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Creators:
Beato, Felice, b. ca. 1825
Dates:
1858
Size:
1 Print (albumen, image 23 x 29 cm., mounted 38 x 41 cm.)
Collection ID:
FSA.A1999.28
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

One albumen print by Felix Beato, mounted on card, with "Residency" inscribed in black ink below the print. View of the shelled remains of the Residency in Lucknow, with two men sitting in the foreground, circa 1858.

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Dates:
1906-1948
bulk 1907-1928
Size:
0.5 Cubic Feet ((1 box))
Collection ID:
NASM.XXXX.0079
Repository:
National Air and Space Museum Archives

The collection contains letters, telegrams, brochures, photographs and miscellaneous ephemera pertaining to Orville and Wilbur Wright. Included with the correspondence are letters written to William J. Hammer, who was an aeronautical pioneer and associated with the Wright Brothers, as well as other individuals including C. R. Peterkin. Additional i...

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Creators:
Ride, Sally, 1951-2012
Dates:
1970-2012
Size:
24 Cubic feet (63 boxes)
Collection ID:
NASM.2014.0025
Repository:
National Air and Space Museum Archives

The Sally K. Ride Papers consists of over 23 cubic feet of papers, photographs, certificates, and film, created or collected by Sally Ride and chronicling her career from the 1970s through the 2010s. The papers document Ride's lifetime of achievements and include material relating to her astronaut training and duties; her contributions to space policy; her work as a physicist; and her work as an educator, including Sally Ride Science and related STEM projects.

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Dates:
between 1958-1972
Size:
178 slides (photographs) (color)
Collection ID:
EEPA.2003-003
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Allan L. Pitcher, a Foreign Service officer working and traveling in Nigeria, Cameroon, Liberia, Ghana and Upper Volta. Images include individual and group portraits of men, women and children, leaders and village elders. There are numerous images of markets to include close-ups of market stalls and street views. Also included are images of rites, ceremonies and various dance performances in Liberia, among the boys about to enter the initiation camp, women of Sande society and dances performed in conjunction with government ceremonies. Another focus of the photography are industry and economic activities. Slides show rubber production in Firestone Rubber plantation (Liberia), mining and dam construction. Among the most important images are architectural shots, which include African residences as well as official buildings. Pitcher also photographed the Esso station with the screens by Adebisi Akanji and a shrine in Oshogbo.

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Creators:
DeVincent, Sam, 1918-1997
Dates:
1827-1986; undated
Size:
66 Boxes
Collection ID:
NMAH.AC.0300.S09
Repository:
Archives Center, National Museum of American History

Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 9: Domestic and Community Life documents family, love, marriage, home, and social organizations. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.

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Dates:
1934-2014
Size:
2.4 Cubic feet (1 box, 4 flat boxes)
Collection ID:
ACMA.06-078
Repository:
Anacostia Community Museum Archives

Donald Murray, Jr. papers consists of 2.4 linear feet of mixed archival materials. The materials speak to Mr. Murray's role as a manager and Director of the Department of Consumer and Regulatory Affairs (DCRA), his involvement in DC politics and family history. Documents include photographs, ephemera from various organizations and some videotaped materials of local social events.

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Creators:
Wheeler, William F. (William Felix), 1943-2008
Dates:
1986-1998
Size:
8 color slides (circa)
Collection ID:
NAA.PhotoLot.2005-19
Repository:
National Anthropological Archives

Photographs made by William F. Wheeler during his expeditions to Africa in July 1986, 1987, 1988, 1990, 1993, 1994, 1996, and 1998, mostly documenting the Efe of Akokora in the Ituri forest. Photographs relating to the Efe people of Akokora in the Ituri forest include images of Efe people, camps, musical instruments, dances, archery and poison arro...

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Creators:
Mr. Wizard Studios (Firm)
Herbert, Don (Donald Jeffry), 1917-2007
Dates:
1906-2008
bulk 1951-1995
Size:
26 Cubic feet (57 boxes, 1 oversize folder)
Collection ID:
NMAH.AC.1326
Repository:
Archives Center, National Museum of American History

The collection documents, through printed materials, photographs, audio and moving image, Don Herbert's career as a science educator under the persona of "Mr. Wizard" from 1951 until the 1990s.

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Creators:
Costume, Division of (NMAH, SI).
J.B. Simpson, Inc.
Steen, Enoch
Steen, Richard (merchant)
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Dates:
1888-1972
Size:
1.6 Cubic feet (5 boxes)
Collection ID:
NMAH.AC.0206
Repository:
Archives Center, National Museum of American History

Enoch Steen was born in Norway in 1888. His family moved to the United States and settled in Minnesota in 1890. In 1913 he began working with Meyer & Company, a tailor-to-trade business in Chicago. This company had acquired the American Woolen Mills Company from Sears, Roebuck & Co. in 1900. Meyer & Company also sold clothes under the names of Paragon Tailoring Company and the Lincoln Trading Company. Steen's principal duties were sales and advertising.

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Creators:
Rorimer, James J. (James Joseph), 1905-1966
Dates:
1921-1982
bulk 1943-1950
Size:
2.3 Linear feet
Collection ID:
AAA.rorijame
Repository:
Archives of American Art

The papers of curator and museum director James J. Rorimer measure 2.3 linear feet and date from 1921 to 1982, with the bulk from 1943-1950. The papers include documentation of James J. Rorimer's World War II service in the Monuments, Fine Art and Archives Section of the U.S. Army and his activities protecting historic and cultural sites from bombing, and locating and recovering art work and cultural icons stolen by the Nazis. Found within the papers are scattered biographical materials and correspondence, writings include draft versions of Rorimer's book Safe-Keeping or Survival: The Salvage and Protection of Art in War, financial records, photographic materials including a photo album containing photographs of European art work and cultural sites where Rorimer worked, newsclippings and additional printed materials, and one scrapbook of clippings dating from World War II.

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