De Hirsh Margules papers
The papers of painter De Hirsh Margules measure 5.5 linear feet and date from 1888-2001, with the bulk dating from 1923-1965. The papers contain biographical material, and business and personal correspondence, including letters from Alfred Stiegliz, John Marin, Henry Miller, Max Schnitzler, Charles J. Connick, Louis M. Eilshemius, Alex King, and Myron Lechay. Also found are writings, printed material, scrapbooks, photographs, works of art and audio recordings documenting Margules' personal life and professional career.
Mark Baum papers
The papers of painter Mark Baum date from 1926 through 1997 and measure 1.5 linear feet. Found within the collection are biographical and personal files; family and professional correspondence; exhibition announcements and catalogs; lecture notes and cassette tape recordings of lectures; writings, newspaper clippings, photographs and slides, loose sketches, sketchpads, sketchbooks, and stencils.
Rose Lamb papers
The papers of Boston area portrait painter Rose Lamb date from circa 1870 to 1961, with the bulk of the material dating from circa 1870 to 1900, and measure 0.8 linear feet. The collection contains a diploma; letters from artists, writers, historians, and others, including nine letters from former teacher and friend William Morris Hunt; photographs of unidentified people and artwork by Lamb; and original artwork, including a sketchbook, charcoal drawings, watercolors, and two oil paintings.
James Huber, Michael Hossner, and Dino Vinti papers
Hossner, Michael, 1954-1990
Dino Vinti, 1958-1989
The papers of Bay Area figurative artists James Huber and Michael Hossner measure 3.1 linear feet and date from 1950 to 1993. This collection documents both James Huber and Michael Hossner's art careers in the San Francisco art scene in the 1970s and 1980s. Also included is material regarding Dino Vinti, an independent curator and curator at Footworks Studio, an alternative center for visual and performing arts. A bulk of this collection is comprised of personal correspondence, personal photographs, and photographs used as studies for works of art, and exhibition announcements and catalogs. The papers document the Bay Area art scene in the 1970s and 1980s of which Huber and Hossner were a part of, alternative spaces, and the devastation of the AIDS epidemic.
Jules Olitski notes to Joan Olitski
Olitski, Jules, 1922-2007
The notes of painter and sculptor Jules Olitski to Joan Olitski measure 0.02 linear feet and date from 1981-2004. The collection comprises of ten humorous love notes, some illustrated, written by Jules Olitski to his wife, Joan. Olitski wrote the notes to his wife (also known as Kristina) in the morning when he left his studio after working through the night.
Carl Rungius papers
The Carl Rungius papers, 1896-1995, measure 0.6 linear feet. A scrapbook and three photograph albums document the work, interests, and family of the wildlife painter and illustrator.
Isabella Howland papers
The papers of artist Isabella Howland measure 1.2 linear feet and date from 1899-1979. The collection documents her career through biographical material, correspondence, personal business records, writings, printed material, artwork, and photographs.
Katherine Schmidt papers
The papers of painter and arts advocate Katherine Schmidt measure 0.2 linear feet and date from circa 1921 to 1971. Scattered correspondence, speeches, proposals, meeting minutes, and notes focus primarily on Schmidt's advocacy for federal and state government support of the arts. Printed materials includes exhibition catalogs, clippings, press releases documenting Schmidt's painting career and arts advocacy work. Photographs include portrait photos of Schmidt and photographs of Schmidt's drawings. There are two photographs taken by her first husband Yasuo Kuniyoshi of Schmidt with friends at a party.
Edwin Ambrose Webster papers
The papers of painter and educator Edwin Ambrose Webster measure 2.2 linear feet and date from 1821 to 1968. Found within the papers are biographical material; business and personal correspondence; writings; teaching and research files, including information on Webster's participation in the 1913 Armory show; printed material; artwork; and photographic materials of Webster, his family and friends, and his work.
Laurie Lisle research material on Georgia O'Keeffe and Louise Nevelson
The Laurie Lisle research material on Georgia O'Keeffe and Louise Nevelson measures 3.4 linear feet and dates from 1902-1990. The collection consists of copied biographical papers, recordings, correspondence, and printed material related to O'Keeffe, and 97 recorded interviews related to the life of Louise Nevelson. The outcome of Lisle's research on O'Keeffe resulted in her book, Portrait of an Artist: A Biography of Georgia O'Keeffe (1980); and on Nevelson, Lisle authored, Louise Nevelson: A Passionate Life (1990).