Subject Files
This accession consists of materials created by Richard Kurin during his tenure as Director for National Programs, 2004-2007; Acting Under Secretary for History and Culture, 2007-2008; Acting Under Secretary for History, Art, and Culture, 2008-2009; and Under Secretary for History, Art, and Culture, 2009-2016. Materials dated before April 14, 2008, were created by the Office of …
Donald Murray Jr. Papers
Donald Murray, Jr. papers consists of 2.4 linear feet of mixed archival materials. The materials speak to Mr. Murray's role as a manager and Director of the Department of Consumer and Regulatory Affairs (DCRA), his involvement in DC politics and family history. Documents include photographs, ephemera from various organizations and some videotaped materials of local social events.
Scurlock Studio Records, Subseries 4.5: Black and white negatives in cold storage arranged by job number
Scurlock Studio (Washington, D.C.)
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
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The materials document the orders placed by the clients of the Scurlock Studio. The photographs primarily depict individual portrait sittings but there are also portraits of children, groups, and other subjects.
CFCH Audiovisual Projects
Scurlock Studio Records, Subseries 4.6: Black and white negatives in cold storage arranged by client
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
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The subseries consists of black and white silver gelatin negatives.
The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.6 consists of black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records
Exhibition Records
This accession consists of drawings documenting the planning and design of exhibitions and other projects by the Office of Exhibits Central (OEC). OEC designs exhibitions for the Smithsonian Institution Traveling Exhibition Service as well as for Smithsonian Institution museums and units without internal exhibition design offices or which need additional …
Maryette Charlton papers
0.34 Gigabytes
The papers of filmmaker, photographer, painter, printmaker, teacher, and arts advocate Maryette Charlton measure 81 linear feet and date from circa 1890 to 2013. This particularly rich collection includes biographical materials, correspondence, writings, 30 diaries, teaching files, professional and project files, major film project files, artist research files, exhibition files, printed material, scrapbooks, artwork, 22 sketchbooks, extensive photographic materials, numerous sound and film recordings, a digitized sound recording, and an unintegrated later addition to the papers containing additional biographical materials, journals, correspondence, subject files, printed materials, and scattered photographs.
Records
This collection documents the development of the Archives of American Art (AAA), chiefly the period since acquisition of AAA by the Smithsonian in 1970, though some records from its earlier history in Detroit and New York are also included. These records contain minutes, files, and correspondence of the Board of Trustees …
Marilyn Houlberg Nigeria collection
14 Documents (1 Binder)
1,946 Slides (Color, 35 mm)
The collection consists of 8,515 color slides taken by Dr. Marilyn Houlberg during various field studies among the Yoruba in southwest Nigeria between 1961 and circa 2007. The images depict Yoruba art and culture with a special focus on artisans, art objects, body arts, costume, festivals, hairstyles, indigenous photography, weaving and textiles. Cultural events depicted include Balufon festivals, Egungun and Gelede masquerades, social events (weddings, christenings, funerals), and religious ceremonies (initiation and animal sacrifice). Also included are various scenes of daily life, architecture, food preparation, markets, portraits and landscapes. Houlberg extensively documented Yoruba artists in the process of creating their art, including carvers Yesufu Ejigboye, Runshewe, and Lamidi Fakeye, as well as the final pieces themselves. Houlberg documentated art in situ, such as Yoruba house posts, shrines, wall art and wood doors and art objects, including Gelede masks, Ibeji (twin) and Eshu figures, Osanyin staffs, and Ogboni and Shango shrines. Manuscript and printed materials, including Houlberg's resume, thesis, and numerous published articles are also available in this collection.
American Revolution Bicentennial Records
These records document the work of Susan A. Hamilton as Bicentennial Coordinator, acting under the direction of the Assistant Secretary for History and Art. They also cover preliminary planning for Bicentennial programs carried out between 1968 and the creation of the Office in 1971. For a fuller record of such activities, researchers …
