Query: music
Black Mosaic: Community, Race, and Ethnicity among Black Immigrants in Washington, D. C. Exhibition Records
Creators:
Smithsonian Institution. Anacostia Community Museum
Dates:
1942-1998
Size:
21.6 Cubic feet (consisting of 17 cartons, 2 oversized boxes.)
Collection ID:
ACMA.03-027
Repository:
Anacostia Community Museum Archives

These records document the planning, organizing, execution, and promotion of an exhibition exploring the immigration of people of African descent from Central and South America and the Caribbean to the Washington Metropolitan Area. The show was organized and hosted by the Anacostia Museum from August 21, 1994 through August 7, 1995. Materials include correspondence, research files, exhibit script, administrative records, brochures, press coverage, education packets, loan agreements, floor plans, and catalogues.

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Frank Gouldsmith Speck photograph collection
Creators:
Speck, Frank G. (Frank Gouldsmith), 1881-1950
Dates:
1909-1937
Size:
1428 Negatives (photographic)
40 Photographic prints (black & white)
Collection ID:
NMAI.AC.001.032
Repository:
National Museum of the American Indian

The Frank Gouldsmith Speck photograph collection includes portraits of individuals and families, as well as scenic shots and landscape views made between 1909 and 1937. Speck was an anthropologist and ethnographer, a professor at the University of Pennsylvania, and worked on behalf of the Museum of the American Indian, Heye Foundation collecting ethnographic materials across the Eastern United States and Canada. His collection of photographs includes materials from native communities ranging from Newfoundland to Ontario in Canada and from Maine to South Carolina in the United States.

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in NMAI.AC.001.032 for music
Alfred J. Frueh papers
Creators:
Frueh, Alfred Joseph, 1880-1968
Dates:
circa 1880-2010
Size:
7.7 Linear feet
3.18 Gigabytes
Collection ID:
AAA.fruealfr
Repository:
Archives of American Art

The papers of caricaturist and illustrator Alfred J. Frueh measure 7.7 linear feet and 3.18 GB and date from circa 1880-2010. These papers consist of biographical information, including a sound recording of reminiscences about Frueh by his children; correspondence that includes many illustrated letters and greeting cards; notes and writings; numerous caricature sketches, cartoons, and 25 sketchbooks by Frueh; printed and digital material; and photographs of Frueh and his artwork. There is a 2.3 linear foot unprocessed addition to this collection donated 2020 that includes bound and unbound scrapbooks and loose newspaper and magazine clippings of caricatures by Frueh from the New Yorker and other publications, circa 1920-1940.

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Romare Bearden papers
Creators:
Bearden, Romare, 1911-1988
Dates:
1937-1982
Size:
2.1 Linear feet
Collection ID:
AAA.bearroma
Repository:
Archives of American Art

The papers of Romare Bearden measure 2.1 linear feet and date from 1937 to 1982. The collection includes biographical information, correspondence, writings by and about Bearden, miscellaneous legal and financial material, photographs, drawings, and printed material. Found are numerous letters referring to African-American arts movements of the 1960s and 1970s, including exhibitions, publications, associations, and scattered letters of a more personal nature.

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Karl Knaths papers
Creators:
Knaths, Karl, 1891-1971
Dates:
1890-1973
bulk 1922-1971
Size:
8.9 Linear feet
Collection ID:
AAA.knatkarp
Repository:
Archives of American Art

The papers of cubist painter Karl Knaths measure 8.9 linear feet and date from 1890 to 1973, with the bulk of the materials dating from 1922 to 1971. The collection includes biographical material, personal and professional correspondence, four diaries, 22 notebooks and notes on theoretical color and compositional approaches to painting, published and draft copies of essays on art, miscellaneous printed material, 132 sketchbooks and other artwork.

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George Eaton Simpson photographs
Creators:
Simpson, George Eaton, 1904-1998
Dates:
1936-1987
Size:
521 Prints (silver gelatin)
90 Negatives (acetate)
70 Lantern slides
347 Negatives (nitrate)
185 Color slides
4 Prints (Kodachrome color)
Collection ID:
NAA.PhotoLot.93-14
Repository:
National Anthropological Archives

The collection documents George Eaton Simpson's fieldwork in Haiti, Jamaica, Trinidad, and Nigeria from 1936-1964. There are 704 images in several formats including negatives, prints, and slides. The photographs were primarily made by Simpson, but a few were made by Frederic Ramsey, Jr. Ramsey's prints are stamped on verso with his name …

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Matthew Shepard Papers
Creators:
Shepard, Matthew, 1976-1998
Dates:
1976-2019, undated
Size:
14.1 Cubic feet (43 boxes, 1 map folder)
Collection ID:
NMAH.AC.1463
Repository:
Archives Center, National Museum of American History

The papers of Matthew Shepard (1976-1998) a gay man who was a victim of a hate crime in Laramie, Wyoming October 1998 resulting in his death. His death gained national and international attention leading to the formation of the Matthew Shepard Foundation and eventual passage of federal hate crime legislation (The Matthew Shepard and James Byrd, Jr. Hate Crimes Prevention Act), signed into law in October 2009.

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Robert Ledley Papers
Creators:
Ledley, Robert S.
National Biomedical Research Foundation. Georgetown University
Dates:
1972-1990
Size:
3 Cubic feet
Collection ID:
NMAH.AC.1135
Repository:
Archives Center, National Museum of American History

The Robert Ledley Papers document the development of the first whole-body diagnostic imaging system, the Automatic Computerized Transverse Axial (ACTA) X-ray Scanner by Ledley in 1973. Also included is material relating to Ledley's company, Digital Science Information Corporation (DISCO), as well as the public and medical communities' reactions to the scanner.

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in NMAH.AC.1135 for music
Weir family papers
Creators:
Weir family
Dates:
1809-circa 1961
bulk 1830-1920
Size:
0.8 Linear feet
Collection ID:
AAA.weirweir
Repository:
Archives of American Art

The papers of the prominent New York and Connecticut Weir family of artists measure 0.8 linear feet and date from 1809-circa 1961, with the bulk of the material dating from 1830-1920. The papers are a collection of correspondence and photographs that constitute a small but vivid record of the influence and relationships of this family of Hudson River School, landscape, and miniature painters. Correspondence consists primarily of letters to painter John Ferguson Weir when he was director of the Yale School of Fine Arts, with scattered letters to his daughter Edith Weir (Perry), and a small amount of correspondence of Robert Weir, his daughter Carrie M. Mansfield, son-in-law Lewis William Mansfield, and Julia Bayard. Letters to John F. Weir are from many late-19th century artists, as well as actors, poets, lawyers, scholars, and clergymen, often concerning arrangements for visiting lectures at the school. Photographs are of Robert Walter Weir, Susan Bayard Weir, Julian Alden Weir, and artwork.

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Frances Benjamin Johnston and Thomas W. Smillie Glass Plate Negatives
Creators:
Johnston, Frances Benjamin, 1864-1952
Smillie, T. W. (Thomas William), 1843-1917
Talman, Hugh (photographer)
Dates:
circa 1888-1899, 1906, 1993
Size:
2 Cubic feet (7 boxes)
Collection ID:
NMAH.AC.0416
Repository:
Archives Center, National Museum of American History

Twenty glass plate negatives and reference copy prints of the images taken between the late 1880s and the early 1900s by Frances Benjamin Johnston and Thomas W. Smillie. The images depict the skyline of Washington D.C., views from the 1893 World's Fair: Columbian Exposition, blueprints for the Smithsonian Arts and Industries Building, and an unidentified orchestra.

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in NMAH.AC.0416 for music