289 records — Page 12 of 29
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Creators:
Renwick Gallery
Dates:
1981, 1988, 1994-2003
Size:
7 cu. ft. (7 record storage boxes)
Collection ID:
Accession 10-106
Repository:
Smithsonian Institution Archives

This accession consists of records related to the research and planning of exhibitions at the Renwick Gallery. The majority of the records document the research of Kenneth R. Trapp, Curator-in-Charge for the proposed exhibition, Silver on the High Seas: United States Navy Presentation Silver Services which was to open in fall 2004. Also i...

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Creators:
Downtown Gallery
Dates:
1824-1974
bulk 1926-1969
Size:
109.56 Linear feet
Collection ID:
AAA.downgall
Repository:
Archives of American Art

The records of the Downtown Gallery date from 1824 to 1974 (bulk 1926-1969) and measure 109.56 linear feet. The records present a comprehensive portrait of a significant commercial gallery that operated as a successful business for more than forty years, representing major contemporary American artists and engendering appreciation for early American folk art. There is an unprocessed addition to this collection dating circa 1970 of a single financial/legal document.

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Creators:
Johnson, Ellen H.
Dates:
1872-2018
bulk 1921-1992
Size:
60.3 Linear feet
Collection ID:
AAA.johnelle
Repository:
Archives of American Art

The papers of art historian, art critic, author, librarian and educator Ellen Hulda Johnson measure 60.3 linear feet and date from 1872-2018, with the bulk of the material dating from 1921-1992. The papers include biographical materials; personal and family files; personal, professional, and business correspondence; extensive research and writing files; teaching files; subject files; professional and curatorial files; and artists' files. Johnson's papers reflect the full range of her career, interests, and close relationships with many artists.

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Creators:
Gordon, Elizabeth, 1906-2000
Dates:
1958-1987
Size:
3 Linear feet
Collection ID:
FSA.A1988.03
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Papers, 1959-1987, of Elizabeth Gordon, editor of the periodical, House Beautiful from 1941-1964, mostly related to her research for the August and September 1960 issues of House Beautiful regarding the Japanese aesthetic concept of "shibui", and the subsequent travelling "shibui exhibition" from 1961-1964. Included are correspondence, some photocopies, 1959-1963; notes; drafts for articles and lectures; printed material including magazine and newspaper clippings, 1959-1987; 2 books, and exhibition announcements; drawings of paper and foil art; a photo album containing photos of exhibition installations; and photographs, slides, color transparencies, and lantern slides depicting people, sites, and objects reflecting the "shibui" aesthetic.

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Creators:
Blue Eagle, Acee, 1907-1959
Dates:
1907 - 1975
Size:
673 Paintings (visual works) (approximate)
30 Linear feet (55 document boxes and 8 oversize boxes)
Collection ID:
NAA.1973-51
Repository:
National Anthropological Archives

Acee Blue Eagle was a Pawnee-Creek artist, poet, dancer, teacher, and celebrity. The papers relate to both Blue Eagle's personal and professional life. Also included are some materials of Blue Eagle's friend Mae Abbott and a collection of art by other Indians.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 24-July 5, 1981
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1981
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
National Museum of the American Indian. Community and Constituent Services. Constituent Outreach. Training Unit
Dates:
1977-2008
Size:
8.5 cu. ft. (8 record storage boxes) (1 document box)
Collection ID:
Accession 11-042
Repository:
Smithsonian Institution Archives

This accession consists of records which document the work of the Training Unit in the creation and implementation of training programs for the Native American community and related organizations. Areas of training include the care of Native American collections; the creation and management of tribal archives; exhibition planning, fabrication,...

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Creators:
Perls Galleries
Dates:
1937-1997
Size:
79.6 Linear feet
Collection ID:
AAA.perlgall
Repository:
Archives of American Art

The records of the Perls Galleries measure 79.6 linear feet and date from 1937 to 1997. Founded by Klaus Perls in 1937 and operating until 1997, the gallery dealt primarily in modern French art and the artwork of Alexander Calder. Found within the records are extensive correspondence (circa 44 linear feet) with artists, dealers, galleries, museums, and collectors; photographs and negatives of inventory and other artwork; exhibition files, scattered financial records; and exhibition catalogs and clippings.

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Creators:
National Museum Act Program
Dates:
1966-1986
Size:
53 cu. ft. (53 record storage boxes)
Collection ID:
Record Unit 574
Repository:
Smithsonian Institution Archives

The National Museum Act (NMA) of 1966 affirmed the Smithsonian Institution's traditional role of assisting other museums and authorized the Institution to strengthen its activities of service to them. Funds appropriated to the Smithsonian for the implementation of the National Museum Act were made available primarily by grants and contracts ...

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Creators:
Gilliam, Sam, 1933-
Dates:
1957-1989
Size:
7.9 Linear feet
Collection ID:
AAA.gillsam
Repository:
Archives of American Art

The papers of contemporary Color Field painter and educator Sam Gilliam measure 7.9 linear feet and date from 1957 to 1989. The papers include biographical material, correspondence, writings, business records, printed material, subject files, a scrapbook, artwork, and photographic material that document Gilliam's life from his time as a student through his teaching, professorial, and artistic career. The collection highlights Gilliam's close involvement with the art institutions, racial politics, and artistic innovation taking place in 1960s through 1980s America, specifically in Washington D.C.

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289 records — Page 12 of 29