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- Creators:
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Warshaw, Isadore, 1900-1969
- Dates:
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circa 1827-1924
- Size:
-
1.39 Folders (consisting of 3 boxes, 1 folder, 1 oversize folder.)
- Collection ID:
- NMAH.AC.0060.S01.01.Foundries
- Repository:
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Archives Center, National Museum of American History
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Foundries forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
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- Creators:
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United States National Museum, Division of Marine Invertebrates
- Dates:
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1853-1962
- Size:
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7.9 linear meters.
- Collection ID:
- Record Unit 233
- Repository:
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Smithsonian Institution Archives
This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.
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- Creators:
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Smithsonian Institution. Office of Telecommunications
- Dates:
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1969-1979
- Size:
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20.8 cu. ft. (30 document boxes) (10 tall document boxes)
- Collection ID:
- Record Unit 296
- Repository:
-
Smithsonian Institution Archives
This record unit consists of master audio tapes for Radio Smithsonian programs 1-481, 1969-1978, and Smithsonian Galaxy editions 1-25, 1978-1979.
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- Creators:
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Ireland, David, 1930-2009
- Dates:
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circa 1910s-circa 2009
bulk 1960-2005
- Size:
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24.8 Linear feet
8.39 Gigabytes
- Collection ID:
- AAA.ireldavi
- Repository:
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Archives of American Art
The papers of California conceptual artist and sculptor David Ireland measure 24.8 linear feet and 8.39 GB and date from circa 1910s to circa 2009, with the bulk of the material dating from 1960 to 2005. The papers include biographical material, correspondence, notes and notebooks, installation projects and exhibition files, teaching files, travel files, personal business records, printed and digital material and commercial recordings, photographic materials, artwork, and video and sound recordings.
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- Creators:
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Smithsonian Institution. Center for Folklife and Cultural Heritage
- Dates:
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July 3-14, 1974
- Size:
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1 Cubic foot (approximate)
459 Sound tape reels (approximate)
- Collection ID:
- CFCH.SFF.1974
- Repository:
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Ralph Rinzler Folklife Archives and Collections
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
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- Creators:
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National Collection of Fine Arts
- Dates:
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1908-1974
- Size:
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59 cu. ft. (1 record storage box) (116 document boxes)
- Collection ID:
- Record Unit 313
- Repository:
-
Smithsonian Institution Archives
The records pertain to the administration of David W. Scott, director, 1965-1968, Robert Tyler Davis, interim director, 1969, and Joshua C. Taylor, director, 1970- . Some records, most noticeably correspondence with Smithsonian Art Commission members, have been pulled up into the files from previous administrations. Also included are Smithson...
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- Creators:
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National Air and Space Museum. Department of Aeronautics
- Dates:
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1965-1986
- Size:
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36.5 cu. ft. (73 document boxes)
- Collection ID:
- Record Unit 330
- Repository:
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Smithsonian Institution Archives
These records document the history of the Department of Aeronautics from 1966-1986, a period marked by intensive planning for the new museum, its construction and opening in July 1976, and the emergence of the National Air and Space Museum as a large and important bureau of the Smithsonian and the most visited museum in the world. At the begi...
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- Creators:
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United States. Indian Arts and Crafts Board
- Dates:
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1870-2010
bulk 1962-1985
- Size:
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39 Slides (photographs)
35 Negatives (photographic)
257 Photographic prints
14 Linear feet
- Collection ID:
- NMAI.AC.072
- Repository:
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National Museum of the American Indian
The Indian Arts and Crafts Board accession records collection includes documents and photographs related to works of art accessioned into the IACB collection from it's inception in 1935 to 1999. The collection also includes docuements related to objects accessioned into the IACB's run Southern Plains Indian Museum. The collection is nearly comprehensive and includes works of art from Alaska Native artists to Catawba pottery, and includes artwork from several renowned artists including, Maria Martinez (San Ildefonso Pueblo), James Kivetoruk Moses (Inupiaq), and Don Morse "Lelooska" Smith (Cherokee).
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- Creators:
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Robert Schoelkopf Gallery
- Dates:
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1851-1991
bulk 1962-1991
- Size:
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29 Linear feet
- Collection ID:
- AAA.robeschg
- Repository:
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Archives of American Art
The collection comprises 29 linear feet of records that document the day-to-day administration of the Robert Schoelkopf Gallery from 1962 to 1991, with additional items predating the founding of the gallery from 1851 to 1961. The collection records artist and client relations, exhibitions, and daily business transactions through artist files, correspondence, printed matter, and photographic material.
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- Creators:
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Smithsonian Institution. Office of Exhibits Central. Exhibits Editor's Office
- Dates:
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1948-1978
- Size:
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31.5 cu. ft. (31 record storage boxes) (1 document box)
- Collection ID:
- Record Unit 90
- Repository:
-
Smithsonian Institution Archives
Exhibit scripts are the textual component of exhibits. These records document the production of labels and other text that accompany Smithsonian Institution exhibits, and deal with matters of concept, design, scope, and style. The records occasionally contain photographs, brochures, memoranda and correspondence with curators, exhibits speciali...