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Creators:
Lozowick, Louis, 1892-1973
Dates:
1898-1974
Size:
5.9 Linear feet
Collection ID:
AAA.lozoloui
Repository:
Archives of American Art

The Louis Lozowick Papers measure 5.9 linear feet and are dated 1898-1974. Correspondence, writings, business records, printed material and photographs document Lozowick's career. Also included are biographical documents, sketches, and records relating to organizations that interested him.

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Creators:
Vytlacil, Vaclav, 1892-1984
Dates:
1885-1990
Size:
5.2 Linear feet
Collection ID:
AAA.vytlvacl
Repository:
Archives of American Art

The papers of abstract painter and art instructor Vaclav Vytlacil date from 1885-1990 and measure 5.2 linear feet. Found within the papers are scattered biographical materials, correspondence primarily discussing art school-related matters and the exhibition and sale of Vytlacil's work, scattered business and financial records, and notes and writings including lecture notes. The papers also contain audio recordings of interviews of Vytlacil and his associates, artwork by Vytlacil and others, four scrapbooks, printed material including clippings and exhibition catalogs, and photographs of Vytlacil, his colleagues, and his artwork.

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Creators:
Arnold Herstand & Company
Dates:
1927-1995
Size:
3.8 Linear Feet
Collection ID:
AAA.arnohers
Repository:
Archives of American Art

The Arnold Herstand & Co. records and Arnold Herstand papers measure 3.8 linear feet and date from 1927-1995. The papers document Herstand's career as a university administrator, art dealer, and artist. The collection consists of biographical material; personal and professional correspondence; artist files of the Arnold Herstand & Co. gallery; lectures and writings by Herstand; artwork by Arnold Herstand and other artists; photographs of Herstand, friends, family, and Herstand's artwork; and printed material relating to the Arnold Herstand & Co. gallery and Herstand's artistic career. Also included are video recordings.

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Creators:
Levine, Jack, 1915-2010
Dates:
1923-1999
Size:
3.2 Linear feet
Collection ID:
AAA.levijack
Repository:
Archives of American Art

The papers of New York social realist painter and printmaker Jack Levine date from 1923-1999, and measure 3.2 linear feet. Levine's career is documented through biographical material, scattered letters, notes and a speech, writings, student drawings, three scrapbooks, printed material and nearly one linear foot of photographs of Levine, his family, and his colleagues.

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Creators:
Constantine, Mildred
Dates:
1945-2008
Size:
5.3 Linear feet
Collection ID:
AAA.consmild
Repository:
Archives of American Art

The papers of Mildred Constantine measure 5.3 linear feet and are dated 1945-2009. Subject files, writings, photographs, and a scrapbook provide an overview of her curatorial work in the Architecture and Design department of the Museum of Modern Art, and subsequent activities as an independent curator, and art consultant. Especially well documented is Whole Cloth, a book written with Laurel Reuter that presents an historical overview of how artists have used cloth in their work.

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Creators:
Casas, Mel, 1929-2014
Dates:
1963-1998
Size:
1 Linear foot
Collection ID:
AAA.casamel
Repository:
Archives of American Art

The papers of painter and educator Mel Casas measure 1.0 linear feet and date from 1963 to 1998. The collection is comprised of biographical materials that include files on the art collective Con Safo, correspondence regarding business and exhibitions, writings by Casas on Chicano art and by others, printed materials, and photographic materials containing photographs and slides of Casas and others, his artwork, and an exhibition.

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Creators:
Lawrence P. Fraiberg Productions
Dates:
1979
Size:
2.4 Linear feet
Collection ID:
AAA.frailawr
Repository:
Archives of American Art

The State of the Arts videorecordings measure 2.4 linear feet and consist of 30 videocassettes (U-matic) and three sets of handwritten notes, all created during the production of a pilot episode for a broadcast television documentary series on contemporary art in 1979. Four stories were produced for the pilot: a staged debate on modern art at the Museum of Modern Art; an investigation into the economics of the contemporary art market, a collaboration between video artist Nam June Paik and sound artist Liz Phillips, and an extended interview with sculptor George Segal on the occasion of his 1979 retrospective exhibition at the Whitney Museum of American Art. Video footage includes raw footage for each segment and edited versions of the economics of art story, the Nam June Paik and Liz Phillips story, and the George Segal story. The reporter and interviewer for the program was Barry Nolan.

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Creators:
Cooper, G. Arthur (Gustav Arthur), 1902-2000
Dates:
1923-1993 and undated,with material from 1878 to 1892
Size:
18.61 cu. ft. (36 document boxes) (1 half document box) (2 3x5 boxes) (1 oversize folder)
Collection ID:
Record Unit 7318
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Creators:
National Museum of History and Technology. Division of Physical Sciences
Dates:
1956-1976
Size:
3.5 cu. ft. (7 document boxes)
Collection ID:
Record Unit 293
Repository:
Smithsonian Institution Archives

These records consist of public inquiries about scientific instruments; layout plans, scripts, and photographs for exhibitions; proposals for the Hall of Physics, Mathematics, and Astronomy in MHT; general correspondence with domestic and foreign science museums, universities, manufacturers and collectors of scientific instruments, and profess...

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Dates:
1987-1990
Size:
files (Reference copies).
Collection ID:
Record Unit 9536
Repository:
Smithsonian Institution Archives

The Smithsonian Videohistory Program, funded by the Alfred P. Sloan Foundation from 1986 until 1992, used video in historical research. Additional collections have been added since the grant project ended. Videohistory uses the video camera as a historical research tool to record moving visual information. Video works best in historical r...

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