[ ]
Collapse
[ ]
Expand
Creators:
Cady, Walter Guyton, 1874-1973 (physicist)
Electricity and Modern Physics, Division of, NMAH, SI.
Dates:
1903-1974
Size:
22.5 Cubic feet (73 boxes)
Collection ID:
NMAH.AC.0046
Repository:
Archives Center, National Museum of American History

Consists chiefly of Cady's research notebooks on various subjects in physics and a considerable technical reprint file; some records of Cady's consultant work and patents granted.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Paul, William L. Jr
Curry, James E., 1907-1972
Dates:
1932-1958
Size:
121.7 Linear feet
Collection ID:
NMAI.AC.015
Repository:
National Museum of the American Indian

These are the papers of Washington, D.C. attorney James E. Curry, whose legal career included work both as a government attorney and in his own private practice. The bulk of the papers reflect his private practice in the area of Indian affairs.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Martin and Morris Music Company
Morris, Necey, Mrs.
Martin, Sallie
Morris, Kenneth, 1917-
More …
Dates:
circa 1930-1985
Size:
8.7 Boxes (28 boxes)
Collection ID:
NMAH.AC.0492
Repository:
Archives Center, National Museum of American History

The Martin and Morris Company Records date from ca. 1930 to 1985 and document a neglected part of the American music historical record. The collection is particularly important because of the company's contributions to the field of Gospel music. According to Horace Boyer (in We'll Understand It Better....), Martin and Morris Music Company was the o...

Found In
[ ]
Collapse
[ ]
Expand
Dates:
2005-2006
Size:
0.5 cu. ft. (2 half document boxes)
Collection ID:
Record Unit 9619
Repository:
Smithsonian Institution Archives

The Smithsonian Institution Archives (SIA) began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. P...

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 26-July 7, 2002
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.2002
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Carvel, Tom (Thomas Andreas Carvelas), 1906-
Carvel Corporation.
Dates:
1934-1989
Size:
9 Cubic feet (24 boxes, 1 oversized folder)
12 cassette tapes
63 Video recordings
Collection ID:
NMAH.AC.0488
Repository:
Archives Center, National Museum of American History

The records provide rich research material on many stories, including: American invention, enterprise, and entrepreneurship; the origins and growth of franchising; popular food and culture; the development of roadside architecture; radio and television advertising; product marketing and promotion; regional studies; and gender issues such as beauty...

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Blocki, Jim
Cook, Fielder
Durante, Al
Green, Chester
More …
Dates:
1947-1992
Size:
4.3 Cubic feet (5 boxes)
Collection ID:
NMAH.AC.0464
Repository:
Archives Center, National Museum of American History

Oral history interviews with fourteen former Kraft and J. Walter Thompson executives chart the evolution of Kraft's approach to television, from its pioneering efforts in the medium's infancy to the search to maintain identity in an increasingly competitive and fragmented media landscape. Casting, directing, and production of the live dramas and the commercials are discussed at length. Kraft's philosophy of advertising, its relationship with J. Walter Thompson advertising agency and NBC, and consumer outreach are also featured.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Nadel, Leonard, 1916-1990
Dates:
1950-2006
bulk 1956-1960
Size:
3 Cubic feet (10 boxes)
Collection ID:
NMAH.AC.1313
Repository:
Archives Center, National Museum of American History

Photographer Leonard Nadel's supplemental material relating to and photographs of the Mexican braceros (manual laborers). They were photographed in California, Texas, and Mexico for the Ford Foundation's Fund for the Republic during the late 1950s and early 1960s in support of a report entitled Strangers in Our Fields by Dr. Ernesto Galarza.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Davies, Diana, 1938-
Dates:
1963-2009
Size:
3.83 Cubic feet (8 binders containing contact sheets, slides, and prints; 7 boxes (8.5"x10.75"x2.5") of 35 mm negatives; 2 binders of 35 mm and 120 format negatives; and 1 box of 11 oversize prints.)
Collection ID:
CFCH.DAVIE
Repository:
Ralph Rinzler Folklife Archives and Collections

The Diana Davies photographs consist of images taken by Diana Davies at various stages of her career. Locations include the Festival of American Folklife, the Newport Folk Festival, the Philadelphia Folk Festival, the Poor People's Campaign, various peace and protest marches and outdoor performances, New York City, and the Georgia Sea Islands. The collection includes contact sheets, negatives, photographic prints, and slides. Original photographs, negatives, and color slides taken by Diana Davies. Materials date from 1963-2009. Bulk dates: Newport Folk Festival, 1963-1969, 1987, 1992; Philadelphia Folk Festival, 1967-1968, 1987.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Park Place, The Gallery of Art Research, Inc. and Paula Cooper Gallery
Dates:
1961-2006
Size:
50 Linear feet
0.001 Gigabytes
Collection ID:
AAA.parkplag
Repository:
Archives of American Art

The records of the New York artist-cooperative Park Place, The Gallery of Art Research, Inc. and the Soho contemporary art gallery Paula Cooper Gallery measure 50 linear feet and 0.001 GB and date from 1961 to 2006. The collection documents the founding of the Park Place Gallery and its artists through correspondence, artists' files, photographic materials, financial records, printed and digital materials, and scattered business records. The bulk of the collection is Paula Cooper Gallery records; nearly two-thirds of which are artists' files containing a variety of materials such as correspondence, printed materials, and photographic materials. Also found is additional business correspondence, business records, financial records, and printed materials for Paula Cooper Gallery, as well as a handful of records from Paula Johnson Gallery.

Found In