Larry Zim World's Fair Collection
Zim, Larry (Larry Zimmerman), 1931-1987
Memorabilia of fairs and World's Fairs throughout history, both in the United States and abroad, including photographs, stereographs, panoramas and slides; printed materials; postcards; sheet music; philatelic material; stationery and greeting cards; menus and food service items; posters; shopping bags; motion picture films; and other items.
Alexander Alland, Sr., Photoprints
Salo, Matt, Dr.
Haberstich, David E., 1941-
Ahlborn, Richard E., 1933-2015
1930 - 1943
This collection contains 273 silver gelatin photoprints (Series 1), most of which apparently were made during the 1930s and early 1940s, contemporaneously with the original negatives. All are 8" x 10" or slightly smaller, unmounted except for flush mounted linen on the backs of some prints. The photographs were made primarily in two locations, New York …
Walt Kuhn Family papers and Armory Show records
The Walt Kuhn Family papers and Armory Show records measure 31 linear feet and date from 1859 to 1984, with the bulk of material dating from 1900 to 1949. Papers contain records of the legendary Armory Show of 1913, also known as the International Exhibition of Modern Art, which introduced modern European painting and sculpture to the American public. Papers also contain records of the Association of American Painters and Sculptors (AAPS), the artist-run organization that mounted the Armory Show; records of the New York artists' clubs the Kit Kat Club (founded 1881) and the Penguin Club (founded 1917); and the personal and family papers of New York artist Walt Kuhn (1877-1949), one of the primary organizers of the Armory Show.
Eyre de Lanux papers
The papers of portrait painter, writer, and designer, Eyre de Lanux (1894-1996) measure 10.6 linear feet and date from 1865 to 1995. The papers include biographical materials, personal business records, sixty-four diaries dating from 1922 through 1988, writings and notes, research files, printed materials, artwork, and photographs of Eyre de Lanux, her family, and friends. There is extensive correspondence with her husband Pierre de Lanux and her long-time lover Paolo Casagrande, as well as with other friends and family.
Moses Ros papers
The papers of Dominican American installation artist Moses Ros measure 2.3 linear feet and date from 1978 to 2012. The collection is comprised of files for several New York City Housing Authority commissions, as well as architecture, sculpture, and mural projects; professional files for Dominican York Proyecto GRAFICA, MUD/BONE Print Studio, and a New York American Institute of Architects residency; printed materials; and artwork that includes doodles, sketches, mock ups, and a paper and feather mask.
Leon Kroll papers
The papers of realist painter, muralist, and educator Leon Kroll date from circa 1900 to 1988 and measure 8.7 linear feet. The collection documents Kroll's painting career, teaching, and active participation in numerous art organizations. Over one-half of the collection is correspondence with artists, schools, galleries, museums, patrons, arts organizations, and others. Also found are scattered biographical material, writings and notes, legal and financial records, exhibition catalogs, clippings, other printed material, photographs of Kroll and colleagues, loose drawings and nine sketchbooks.
These records document, for the most part, the Department under the administration of Calvin S. Hathaway, Curator, 1946-1951, and Director, 1951-1963. Included is correspondence of Hathaway with members of the exhibition staff and with collectors and institutions concerning the exhibits in the museum; exhibit files, arranged alphabetically by exhibition titles and including …
Cosmos Andrew Sarchiapone papers
The papers of New York City photographer, conceptual artist, and musical composer Cosmos Sarchiapone measure 49.2 linear feet and 0.367 GB and date from circa 1860-2011, with the bulk of the materials dating from 1940-2011. The collection includes biographical material and personal business records; correspondence; extensive writings, including written and recorded music compositions; teaching files; printed material and published sound and video recordings; photographic material; artwork; artifacts; and unpublished sound recordings and born-digital material. Highlights of the collection are more than 40,000 photographic images documenting New York's avant-garde art scene of the 1970s, along with celebrity parties, concerts, exhibition openings and other occasions in the art, music, and theater world. Extensive and somewhat rare printed materials offer users a visual chronical of the downtown art world in the form of posters from the 1970s, including a number of Milton Glaser's, and hundreds of exhibition announcements, theater programs, and playbills.
Through their eyes: the art of Lou and Di Stovall exhibition records
Smithsonian Institution. Anacostia Community Museum
An exhibition featuring the works of artists Lou and Di Stovall organized by the Anacostia Neighborhood Museum and held there from September 18 --December 18, 1983. These records document the planning, organizing, execution, and promotion of the exhibition. Materials include correspondence, research files, exhibit scripts, administrative records, brochures, press coverage, education packets, loan agreements, floor plans, and catalogues.
Cleve Gray papers
The Cleve Gray papers, 1933-2005, measure 9.2 linear feet. Papers include biographical material, alphabetical files, writings, artwork, audio/visual records, artifacts, printed material, and photographs. Extensive alphabetical files contain personal and professional correspondence as well as subject files relating to projects and interests. Especially well-documented are: Gray's involvement with the Vietnam protest movement; and Threnody, his best-known work composed of fourteen large panels lamenting the dead of both sides sides in Vietnam, commissioned by the Neuberger Museum of Art.