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Creators:
Smithsonian Productions
Dates:
1984-2002
Size:
6 cu. ft. (6 record storage boxes)
Collection ID:
Accession 03-029
Repository:
Smithsonian Institution Archives

This accession includes the records of Laura T. Schneider, Audio-Visual Production Specialist, primarily documenting her work on "Dream Window: Reflections on the Japanese Garden," an educational film to acquaint American audiences with the historical and cultural significance of Japanese Gardens and their importance to Japan's landscape; and ...

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Creators:
Marmon, Lee Howard, 1925 -
Dates:
circa 1950-1987
Size:
36 Photographic Prints (black and white; color)
2 contact sheets (2 contact sheets (9 photographs each), color)
Collection ID:
NMAI.AC.054
Repository:
National Museum of the American Indian

The Lee Howard Marmon photographic prints and contact sheets contain 36 color and black and white photographic prints and two color contact sheets of 9 images each. Subjects include Laguna and Acoma elders (1950-1965), publicity images of celebrities (1967-1973), Native American portraiture (circa 1987), the New Mexico pueblos and landscape, and the potter Lucy M. Lewis, her daughters, and their pottery (1987).

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Creators:
Hrdlička, Aleš, 1869-1943
Pepper, George H. (George Hubbard), 1873-1924
Lumholtz, Carl, 1851-1922
Dates:
1898-1902
Size:
588 Photographic prints
190 copy negatives
Collection ID:
NMAI.AC.103
Repository:
National Museum of the American Indian

This collection contains photographic prints and copy negatives taken by Ales Hrdlicka in Arizona and Mexico between 1898 and 1902. The majority of the photographs were donated by George Pepper to the Museum of the American Indian, Heye Foundation in 1923. Native communities that Hrdlicka photographed during his research include--Purepecha (Tarasco), Yoeme (Yaqui), Hualapai (Walapai), Havasupai (Coconino), Piipaash (Maricopa), Mojave (Mahave), Tohono O'odham (Papapgo), Quechan (Yuma/Cuchan), Tepecano, Akimel O'odham (Pima), Opata, Cora, Seri, Wixarika (Huichol), Nahua, Otomi and Yoreme (Mayo). Ales Hrdlicka (1869-1943) was born in the Czech Republic moved to the United States in 1881. Hrdlicka became known as the "Father" of Physical Anthropology and worked at the U.S. National Museum (now the National Museum of Natural History).

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Creators:
Freer Gallery of Art and Arthur M. Sackler Gallery. Curatorial - Chinese Art
Dates:
1987-2003
Size:
6 cu. ft. (6 record storage boxes)
Collection ID:
Accession 16-117
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the curatorial activities of Jenny F. So, Associate Curator, 1990-1996; Curator, 1996-1998; and Senior Curator, 1998-2000. Topics include exhibition development, collection management, research, fund raising, outreach, publishing, and professional activities. A small amount of material was created...

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Creators:
Cooper-Hewitt, National Design Museum. Office of the Registrar
Dates:
circa 1975-2010
Size:
3.22 cu. ft. (2 record storage boxes) (1 document box) (1 16x20 box) (1 oversize folder)
Collection ID:
Accession 13-215
Repository:
Smithsonian Institution Archives

This accession consists of records documenting exhibitions produced by the Cooper-Hewitt, National Design Museum. Materials include signage correspondence, memoranda, signage proof prints, exhibition drawings, object lists, condition reports, label text, checklists, research materials, object images, installation images, floor plans, brochures...

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Creators:
Freer Gallery of Art and Arthur M. Sackler Gallery. Curatorial - Islamic Near Eastern Art
Dates:
1986-2008
Size:
2.5 cu. ft. (2 record storage boxes) (1 document box)
Collection ID:
Accession 15-345
Repository:
Smithsonian Institution Archives

This accession consists of correspondence created and maintained by Massumeh Farhad, Associate Curator of Islamic Near Eastern Art, 1995-2004, and Chief Curator and Curator of Islamic Art, 2004- , documenting interactions with professional colleagues, organizations, donors, collectors, and researchers regarding research, collections, acqu...

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Creators:
Attie, Dotty, 1938-
Dates:
circa 1950s-2014
Size:
2.5 Linear feet
Collection ID:
AAA.attidott
Repository:
Archives of American Art

The papers of New York City painter and printmaker Dotty Attie measure 2.5 linear feet and date from circa 1950s to 2014. Her papers include scattered biographical material, professional files, notes, personal business records, photographs, artwork, and 12 sketchbooks.

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Creators:
National Museum of Natural History. Office of Exhibits
Dates:
circa 1955-1990 and undated
Size:
31.73 cu. ft. (31 record storage boxes) (1 tall document box) (1 oversize folder)
Collection ID:
Record Unit 363
Repository:
Smithsonian Institution Archives

This record unit contains a variety of records documenting the planning, design, and production of permanent and temporary exhibitions at the NMNH. It also contains smaller amounts of records concerning exhibitions held at the National Museum of History and Technology, National Air and Space Museum, National Collection of Fine Arts, Anacostia ...

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Creators:
National Collection of Fine Arts. Office of the Director
Dates:
1912-1965
Size:
28.5 cu. ft. (57 document boxes)
Collection ID:
Record Unit 312
Repository:
Smithsonian Institution Archives

Record Unit 312 was transferred from the National Museum of American Art (NMAA) Archives to the Smithsonian Institution Archives in October 1984. The NMAA Archives, which was created in January 1975, and located in the Fine Arts and Portrait Gallery Building, came under the daily administration of the NMAA, with technical supervision and ...

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Creators:
National Museum of American Art. Office of the Registrar
Dates:
1963-1987
Size:
54.58 cu. ft. (54 record storage boxes) (1 tall document box)
Collection ID:
Record Unit 453
Repository:
Smithsonian Institution Archives

This record unit documents the activities of the Office of the Registrar staff and consists of temporary loan files; temporary exhibition files, including shipping, insurance information, and loan agreements; general correspondence files; administrative files; and the files of the Smithsonian Art Commission, 1963-1975.

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