Angel's life-long interest in examining the relationship between culture and biology in human groups through time. There are a few records on Angel's administrative involvement in the Department of Anthropology of the United States National Museum/National Museum of Natural History.

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in NAA.XXXX.0033 for Slave
MS 4877 Photographs relating to various North American Indian tribes
Creators:
Hrdlička, Aleš, 1869-1943
Dates:
undated
Collection ID:
NAA.MS4877
Repository:
National Anthropological Archives

Does not include Hrdlicka's photographs from Alaska (including Eskimo) or his non-North American Indian photos.

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in NAA.MS4877 for Slave
Warshaw Collection of Business Americana Subject Categories: Tobacco Trade and Industry
Creators:
Warshaw, Isadore, 1900-1969
Dates:
1750-1965
undated
Size:
11.35 Cubic feet (consisting of 20 boxes, 8 folder, 30 oversize folders, 17 map case folders, 3 flat boxes (partial), plus digital images of some collection material.)
Collection ID:
NMAH.AC.0060.S01.01.Tobacco
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Tobacco Trade and Industry forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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in NMAH.AC.0060.S01.01.Tobacco for Slave
John L. Brom films
Creators:
Brom, John L.
Dates:
circa 1956-1970
Size:
Film reels (color sound; color silent, 16mm)
Linear feet
Collection ID:
HSFA.1998.18
Repository:
Human Studies Film Archives

Various film materials shot in Africa during, primarily, the fifties by John Brom, a Czech filmmaker. Suppemental materials: photographs, audio tapes, publicity materials, books. Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As …

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in HSFA.1998.18 for Slave
Titus Brooks Heagins photographs
Creators:
Heagins, Titus Brooks
Dates:
circa 1997-2004
Size:
0.1 Linear feet ((1 oversize folder))
Collection ID:
ACMA.06-040
Repository:
Anacostia Community Museum Archives

The collection, which dates from circa 1997-2004 and measures .01 linear feet, documents the people and environment of Cuba and Belize, as well as African American communities and religious life. The collection is comprised of inkjet prints.

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in ACMA.06-040 for Slave
Broadcast Programs
Creators:
Anacostia Community Museum
Dates:
circa 1970s
Size:
14 Video recordings (open reel, 1/2 inch)
15 Sound recordings (open reel, 1/4 inch)
Collection ID:
ACMA.09-037
Repository:
Anacostia Community Museum Archives

This collection includes news programs, television shows, and music recorded from local and national radio and television broadcasts as well as prerecorded programs, such as The Negro Texans and Alex Haley Lecture for the Doubleday Lecture Series. Anacostia Community Museum does not hold the copyright of the broadcast programs and …

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in ACMA.09-037 for Slave
276 records — Page 11 of 28