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Creators:
Cooper-Hewitt Museum. Office of the Director
Dates:
1969-1992, with related records from 1948
Size:
39.88 cu. ft. (39 record storage boxes) (1 document box) (1 film box) (12 oversize folders)
Collection ID:
Record Unit 492
Repository:
Smithsonian Institution Archives

These records contain the Director's correspondence files from 1975 to 1991, as well as smaller files created by Rohlfing, Pfister, and Scherer. In addition, the records include administrative and subject files from 1970 to 1988. These files document museum functions such as acquisitions, collections management, and budgeting, as well as large...

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Creators:
National Museum of American History. National Numismatic Collection
Dates:
1906-1999
Size:
17 cu. ft. (17 record storage boxes)
Collection ID:
Accession 02-206
Repository:
Smithsonian Institution Archives

These records primarily document the curatorial and professional activities of Vladimir Clain-Stefanelli and his wife, Elvira E. Clain-Stefanelli, and to a lesser extent the activities of curators Stuart M. Mosher, Richard G. Doty, and Cora Lee C. Gillilland. The records date back to when the National Numismatic Collection was known as the ...

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 23-July 4, 1983
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1983
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Dates:
1865–1872
Size:
106 Reels
Collection ID:
NMAAHC.FB.M1910
Repository:
National Museum of African American History and Culture

The collection is comprised of digital surrogates previously available on the 106 rolls of microfilm described in the NARA publication M1910. These digital surrogates reproduced the records of the South Carolina field offices of the Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872, including previously unfilmed records of the Office of the Assistant Commissioner, and records of the offices of staff officers, subordinate officers, and subordinate field offices. These records consist of bound volumes and unbound records, including letters and endorsements sent and received, orders and circulars, monthly reports, and other records relating to freedmen's complaints and claims.

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Creators:
True, Allen Tupper, 1881-1955
Dates:
1841-1987
Size:
8.2 Linear feet
Collection ID:
AAA.truealle
Repository:
Archives of American Art

The Allen Tupper True and True family papers date from 1841 to 1987 and measure 8.2 linear feet. The collection presents a good overview of True's personal life and and his career as mural painter and illustrator specializing in Western themes.

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Creators:
DeVincent, Sam, 1918-1997
Dates:
1841-1986, undated
Size:
98 Boxes
Collection ID:
NMAH.AC.0300.S11
Repository:
Archives Center, National Museum of American History

Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 11: Entertainment contains more than 12,500 pieces of sheet music and other materials documenting the development of and popular attitudes towards entertainers and entertainment in the United States. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 25-July 5, 1992
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1992
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Archives Center, NMAH, SI.
Ravnitzky, Michael
Dates:
circa 1900-present
Size:
29 Cubic feet (55 boxes)
Collection ID:
NMAH.AC.0404
Repository:
Archives Center, National Museum of American History

This collection contains a variety of business ephemera similar to that found in the Warshaw Collection of Business Americana. The material in the Business Americana Collection is newly acquired ephemera received from many sources including curatorial units, the public, and Smithsonian Institution staff.

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Creators:
Smithsonian Institution, Assistant Secretary for History and Art
Dates:
1965-1985
Size:
24.7 linear meters.
Collection ID:
Record Unit 477
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Creators:
Drewal, Henry John
Drewal, Margaret Thompson
Dates:
1970-1989
Size:
10,000 Slides (color)
10,617 copy slides
Collection ID:
EEPA.1992-028
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Both Henry John Drewal and Margaret Drewal traveled to Nigeria, Ghana and Togo (West Africa) for extended periods from 1967-1986. During their trips to Nigeria they conducted research into the ritual performance, masking traditions, and traditional sacred rites of the Yoruba people as well as Mami Wata devotes of Togo, Ghana, and Nigeria. They are the co-authors of Gelede: Art and Female Power among the Yoruba (1993).Both Henry John Drewal and Margaret Drewal traveled to Nigeria, Ghana and Togo (West Africa) for extended periods from 1967-1986. During their trips to Nigeria they conducted research into the ritual performance, masking traditions, and traditional sacred rites of the Yoruba people as well as Mami Wata devotes of Togo, Ghana, and Nigeria. They are the co-authors of Gelede: Art and Female Power among the Yoruba (1993). Photographs taken by Henry John and Margaret Thompson Drewal during the 1970s and 1980s of Yoruba and Ewe art and culture.

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