Query: Smithsonian Institution. Center for Museum Studies. African Voices Project
Subject Files
Dates:
1973, 1994-1998, 2000-2015
Size:
9.5 cu. ft. (9 record storage boxes) (1 document box)
Collection ID:
Accession 17-010
Repository:
Smithsonian Institution Archives

This accession consists of materials created by Richard Kurin during his tenure as Director for National Programs, 2004-2007; Acting Under Secretary for History and Culture, 2007-2008; Acting Under Secretary for History, Art, and Culture, 2008-2009; and Under Secretary for History, Art, and Culture, 2009-2016. Materials dated before April 14, 2008, were created by the Office of …

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in Accession 17-010 for Smithsonian Institution. Center for Museum Studies. African Voices Project
Donald Murray Jr. Papers
Dates:
1934-2014
Size:
2.4 Cubic feet (1 box, 4 flat boxes)
Collection ID:
ACMA.06-078
Repository:
Anacostia Community Museum Archives

Donald Murray, Jr. papers consists of 2.4 linear feet of mixed archival materials. The materials speak to Mr. Murray's role as a manager and Director of the Department of Consumer and Regulatory Affairs (DCRA), his involvement in DC politics and family history. Documents include photographs, ephemera from various organizations and some videotaped materials of local social events.

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in ACMA.06-078 for Smithsonian Institution. Center for Museum Studies. African Voices Project
Scurlock Studio Records, Subseries 4.5: Black and white negatives in cold storage arranged by job number
Creators:
Custom Craft
Scurlock Studio (Washington, D.C.)
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
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Dates:
1928-1994
Size:
320 Boxes
Collection ID:
NMAH.AC.0618.S04.05
Repository:
Archives Center, National Museum of American History

The materials document the orders placed by the clients of the Scurlock Studio. The photographs primarily depict individual portrait sittings but there are also portraits of children, groups, and other subjects.

Digital Content Available

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in NMAH.AC.0618.S04.05 for Smithsonian Institution. Center for Museum Studies. African Voices Project
CFCH Audiovisual Projects
Dates:
2011-2018
Size:
13 Terabytes
Collection ID:
CFCH.AVPR
Repository:
Ralph Rinzler Folklife Archives and Collections

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in CFCH.AVPR for Smithsonian Institution. Center for Museum Studies. African Voices Project
Scurlock Studio Records, Subseries 4.6: Black and white negatives in cold storage arranged by client
Creators:
Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
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Dates:
1929-1989
Size:
87 Boxes
The subseries consists of black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.06
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.6 consists of black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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in NMAH.AC.0618.S04.06 for Smithsonian Institution. Center for Museum Studies. African Voices Project
Exhibition Records
Dates:
1970-2006
Size:
2.76 cu. ft. (4 16x20 boxes) (103 oversize folders)
Collection ID:
Accession 17-080
Repository:
Smithsonian Institution Archives

This accession consists of drawings documenting the planning and design of exhibitions and other projects by the Office of Exhibits Central (OEC). OEC designs exhibitions for the Smithsonian Institution Traveling Exhibition Service as well as for Smithsonian Institution museums and units without internal exhibition design offices or which need additional …

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in Accession 17-080 for Smithsonian Institution. Center for Museum Studies. African Voices Project
Maryette Charlton papers
Creators:
Charlton, Maryette
Dates:
circa 1890-2013
Size:
80.6 Linear feet
0.34 Gigabytes
Collection ID:
AAA.charmary
Repository:
Archives of American Art

The papers of filmmaker, photographer, painter, printmaker, teacher, and arts advocate Maryette Charlton measure 81 linear feet and date from circa 1890 to 2013. This particularly rich collection includes biographical materials, correspondence, writings, 30 diaries, teaching files, professional and project files, major film project files, artist research files, exhibition files, printed material, scrapbooks, artwork, 22 sketchbooks, extensive photographic materials, numerous sound and film recordings, a digitized sound recording, and an unintegrated later addition to the papers containing additional biographical materials, journals, correspondence, subject files, printed materials, and scattered photographs.

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in AAA.charmary for Smithsonian Institution. Center for Museum Studies. African Voices Project
Records
Dates:
1954-1985
Size:
29.69 cu. ft. (29 record storage boxes) (1 16x20 box)
Collection ID:
Record Unit 402
Repository:
Smithsonian Institution Archives

This collection documents the development of the Archives of American Art (AAA), chiefly the period since acquisition of AAA by the Smithsonian in 1970, though some records from its earlier history in Detroit and New York are also included. These records contain minutes, files, and correspondence of the Board of Trustees …

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in Record Unit 402 for Smithsonian Institution. Center for Museum Studies. African Voices Project
Marilyn Houlberg Nigeria collection
Creators:
Houlberg, Marilyn
Dates:
1961-circa 2005
Size:
6567 Slides (photographs) (11 Binders, color)
14 Documents (1 Binder)
1,946 Slides (Color, 35 mm)
Collection ID:
EEPA.2005-002
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection consists of 8,515 color slides taken by Dr. Marilyn Houlberg during various field studies among the Yoruba in southwest Nigeria between 1961 and circa 2007. The images depict Yoruba art and culture with a special focus on artisans, art objects, body arts, costume, festivals, hairstyles, indigenous photography, weaving and textiles. Cultural events depicted include Balufon festivals, Egungun and Gelede masquerades, social events (weddings, christenings, funerals), and religious ceremonies (initiation and animal sacrifice). Also included are various scenes of daily life, architecture, food preparation, markets, portraits and landscapes. Houlberg extensively documented Yoruba artists in the process of creating their art, including carvers Yesufu Ejigboye, Runshewe, and Lamidi Fakeye, as well as the final pieces themselves. Houlberg documentated art in situ, such as Yoruba house posts, shrines, wall art and wood doors and art objects, including Gelede masks, Ibeji (twin) and Eshu figures, Osanyin staffs, and Ogboni and Shango shrines. Manuscript and printed materials, including Houlberg's resume, thesis, and numerous published articles are also available in this collection.

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in EEPA.2005-002 for Smithsonian Institution. Center for Museum Studies. African Voices Project
American Revolution Bicentennial Records
Creators:
Smithsonian Institution. Assistant Secretary for History and Art
Dates:
1962-1982
Size:
44.54 cu. ft. (41 record storage boxes) (1 document box) (1 12x17 box) (2 16x20 boxes) (2 oversize folders)
Collection ID:
Record Unit 337
Repository:
Smithsonian Institution Archives

These records document the work of Susan A. Hamilton as Bicentennial Coordinator, acting under the direction of the Assistant Secretary for History and Art. They also cover preliminary planning for Bicentennial programs carried out between 1968 and the creation of the Office in 1971. For a fuller record of such activities, researchers …

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in Record Unit 337 for Smithsonian Institution. Center for Museum Studies. African Voices Project
190 records — Page 11 of 19